David Liss - A Spectacle Of Corruption

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Publisher's Weekly
This sequel to Liss's Edgar Award-winning A Conspiracy of Paper (2000) brings back ex-pugilist Benjamin Weaver and his 18th-century London environs in all their squalid glory. Benjamin has become a "thieftaker," a sort of bounty hunter/private eye, and is investigating the simple case of a threatening letter when he is caught up in a riot, accused of murder and sentenced to hang. After a gutsy escape, he sets about unraveling the mystery of who framed him and why. Donning the disguise of a wealthy coffee planter from Jamaica, Benjamin infiltrates the upper classes, where he encounters a plot centering on a hotly contested House of Commons election. There is much explanation (perhaps too much) of the history and philosophies of the Whig, Tory and Jacobite parties, but this is nicely balanced with Benjamin's forays into London's underbelly, where he has his way with the ladies and dodges dangerous louts looking to kill him. The real fun is the re-creation of the streets of London ("He fell into the alley's filth-the kennel of emptied chamber pots, bits of dead dogs gnawed on by hungry rats, apple cores and oyster shells") and the colorful denizens thereof. Many hours are spent in innumerable coffeehouses, with Benjamin and company imbibing coffee, chocolate, ale, wine and that great destroyer of the poor, rotgut gin, and employing such useful swear words as "shitten stick," "arse pot" and "bum firking." Mystery and mainstream readers with a taste for gritty historical fiction will relish Liss's glorious dialogue, lively rogues, fascinating setting and indomitable hero. (Mar.) Forecast: The many readers who loved Liss's first book have been eagerly awaiting a sequel. Booksellers can recommend both of the Benjamin Weaver books to those who enjoy Bruce Alexander's Sir John Fielding mystery series. Copyright 2003 Reed Business Information.
Library Journal
Having survived the dangerous intrigues and nefarious plots surrounding his father's death and the business of the South Sea Company (A Conspiracy of Paper), Benjamin Weaver, former pugilist and thief taker extraordinaire, is once again plunged into the world of electioneering and political corruption in Georgian London. This time, he seeks to clear his name and save his own life after being wrongly accused of killing a dock worker. Forced to assume the disguise of a Jamaican tobacco plantation owner, he moves from the drawing rooms of Westminster to the hovels of Wapping in search of the true murderer, uncovering corruption at all levels, from perjured witnesses to bribed judges to treasonous Jacobites. While it does not resonate as richly as A Conspiracy of Paper, this novel will still delight readers with its picture of a London familiar to fans of Boswell and Defoe. [Previewed in Prepub Alert, LJ 11/1/03.]-Cynthia Johnson, Cary Memorial Lib., Lexington, MA Copyright 2004 Reed Business Information.
Kirkus Reviews
With eloquent wit, Liss manipulates the concepts of misdirection and probability theory in his serpentine third novel (after The Coffee Trader, 2003). Once again, we meet the unconventional protagonist of the author's Edgar-winning debut A Conspiracy of Paper (2000). "Thief-taker," retired prizefighter, and Jew Benjamin Weaver, as resourceful a former rogue as ever, is in peril again-falsely convicted and sentenced to hang for the murder of a dockworker and labor leader whom he barely knew. The year is 1722, and London is abuzz over England's first General Election, vigorously contested by conservative Tories who support Hanoverian King George I and antiroyalist Whigs, who may or may not be in league with Jacobites plotting the restoration of deposed "Pretender" James II of Scotland. Weaver escapes from Newgate Prison (in a marvelously detailed sequence), and, while laboring to clear his name, assumes multiple disguises and forms affiliations with several members of London's political, ecclesiastical, and criminal elites. These include the woman he loves unrequitedly, his cousin's widow Miriam, and her husband, Whig Parliamentary candidate Griffin Melbury; duplicitous parish priest Christopher Ufford (in whose service suspicion for murder had fallen on Weaver); brutal tobacco merchant Dennis Dogsmill and his fetching sister Grace, and numerous other power brokers and ruffians whose allegiances and very identities are seldom what they seem. The dazzling plot, which grows steadily more intricate and circuitous, turns on the allegation that "there [is] a Tory spy among the Whigs," and the likelihood that Weaver's victimization is connected to the election that the charismatic Melburyblithely characterizes as "a spectacle of corruption." Liss's impressive research provides a wealth of information about 18th-century politics, emergent labor organizations, and gradations of etiquette and malfeasance among contrasting social levels. And Weaver's somber, wry, knowing narrator's voice is a deadpan delight. Furthermore, it all ends with yet another twist that seems to promise we'll hear more from-and of-the indefatigable Benjamin Weaver. Let's hope so.

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“Elias,” I said, “when I am no longer in danger of execution, I should be very happy to learn of Mr. Claren’s whimsical doings. Until then, let me hear no more.”

“I hope, if I am ever convicted of murder and then on the run for my life, I won’t be so dour about it. Very well then, Weaver. I’ve let it be known that you are recently arrived and have been in the process of establishing your household, but you are now prepared to enter the world. You are an unmarried man of singular success in the West Indies, and you are worth a thousand a year. Perhaps more.”

“You do good work. My landlady has already announced my worth to me.”

“Gossip is but one of my talents, sir, in addition to penning clever tales. But I shan’t tell you about them.”

“Unmarried and a thousand a year. I shall find myself using my pugilist’s skills to keep the young ladies away.”

