David Liss - A Spectacle Of Corruption

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Publisher's Weekly
This sequel to Liss's Edgar Award-winning A Conspiracy of Paper (2000) brings back ex-pugilist Benjamin Weaver and his 18th-century London environs in all their squalid glory. Benjamin has become a "thieftaker," a sort of bounty hunter/private eye, and is investigating the simple case of a threatening letter when he is caught up in a riot, accused of murder and sentenced to hang. After a gutsy escape, he sets about unraveling the mystery of who framed him and why. Donning the disguise of a wealthy coffee planter from Jamaica, Benjamin infiltrates the upper classes, where he encounters a plot centering on a hotly contested House of Commons election. There is much explanation (perhaps too much) of the history and philosophies of the Whig, Tory and Jacobite parties, but this is nicely balanced with Benjamin's forays into London's underbelly, where he has his way with the ladies and dodges dangerous louts looking to kill him. The real fun is the re-creation of the streets of London ("He fell into the alley's filth-the kennel of emptied chamber pots, bits of dead dogs gnawed on by hungry rats, apple cores and oyster shells") and the colorful denizens thereof. Many hours are spent in innumerable coffeehouses, with Benjamin and company imbibing coffee, chocolate, ale, wine and that great destroyer of the poor, rotgut gin, and employing such useful swear words as "shitten stick," "arse pot" and "bum firking." Mystery and mainstream readers with a taste for gritty historical fiction will relish Liss's glorious dialogue, lively rogues, fascinating setting and indomitable hero. (Mar.) Forecast: The many readers who loved Liss's first book have been eagerly awaiting a sequel. Booksellers can recommend both of the Benjamin Weaver books to those who enjoy Bruce Alexander's Sir John Fielding mystery series. Copyright 2003 Reed Business Information.
Library Journal
Having survived the dangerous intrigues and nefarious plots surrounding his father's death and the business of the South Sea Company (A Conspiracy of Paper), Benjamin Weaver, former pugilist and thief taker extraordinaire, is once again plunged into the world of electioneering and political corruption in Georgian London. This time, he seeks to clear his name and save his own life after being wrongly accused of killing a dock worker. Forced to assume the disguise of a Jamaican tobacco plantation owner, he moves from the drawing rooms of Westminster to the hovels of Wapping in search of the true murderer, uncovering corruption at all levels, from perjured witnesses to bribed judges to treasonous Jacobites. While it does not resonate as richly as A Conspiracy of Paper, this novel will still delight readers with its picture of a London familiar to fans of Boswell and Defoe. [Previewed in Prepub Alert, LJ 11/1/03.]-Cynthia Johnson, Cary Memorial Lib., Lexington, MA Copyright 2004 Reed Business Information.
Kirkus Reviews
With eloquent wit, Liss manipulates the concepts of misdirection and probability theory in his serpentine third novel (after The Coffee Trader, 2003). Once again, we meet the unconventional protagonist of the author's Edgar-winning debut A Conspiracy of Paper (2000). "Thief-taker," retired prizefighter, and Jew Benjamin Weaver, as resourceful a former rogue as ever, is in peril again-falsely convicted and sentenced to hang for the murder of a dockworker and labor leader whom he barely knew. The year is 1722, and London is abuzz over England's first General Election, vigorously contested by conservative Tories who support Hanoverian King George I and antiroyalist Whigs, who may or may not be in league with Jacobites plotting the restoration of deposed "Pretender" James II of Scotland. Weaver escapes from Newgate Prison (in a marvelously detailed sequence), and, while laboring to clear his name, assumes multiple disguises and forms affiliations with several members of London's political, ecclesiastical, and criminal elites. These include the woman he loves unrequitedly, his cousin's widow Miriam, and her husband, Whig Parliamentary candidate Griffin Melbury; duplicitous parish priest Christopher Ufford (in whose service suspicion for murder had fallen on Weaver); brutal tobacco merchant Dennis Dogsmill and his fetching sister Grace, and numerous other power brokers and ruffians whose allegiances and very identities are seldom what they seem. The dazzling plot, which grows steadily more intricate and circuitous, turns on the allegation that "there [is] a Tory spy among the Whigs," and the likelihood that Weaver's victimization is connected to the election that the charismatic Melburyblithely characterizes as "a spectacle of corruption." Liss's impressive research provides a wealth of information about 18th-century politics, emergent labor organizations, and gradations of etiquette and malfeasance among contrasting social levels. And Weaver's somber, wry, knowing narrator's voice is a deadpan delight. Furthermore, it all ends with yet another twist that seems to promise we'll hear more from-and of-the indefatigable Benjamin Weaver. Let's hope so.

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“You are too good.”

“But for now, sir, there is the matter of my own girl.”

We arrived in his shop, where Elias was seated at a table, drinking a glass of wine and chatting about the opera with Swan’s pretty fifteen-year-old daughter, a girl of dark hair and dark eyes and a face as round and red as an apple.

“Such a marvelous spectacle,” he was saying. “The Italian singers warbling, the momentous stage, the marvelous costumes. Oh, you must see it some day.”

“I’m sure she will,” I told him, “and I would hate for you to ruin the surprise of it, so you’ll tell her no more of operas, Elias.”

He flashed me a pout, but he took my meaning well enough and I knew he would not make himself difficult. “Good, then.” He rubbed his hands together. “We are all here, and we may begin.”

Swan sent away the daughter and closed the door. “You need only direct me, and I will do as you say.” He began picking with distaste at my footman’s livery with his long, unusually narrow fingers.

