Anthony Burgess - A Clockwork Orange (UK Version)

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A Clockwork Orange (UK Version): краткое содержание, описание и аннотация

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In Anthony Burgess’s A Clockwork Orange, Burgess creates a gloomy future full of violence, rape and destruction. In this dystopian novel, Burgess does a fantastic job of constantly changing the readers’ allegiance toward the books narrator and main character, Alex. Writing in a foreign language, Burgess makes the reader feel like an outsider. As the novel begins, the reader has no emotional connection to Alex. This non-emotional state comes to a sudden halt when Alex and his droogs begin a series of merciless acts of violence. The reader rapidly begins to form what seems to be an irreversible hatred toward the books narrator. However, as time progresses, Burgess cleverly changes the tone of his novel. Once wishing only the harshest punishments be bestowed upon him, it is these same punishments that begin to change how the reader feels. In fact, by the end of the book, one almost begins to have pity for Alex. The same character that was once hated soon emerges as one of many victims taken throughout the course of the book. Throughout Alex’s narration, Burgess manages to change the readers’ allegiance toward a once seemingly evil character.
Alex is the type of character one loves to hate; he makes it all too easy to dislike him. He is a brutal, violent, teenage criminal with no place in society. His one and only role is to create chaos, which he does too well. Alex’s violent nature is first witnessed during the first chapter, and is soon seen again when Alex and his gang chose to brutally beat an innocent drunkard. This beating off the homeless man serves no purpose other then to amuse Alex’s gang. The acts committed were not performed for revenge, the one reason given was that Alex did not enjoy seeing a homeless drunk, “I could never stand to see a moodge all filthy and rolling and burping and drunk, whatever his age might be, but more especially when he was real starry like this one was”. Alex continues to explain his reason for dislike, “his platties were a disgrace, all creased and untidy and covered in cal”, from this explanation one realizes his reasons for nearly killing a man are simply based on pleasure, desire, and a dislike toward the untidy. By the end of the second chapter Burgess’s inventive usage of a different language to keep the reader alienated from forming opinions about Alex ceases to work. At this point in time Alex’s true nature is revealed, and not even his unfamiliar Nadsat language can save him from being strongly disliked by the reader.
The more the reader learns of Alex, the more and more he is disliked; Alex’s relationship with his parents only builds on ones already negative opinions toward Alex. Coming from a normal family and a sturdy household free of domestic violence, there is no excuse for Alex’s violent nature. In fact, Alex’s loving parents are just as baffled by his immoral personality as the reader, although because of their naivete, they know much less of what he does. This leaves the reader uninformed and wondering: why is Alex the way he is? Fortunately, just as one begins to question Alex’s motives, Alex gives an answer, “badness is of the self, the one…is not our modern history, my brothers the story of brave malenky selves fighting these big machines? I am serious with you, brothers, over this. But what I do I do because I like to do”. He could not have explained it more clearly. While from one point of view Alex visions himself as a revolutionary, even simpler then that, he is basically admitting he commits violent acts because he enjoys doing so. Later in the book Alex offers another solution for his violent nature, “Being young is like being one of these malenky machines…and so it would itty on to like the end of the world”. These malenky machines he is referring to are very similar to the clockwork orange Burgess talks to in his introduction. Whatever reasons he gives, none of them are valid enough to prevent the reader from hating Alex.
In spite of all the hatred aimed toward Alex at this point, seemingly it is not enough to prevent the pity one begins to feel when Alex is abandoned by his “droogs”. Knowing he is the leader of his group, Alex constantly gives orders to his gang. Unfortunately it is due to his tendency to need leadership that a quarrel begins with his gang. After settling the original dispute that arises, Alex and his “droogs” are not so successful at ending their second squabble. Framed by his friends, Alex is arrested while they run away. Furthermore, he is beaten by the police, and sentenced to fourteen years of jail. It only takes two of them for the reader to realize the difficulties that Alex is living through. Throughout the first part of the book, there is in fact only one sign that Alex is not utterly evil, that being his music. Along with his abandonment from friends, it is the music that Burgess uses to help change the readers opinion, and eventually to have pity toward his young antagonist.
As the reader continues to pry deeper into Alex’s life it is shocking to learn of the music he listens to, it is because of this music and the actions taken against him that one truly begins to feel sorry for Burgess’s little Alex. The music that Alex chooses to listen is very ironic. While it causes him to do evil things, the fact remains that he listens to normal music, one of the first things he is not disliked for, “lying there on my bed with glazzies tight shut and rookers behind my gulliver, I broke and spattered and cried aaaaaaah with the bliss of it". His particular interest in Ludwig Van arises during one of his sessions while undergoing Ludivico’s Technique. Upon hearing what he perceives to be heavenly music Alex cry’s out about the injustice in the procedure, “I don’t mind about the ultra-violence and all that cal. I can put up with that. But it’s not fair on the music”. It is during this same treatment that the reader really begins to feel sympathy toward him. Striped of his ability to choose right from wrong, and now the same clockwork orange that F. Alexander earlier told him about, Alex becomes one of the governments’ machines. Forced to do exactly what they want him to, become their “true Christian”, Alex poses the question to his doctors, “How about me? Where do I come into all this? Am I like just some animal or dog…am I to be just like a clockwork orange?” Alex is all alone in the world, no longer capable of performing cruel deeds, he is denied by all whom he once knew. The same character one used to wish the harshest punishment upon received it, and when he got it, it becomes strikingly evident that it was much more then even the worst person would ever deserve.
Burgess does a magical job at making the reader quickly forget the horrible deeds Alex once committed. Instead by making powerful moral statements, Burgess goes so far that the reader not only turns the other cheek toward Alex’s crimes, but also feels genuinely sorry for him. Alex may not be completely cured, but that is not the issue at hand. Through means of pity and by playing with the readers’ emotions throughout the book, during A Clockwork Orange, Burgess is constantly playing with the reader’s allegiances.

