Anthony Burgess - A Clockwork Orange (UK Version)

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A Clockwork Orange (UK Version): краткое содержание, описание и аннотация

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In Anthony Burgess’s A Clockwork Orange, Burgess creates a gloomy future full of violence, rape and destruction. In this dystopian novel, Burgess does a fantastic job of constantly changing the readers’ allegiance toward the books narrator and main character, Alex. Writing in a foreign language, Burgess makes the reader feel like an outsider. As the novel begins, the reader has no emotional connection to Alex. This non-emotional state comes to a sudden halt when Alex and his droogs begin a series of merciless acts of violence. The reader rapidly begins to form what seems to be an irreversible hatred toward the books narrator. However, as time progresses, Burgess cleverly changes the tone of his novel. Once wishing only the harshest punishments be bestowed upon him, it is these same punishments that begin to change how the reader feels. In fact, by the end of the book, one almost begins to have pity for Alex. The same character that was once hated soon emerges as one of many victims taken throughout the course of the book. Throughout Alex’s narration, Burgess manages to change the readers’ allegiance toward a once seemingly evil character.
Alex is the type of character one loves to hate; he makes it all too easy to dislike him. He is a brutal, violent, teenage criminal with no place in society. His one and only role is to create chaos, which he does too well. Alex’s violent nature is first witnessed during the first chapter, and is soon seen again when Alex and his gang chose to brutally beat an innocent drunkard. This beating off the homeless man serves no purpose other then to amuse Alex’s gang. The acts committed were not performed for revenge, the one reason given was that Alex did not enjoy seeing a homeless drunk, “I could never stand to see a moodge all filthy and rolling and burping and drunk, whatever his age might be, but more especially when he was real starry like this one was”. Alex continues to explain his reason for dislike, “his platties were a disgrace, all creased and untidy and covered in cal”, from this explanation one realizes his reasons for nearly killing a man are simply based on pleasure, desire, and a dislike toward the untidy. By the end of the second chapter Burgess’s inventive usage of a different language to keep the reader alienated from forming opinions about Alex ceases to work. At this point in time Alex’s true nature is revealed, and not even his unfamiliar Nadsat language can save him from being strongly disliked by the reader.
The more the reader learns of Alex, the more and more he is disliked; Alex’s relationship with his parents only builds on ones already negative opinions toward Alex. Coming from a normal family and a sturdy household free of domestic violence, there is no excuse for Alex’s violent nature. In fact, Alex’s loving parents are just as baffled by his immoral personality as the reader, although because of their naivete, they know much less of what he does. This leaves the reader uninformed and wondering: why is Alex the way he is? Fortunately, just as one begins to question Alex’s motives, Alex gives an answer, “badness is of the self, the one…is not our modern history, my brothers the story of brave malenky selves fighting these big machines? I am serious with you, brothers, over this. But what I do I do because I like to do”. He could not have explained it more clearly. While from one point of view Alex visions himself as a revolutionary, even simpler then that, he is basically admitting he commits violent acts because he enjoys doing so. Later in the book Alex offers another solution for his violent nature, “Being young is like being one of these malenky machines…and so it would itty on to like the end of the world”. These malenky machines he is referring to are very similar to the clockwork orange Burgess talks to in his introduction. Whatever reasons he gives, none of them are valid enough to prevent the reader from hating Alex.
In spite of all the hatred aimed toward Alex at this point, seemingly it is not enough to prevent the pity one begins to feel when Alex is abandoned by his “droogs”. Knowing he is the leader of his group, Alex constantly gives orders to his gang. Unfortunately it is due to his tendency to need leadership that a quarrel begins with his gang. After settling the original dispute that arises, Alex and his “droogs” are not so successful at ending their second squabble. Framed by his friends, Alex is arrested while they run away. Furthermore, he is beaten by the police, and sentenced to fourteen years of jail. It only takes two of them for the reader to realize the difficulties that Alex is living through. Throughout the first part of the book, there is in fact only one sign that Alex is not utterly evil, that being his music. Along with his abandonment from friends, it is the music that Burgess uses to help change the readers opinion, and eventually to have pity toward his young antagonist.
As the reader continues to pry deeper into Alex’s life it is shocking to learn of the music he listens to, it is because of this music and the actions taken against him that one truly begins to feel sorry for Burgess’s little Alex. The music that Alex chooses to listen is very ironic. While it causes him to do evil things, the fact remains that he listens to normal music, one of the first things he is not disliked for, “lying there on my bed with glazzies tight shut and rookers behind my gulliver, I broke and spattered and cried aaaaaaah with the bliss of it". His particular interest in Ludwig Van arises during one of his sessions while undergoing Ludivico’s Technique. Upon hearing what he perceives to be heavenly music Alex cry’s out about the injustice in the procedure, “I don’t mind about the ultra-violence and all that cal. I can put up with that. But it’s not fair on the music”. It is during this same treatment that the reader really begins to feel sympathy toward him. Striped of his ability to choose right from wrong, and now the same clockwork orange that F. Alexander earlier told him about, Alex becomes one of the governments’ machines. Forced to do exactly what they want him to, become their “true Christian”, Alex poses the question to his doctors, “How about me? Where do I come into all this? Am I like just some animal or dog…am I to be just like a clockwork orange?” Alex is all alone in the world, no longer capable of performing cruel deeds, he is denied by all whom he once knew. The same character one used to wish the harshest punishment upon received it, and when he got it, it becomes strikingly evident that it was much more then even the worst person would ever deserve.
Burgess does a magical job at making the reader quickly forget the horrible deeds Alex once committed. Instead by making powerful moral statements, Burgess goes so far that the reader not only turns the other cheek toward Alex’s crimes, but also feels genuinely sorry for him. Alex may not be completely cured, but that is not the issue at hand. Through means of pity and by playing with the readers’ emotions throughout the book, during A Clockwork Orange, Burgess is constantly playing with the reader’s allegiances.