“It should prove quite diverting, but you would do well to recall that your goal is to return to being Benjamin Weaver, and you should not like to sour your reputation before you do so. Now, if you are going to fulfill this role, you must know something of your background. Here is a bit of authorial musing I believe you won’t object to learning of.”

He handed me an envelope, which I opened to find three pieces of paper scribbled over in Elias’s neat, impossibly compact hand. At the very top he had written The History of Matthew Evans, Esq.

“I suggest you study what I have written. You may make what changes you like, of course, but it would be in your best interests to learn the details of your alleged life. If you are intent on making Dogmill your enemy, you may alter all the Whig bits to Tory, but otherwise it should hold. It is far less amusing than the adventures of Mr. Alexander Claren, but it will serve. Learn it well.”

“I shall.” I examined the first page, which began, “After five years of barren matrimony, Mrs. Evans prayed to the Lord to grant her a son, and her prayers were rewarded one chill December evening with the birth of twin boys, Matthew and James, though James died of a fever before his first birthday.” I could see these pages contained perhaps more information than I required, but flipping ahead I found rich detail of Evans’s involvement in the tobacco trade. For all its literary indulgences, this document would prove invaluable.

“I thank you for this.”

“No need, no need.” He cleared his throat. “You might also wish to be advised that I have made certain that word of your presence on our isle will reach men of a journalistic stamp, so you ought not to be surprised if you read of yourself in the papers. All of this should make for a delightful debut at Hampstead.”

“Hampstead?”

“The Hampstead assembly will be held in four days.” He reached into his jacket and produced a ticket, which he then slapped on the table. “If you wish to reveal yourself to the bon ton, then this will be the place to do so. There is no more agreeable or vivacious event in London society this week.”

“The event of the week. How can I refuse?”

“You may laugh if you like, but this is what you must do if Mr. Evans is to meet the sort of people he needs to meet in order to proceed.”

“Surely some attendee will have set eyes on Benjamin Weaver at some time or other.”

“It is possible. I can only say that had I not known it was you, I should not have recognized you- at least not right away. I suppose I might have thought you looked familiar, but that is all. Remember, this is misdirection. No one is looking for you, so they will not see you. They will see what they expect to see.”

“Will you be there?”

“Under normal circumstances I would not have thought of missing it, but I might serve as the agent to make someone recognize you, and we cannot have that. I have, in fact, volunteered my own ticket.”

“You are very generous.”

“I am,” he said. “Though I should point out that I require of you the two shillings that the ticket cost me.”

CHAPTER 11

IHAD FAILED to mention to Elias my plans for the following morning because I knew he would have told me I was taking too great a risk. Perhaps I did not want to argue with him, and perhaps I did not want to risk his argument’s prevailing over mine. I therefore went back to my rooms, studied the biography he had written for the persona of Matthew Evans, made some adjustments, and contemplated my strategy.

I arrived at Mr. Dogmill’s fine house at Cleveland Street just after ten in the morning. Though anxious in the extreme, I did my utmost to conceal my concern. I merely knocked upon the door and presented my card to his unusually tall manservant. The fellow held it in his gloved hands and studied it for a moment the way a pawnbroker gazes at a piece of jewelry offered for evaluation.

“I promise you, he will want to speak with me,” I said.

“Any man may make a promise,” he said. “Mr. Dogmill is very busy.”

“I am certain he has time to speak with a brother of the tobacco trade,” I proposed.

The mention of my fabulous business appeared to turn the tide. Donning the slouch of a man surrendering to the inevitable, the servant showed me to a pleasant little room where I was invited to sit in a high-backed soft chair, clearly of French construction. The fellow knew not how long Mr. Dogmill should be nor how much time he might be able to spare for me. I nodded and folded my hands agreeably and gazed down at the intricate Turkey rug on the floor to lose myself for a moment in the swirl of its blue and red patterns. Across from where I sat, over the marbled fireplace, I studied a picture of an aging plump man and his aging plump wife. Dogmill’s father, perhaps?

After more than half an hour, I rose from my chair and began to pace. I have never loved being made to cool my heels, as the saying goes, and I found the experience to be, if anything, far more trying when I was in disguise and visiting the very man I believed responsible for every difficulty I faced in the world. How could I know that Dogmill would not recognize me at once? I hardly thought it likely. He might well have orchestrated my ruin, but he and I were not acquainted. He could not know me so well as to spot me in this disguise- at least, so I told myself.

At last the door opened and pulled me from a reverie of exposure and ruin. I turned, perhaps too quickly, but instead of seeing the imperious servant come to lead me to his master, a pretty young lady faced me. She was unusually tall, nearly my height, but neither gangling nor overly plump, as tall women tend to be. Rather, she was most striking in appearance, with dark, almost wine-colored hair and very pale orange eyes. The features of her face were regular and finely formed, though her nose was strong- possessing a rugged beauty perhaps better suited for a man’s face than a woman’s. I found her appearance most charming, however, and I bowed to her at once. “Good morning, madam,” I said.

“George informs me that you have been in here for some time. I thought you might wish for something to make the wait pass more easily.” She reached out with a graceful arm and presented an octavo volume. A quick glance showed it to be the plays of William Congreve. How ought I to interpret her giving me a book of plays by so naughty an author? She might easily have offered me a volume of Otway.

“My name is Matthew Evans,” I told her, still feeling the tug of doubt at using this nom de guerre.

“I am pleased to meet you, sir. I am Grace Dogmill, Mr. Dogmill’s sister.”

“Please come sit with me and make my wait more pleasant. I very much like Mr. Congreve, but I think I might like talking with you more.”

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