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‘Money that was not, O baboochka. It was a picture of a dear little itsy witsy bitsy bit of a baby.’ I said:

‘I’m getting just that bit tired, that I am. It’s you who’s the babies, you lot. Scoffing and grinning and all you can do is smeck and give people bolshy cowardly tolchocks when they can’t give them back.’ Bully said:

‘Well now, we always thought it was you who was the king of that and also the teacher. Not well, that’s the trouble with thou, old droogie.’

I viddied this sloppy glass of beer I had on the table in front of me and felt like all vomity within, so I went ‘Aaaaah’ and poured all the frothy vonny cal all over the floor. One of the starry ptitsas said: ‘Waste not want not.’ I said:

‘Look, droogies. Listen. Tonight I am somehow just not in the mood. I know not why or how it is, but there it is. You three go your own ways this nightwise, leaving me out. Tomorrow we shall meet same place same time, me hoping to be like a lot better.’

‘Oh,’ said Bully, ‘right sorry I am.’ But you could viddy a like gleam in his glazzies, because now he would be taking over for this nochy. Power power, everybody like wants power. ‘We can postpone till tomorrow,’ said Bully. ‘what we in mind had. Namely, that bit of shopcrasting in Gagarin Street. Flip horrorshow takings there, droog, for the having.’

‘No,’ I said. ‘You postpone nothing. You just carry on in your own like style. Now,’ I said, ‘I itty off.’ And I got up from my chair. ‘Where to, then?’ asked Rick.

‘That know I not,’ I said. ‘Just to be on like my own and sort things out.’ You could viddy the old baboochkas were real puzzled at me going out like that and like all morose and not the bright and smecking malchickiwick you will remember. But I said: ‘Ah, to hell, to hell,’ and scatted out all on my oddy knocky into the street. It was dark and there was a wind sharp as a nozh getting up, and there were very very few lewdies about. There were these patrol cars with brutal rozzes inside them like cruising about, and now and then on the corner you would viddy a couple of very young millicents stamping against the bitchy cold and letting out steam breath on the winter air, O my brothers. I suppose really a lot of the old ultra-violence and crasting was dying out now, the rozzes being so brutal with who they caught, though it had become like a fight between naughty nadsats and the rozzes who could be more skorry with the nozh and the britva and the stick and even the gun. But what was the matter with me these days was that I didn’t like care much. It was like something soft getting into me and I could not pony why. What I wanted these days I did not know. Even the music I liked to slooshy in my own malenky den what what I would have smecked at before, brothers. I was slooshying more like malenky romantic songs, what they call Lieder, just a goloss and a piano, very quiet and like yearny, different from when it had been all bolshy orchestras and me lying on the bed between the violins and the trombones and kettledrums. There was something happening inside me, and I wondered if it was like some disease or if it was what they had done to me that time upsetting my gulliver and perhaps going to make me real bezoomny.