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5

I had a real horrorshow night's sleep, brothers, with no dreams at all, and the morning was very clear and like frosty, and there was the very pleasant like von of breakfast frying away down below. It took me some little time to remember where I was, as it always does, but it soon came back to me and then I felt like warmed and protected. But, as I laid there in the bed, waiting to be called down to breakfast, it struck me that I ought to get to know the name of this kind protecting and like motherly veck, so I had a pad round in my nagoy nogas looking for 'A Clockwork Orange', which would be bound to have his eemya in, he being the author. There was nothing in my bedroom except a bed and a chair and a light, so I ittied next door to this veck's own room, and there I viddied his wife on the wall, a bolshy blown-up photo, so I felt a malenky bit sick remembering. But there were two or three shelves of books there too, and there was, as I thought there must be, a copy of 'A Clockwork Orange', and on the back of the book, like on the spine, was the author's eemya -F. Alexander. Good Bog, I thought, he is another Alex. Then I leafed through, standing in his pyjamas and bare nogas but not feeling one malenky bit cold, the cottage being warm all through, and I could not viddy what the book was about. It seemed written in a very bezoomny like style, full of Ah and Oh and all that cal, but what seemed to come out of it was that all lewdies nowadays were being turned into machines and that they were really – you and me and him and kiss-my-sharries – more like a natural growth like a fruit. F. Alexander seemed to think that we all like grow on what he called the world-tree in the world-orchard that like Bog or God planted, and we were there because Bog or God had need of us to quench his thirsty love, or some such cal. I didn't like the shoom of this at all, O my brothers, and wondered how bezoomny this F. Alexander really was, perhaps driven be-zoomny by his wife's snuffing it. But then he called me down in a like sane veck's goloss, full of joy and love and all that cal, so down Your Humble Narrator went. 'You've slept long," he said, ladling out boiled eggs and pulling black toast from under the grill. "It's nearly ten already. I've been up hours, working."

"Writing another book, sir?" I said.

"No no, not that now," he said, and we sat down nice and droogy to the old crack crack crack of eggs and crackle crunch crunch of this black toast, very milky chai standing by in bolshy great morning mugs. "No, I've been on the phone to various people."

"I thought you didn't have a phone," I said, spooning egg in and not watching out what I was saying. "Why?" he said, very alert like some skorry animal with an egg-spoon in its rooker. "Why shouldn't you think I have a phone?"