“Here is what we want,” Elias began. He rose to his feet and started to pace about the room. “Having given the matter a great deal of thought, I have decided that Mr. Weaver must take on the persona of a man of means, one recently returned to this island from the West Indies, where he owns a plantation. His father, let us say, was always active in politics, and now that he is come to his homeland, of which he knows nearly nothing, he has decided he too would like to become a political creature.”

I nodded my approbation. “It seems a fair disguise,” I said, thinking that this persona’s newness to the isle would conceal my own awkwardness in society. “As to the clothes?”

Elias clapped his hands together. “That’s the thing, Weaver. Our worthy Mr. Swan must manage it very carefully. If you do this right, Swan, I can promise you my own business in future.”

“I can think of no greater incentive to give the man,” I observed, “than the business of a gentleman who never pays his bills.”

Elias pursed his lips but otherwise ignored me. “If Weaver is not to be recognized, there must be as little about him as we can manage that draws attention to his identity. His clothes, then, must be fashionable and bespeak his supposed station, but they must not make themselves conspicuous in any way. I want that when a man looks at Weaver, he merely thinks he has seen that kind a hundred times before and looks no further. Do you understand my meaning, Swan?”

“Perfectly, sir. I am your man.”

“I am delighted to hear it,” Elias exclaimed. “We can use the very principles of a performing trickster to hide Mr. Weaver in plain sight. Why, I believe anyone might look upon him who had seen him countless times before, and not know him for who he is. And as for the rest of the world, which seeks him out from a description of his general personage- why, these strangers will never look at him twice.”

Swan nodded. “You are right in that, sir. Very right, for in my trade I have long come to know that when we meet each other, we see the clothes and the wig and the grooming, and we form our opinions with only a glance or two at the face. But as to choosing the clothes to do what we wish, that shall not be easy. Or, rather, it shall not be easy to hit it just on target. We must be most cautious, I think.”

And here they entered into a conversation I could hardly even begin to understand. They spoke of fabrics and cuts and weaves and buttons. Swan pulled out samples of cloth, which Elias waved away with contempt until he found what he liked. He examined threads and lace and buckles; he dug through buckets of buttons. Elias proved himself as much an expert on these matters as Swan, and they spoke in their particular argot for near an hour before the course of my wardrobe was determined. Would a coat of silk or wool be more fitting? A dye of blue or black? Blue, of course, but how deep a shade? Velvet, but not this velvet! Of course, they could not use this velvet (which looked to me indistinguishable from the one they could use quite happily). And as for the embroidery- well, that would have to be just so. I believe Elias took as much pleasure from ordering my new clothes as he did his own.

“Now, regarding your wigs,” Elias announced, when he had ordered clothing to their mutual liking. “That is another matter requiring particular attention.”

“My wife’s brother is a peruke maker, sir,” Swan said. “He can do the business.”

“Can he be trusted?”

“Entire, sir. He can be trusted entire, but there is no need for him to be trusted at all. He need not know who Mr. Weaver is or that there is aught unusual about him.”

“I fear he must, for we need wigs with a singular design- that of concealing Mr. Weaver’s own hair.”

“Would it not be easier for me simply to shave my head?” I asked. Though no Samson, I admit to an attachment to my locks, which I thought rather manly. However, I was more attached to my life, and I saw no reason to burden myself with the hangman’s noose if I could squeak by with the barber’s shears.

“That cannot be,” Elias said, “for you are to make appearances still as Benjamin Weaver, and if you show yourself with a wig or a shaved head, the world will know that you are otherwise disguising yourself, and those who seek you out will look for a man in a wig. Far better for you to be blatant in your exposure so that no one even thinks to peek under the hat of a West Indian planter.”

I accepted his point, and we agreed that there was no choice but to put our faith in Swan’s brother-in-law.

Mr. Swan began to take my measurements while Elias continued to chat about how I would carry out his plan. “You will need to choose a name, of course. You want something Christian sounding, but not too Christian.”

“Michael?” I suggested, thinking of the English version of my uncle’s name.

“Too Hebrew,” Elias said, waving his hand. “There’s a Michael in your Jewish scriptures.”

“How about Jesus,” I suggested. “That should be sufficiently un-Hebrew.”

“I thought perhaps Matthew. Matthew Evans. There is a name neither unusual nor common. Just the very thing we need.”

I had no objections, so at that moment my identity as Matthew Evans pushed its way into the world through the womb of Elias’s mind. Not a particularly pleasant way to be born, but the alternatives were surely worse.

Swan informed me that it would be some days before my first suit was ready, but he was able, while I waited, to provide me with a plain and unpretentious costume of the kind I normally wore (he was working on such a one for another customer and merely altered it to fit my frame). I could now safely dispose of my footman disguise, but in doing so I also ran the risk of being recognized, for in these clothes I looked far more like myself than I would have preferred.

The tailor then took us to his brother-in-law’s shop, where I ordered two fashionable wigs. The peruke maker offered to trim my hair somewhat to make the fit easier, but not so much that a casual observer might notice my hair had been altered. This fellow, too, said that he would work night and day to make certain my wares were ready as quickly as possible. Matthew Evans would have to wait only a little while before making his first appearance in the world.

In the meantime I had to procure for myself a place to stay, for I thought it best not to linger at a single inn or another for more than a day or two. I therefore found new lodgings, and though the innkeeper appeared suspicious of my lack of belongings, I bespoke a fiction of relocation and lost baggage that he found satisfying enough once I promised to pay for my stay each night in advance and for my meals as I ate them.

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