So thinking like this with my gulliver bent and my rookers stuck in my trouser carmans I walked the town, brothers, and at last I began to feel very tired and also in great need of a nice bolshy chasha of milky chai. Thinking about this chai, I got a sudden like picture of me sitting before a bolshy fire in an armchair peeting away at this chai, and what was funny and very very strange was that I seemed to have turned into a very starry chelloveck, about seventy years old, because I could viddy my own voloss, which was very grey, and I also had whiskers, and these were very grey too. I could viddy myself as an old man, sitting by a fire, and then the like picture vanished. But it was very like strange.

I came to one of these tea-and-coffee mestos, brothers, and I could viddy through the long long window that it was full of very dull lewdies, like ordinary, who had these very patient and expressionless litsos and would do no harm to no one, all sitting there and govoreeting like quietly and peeting away at their nice harmless chai and coffee. I ittied inside and went up to the counter and bought me a nice hot chai with plenty of moloko, then I ittied to one of these tables and sat down to peet it. There was a like young couple at this table, peeting and smoking filter-tip cancers, and govoreeting and smecking very quietly between themselves, but I took no notice of them and just went on peeting away and like dreaming and wondering what it was in me that was like changing and what was going to happen to me. But I viddied that the devotchka at this table who was with this chelloveck was real horrorshow, not the sort you would want to like throw down and give the old in-out in-out to, but with a horrorshow plott and litso and a smiling rot and very very fair voloss and all that cal. And then the veck with her, who had a hat on his gulliver and had his litso like turned away from me, swivelled round to viddy the bolshy big clock they had on the wall in this mesto, and then I viddied who he was and then he viddied who I was. It was Pete, one of my three droogs from those days when it was

Georgie and Dim and him and me. It was Pete like looking a lot older though he could not now be more than nineteen and a bit, and he had a bit of a moustache and an ordinary day-suit and this hat on. I said:

‘Well well well, droogie, what gives? Very very long time no viddy.’ He said:

‘It’s little Alex, isn’t it?’

‘None other,’ I said. ‘A long long long time since those dead and gone good days.

And now poor Georgie, they told me, is underground and old Dim is a brutal millicent, and here is thou and here is I, and what news hast thou, old droogie?’

‘He talks funny, doesn’t he?’ said this devotchka, like giggling.

‘This, said Pete to the devotchka, ‘is an old friend. His name is Alex. May I,’ he said to me, ‘introduce my wife?’

My rot fell wide open then. ‘Wife?’ I like gaped. ‘Wife wife wife? Ah no, that cannot be. Too young art thou to be married, old droog. Impossible impossible.’

This devotchka who was like Pete’s wife (impossible impossible) giggled again and said to Pete: ‘Did you used to talk like that too?’

‘Well,’ said Pete, and he like smiled. ‘I’m nearly twenty. Old enough to be hitched, and it’s been two months already. You were very young and very forward, remember.’

‘Well,’ I liked gaped still. ‘Over this get can I not, old droogie. Pete married. Well well well.’

‘We have a small flat,’ said Pete. ‘I am earning very small money at State Marine

Insurance, but things will get better, that I know. And Georgina here-‘

‘What again is that name?’ I said, rot still open like bezoomny. Pete’s wife. (wife, brothers) like giggled again.

‘ Georgina,’ said Pete. ‘ Georgina works too. Typing, you know. We manage, we manage.’ I could not, brothers, take my glazzies off him, really. He was like grown up now, with a grown-up goloss and all. ‘You must,’ said Pete, ‘come and see us sometime. You still,’ he said, ‘look very young, despite all your terrible experiences.

Yes, yes, yes, we’ve read all about them. But, of course, you are very young still.’

‘Eighteen,’ I said, ‘Just gone.’

‘Eighteen, eh?’ said Pete. ‘As old as that. Well well well. Now,’ he said, ‘we have to be going.’ And he like gave this Georgina of his a like loving look and pressed one of her rookers between his and she gave him one of these looks back, O my brothers. ‘Yes,’ said Pete, turning back to me, ‘we’re off to a little party at Greg’s.’ ‘Greg?’ I said.

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