"Nothing," I said, "nothing, nothing." And I wondered, brothers, how much he remembered of the earlier part of that distant nochy, me coming to the door with the old tale and saying to phone the doctor and she saying no phone. He took a very close smot at me but then went back to being like kind and cheerful and spooning up the old eggiweg. Munching away, he said:

"Yes, I've rung up various people who will be interested in your case. You can be a very potent weapon, you see, in ensuring that this present evil and wicked Government is not returned in the forthcoming election. The Government's big boast, you see, is the way it has dealt with crime these last months." He looked at me very close again over his steaming egg, and I wondered again if he was viddying what part I had so far played in his jeezny. But he said: "Recruiting brutal young roughs for the police. Proposing debilitating and will-sapping techniques of conditioning." All these long slovos, brothers, and a like mad or bezoomny look in his glazzies. "We've seen it all before," he said, "in other countries. The thin end of the wedge. Before we know where we are we shall have the full apparatus of totalitarianism."

"Dear dear dear," I thought, egging away and toast-crunching. I said: "Where do I come into all this, sir?"

"You," he said, still with this bezoomny look, "are a living witness to these diabolical proposals. The people, the common people must know, must see." He got up from his breakfast and started to walk up and down the kitchen, from the sink to the like larder, saying very gromky: "Would they like their sons to become what you, poor victim, have become? Will not the Government itself now decide what is and what is not crime and pump out the life and guts and will of whoever sees fit to displeasure the Government? He became quieter but did not go back to his egg. "I've written an article," he said, "this morning, while you were sleeping. That will be out in a day or so, together with your unhappy picture. You shall sign it, poor boy, a record of what they have done to you." I said:

"And what do you get out of all this, sir? I mean, besides the pretty polly you'll get for the article, as you call it? I mean, why are you so hot and strong against this Government, if I may make like so bold as to ask?" He gripped the edge of the table and said, gritting his zoobies, which were very cally and all stained with cancer-smoke: "Some of us have to fight. There are great traditions of liberty to defend. I am no partisan man. Where I see the infamy I seek to erase it. Party names mean nothing. The tradition of liberty means all. The common people will let it go, oh yes. They will sell liberty for a quieter life. That is why they must be prodded, prodded – " And here, brothers, he picked up a fork and stuck it two or three razzes into the wall, so that it got all bent. Then he threw it on the floor. Very kindly he said: "Eat well, poor boy, poor victim of the modern world," and I could viddy quite clear he was going off his gulliver. "Eat, eat. Eat my egg as well." But I said: "And what do I get out of this? Do I get cured of the way I am? Do I find myself able to slooshy the old Choral Symphony without being sick once more? Can I live like a normal jeezny again? What, sir, happens to me?" He looked at me, brothers, as if he hadn't thought of that before and, anyway, it didn't matter compared with Liberty and all that cal, and he had a look of surprise at me saying what I said, as though I was being like selfish in wanting something for myself. Then he said: "Oh, as I say, you're a living witness, poor boy. Eat up all your breakfast and then come and see what I've written, for it's going into 'The Weekly Trumpet' under your name, you unfortunate victim." Well, brothers, what he had written was a very long and very weepy piece of writing, and as I read it I felt very sorry for the poor malchick who was govoreeting about his sufferings and how the Government had sapped his will and how it was up to all lewdies to not let such a rotten and evil Government rule them again, and then of course I realized that the poor suffering malchick was none other than Y. H. N. "Very good," I said. "Real horrorshow. Written well thou hast, O sir." And then he looked at me very narrow and said:

"What?" It was like he had not slooshied me before. "Oh, that," I said, "is what we call nadsat talk. All the teens use that, sir." So then he ittied off to the kitchen to wash up the dishes, and I was left in these borrowed night platties and toofles, waiting to have done to me what was going to be done to me, because I had no plans for myself, O my brothers.

While the great F. Alexander was in the kitchen a ding-alingaling came at the door. "Ah," he creeched, coming out wiping his rookers, "it will be these people. I'll go." So he went and let them in, a kind of rumbling hahaha of talk and hallo and filthy weather and how are things in the hallway, then they ittied into the room with the fire and the book and the article about how I had suffered, viddying me and going Aaaaah as they did it. There were three lewdies, and F. Alex gave me their eemyas. Z.Dolin was a very wheezy smoky kind of a veck, coughing kashl kashl kashl with the end of a cancer in his rot, spilling ash all down his platties and then brushing it away with like very impatient rookers. He was a malenky round veck, fat, with big thick-framed otchkies on. Then there was Something Something Rubinstein, a very tall and polite chelloveck with a real gentleman's goloss, very starry with a like eggy beard. And lastly there was D. B. da Silva who was like skorry in his movements and had this strong von of scent coming from him. They all had a real horrorshow look at me and seemed like overjoyed with what they viddied. Z. Dolin said:

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