Anthony Burgess - A Clockwork Orange (UK Version)

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A Clockwork Orange (UK Version): краткое содержание, описание и аннотация

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In Anthony Burgess’s A Clockwork Orange, Burgess creates a gloomy future full of violence, rape and destruction. In this dystopian novel, Burgess does a fantastic job of constantly changing the readers’ allegiance toward the books narrator and main character, Alex. Writing in a foreign language, Burgess makes the reader feel like an outsider. As the novel begins, the reader has no emotional connection to Alex. This non-emotional state comes to a sudden halt when Alex and his droogs begin a series of merciless acts of violence. The reader rapidly begins to form what seems to be an irreversible hatred toward the books narrator. However, as time progresses, Burgess cleverly changes the tone of his novel. Once wishing only the harshest punishments be bestowed upon him, it is these same punishments that begin to change how the reader feels. In fact, by the end of the book, one almost begins to have pity for Alex. The same character that was once hated soon emerges as one of many victims taken throughout the course of the book. Throughout Alex’s narration, Burgess manages to change the readers’ allegiance toward a once seemingly evil character.
Alex is the type of character one loves to hate; he makes it all too easy to dislike him. He is a brutal, violent, teenage criminal with no place in society. His one and only role is to create chaos, which he does too well. Alex’s violent nature is first witnessed during the first chapter, and is soon seen again when Alex and his gang chose to brutally beat an innocent drunkard. This beating off the homeless man serves no purpose other then to amuse Alex’s gang. The acts committed were not performed for revenge, the one reason given was that Alex did not enjoy seeing a homeless drunk, “I could never stand to see a moodge all filthy and rolling and burping and drunk, whatever his age might be, but more especially when he was real starry like this one was”. Alex continues to explain his reason for dislike, “his platties were a disgrace, all creased and untidy and covered in cal”, from this explanation one realizes his reasons for nearly killing a man are simply based on pleasure, desire, and a dislike toward the untidy. By the end of the second chapter Burgess’s inventive usage of a different language to keep the reader alienated from forming opinions about Alex ceases to work. At this point in time Alex’s true nature is revealed, and not even his unfamiliar Nadsat language can save him from being strongly disliked by the reader.
The more the reader learns of Alex, the more and more he is disliked; Alex’s relationship with his parents only builds on ones already negative opinions toward Alex. Coming from a normal family and a sturdy household free of domestic violence, there is no excuse for Alex’s violent nature. In fact, Alex’s loving parents are just as baffled by his immoral personality as the reader, although because of their naivete, they know much less of what he does. This leaves the reader uninformed and wondering: why is Alex the way he is? Fortunately, just as one begins to question Alex’s motives, Alex gives an answer, “badness is of the self, the one…is not our modern history, my brothers the story of brave malenky selves fighting these big machines? I am serious with you, brothers, over this. But what I do I do because I like to do”. He could not have explained it more clearly. While from one point of view Alex visions himself as a revolutionary, even simpler then that, he is basically admitting he commits violent acts because he enjoys doing so. Later in the book Alex offers another solution for his violent nature, “Being young is like being one of these malenky machines…and so it would itty on to like the end of the world”. These malenky machines he is referring to are very similar to the clockwork orange Burgess talks to in his introduction. Whatever reasons he gives, none of them are valid enough to prevent the reader from hating Alex.
In spite of all the hatred aimed toward Alex at this point, seemingly it is not enough to prevent the pity one begins to feel when Alex is abandoned by his “droogs”. Knowing he is the leader of his group, Alex constantly gives orders to his gang. Unfortunately it is due to his tendency to need leadership that a quarrel begins with his gang. After settling the original dispute that arises, Alex and his “droogs” are not so successful at ending their second squabble. Framed by his friends, Alex is arrested while they run away. Furthermore, he is beaten by the police, and sentenced to fourteen years of jail. It only takes two of them for the reader to realize the difficulties that Alex is living through. Throughout the first part of the book, there is in fact only one sign that Alex is not utterly evil, that being his music. Along with his abandonment from friends, it is the music that Burgess uses to help change the readers opinion, and eventually to have pity toward his young antagonist.
As the reader continues to pry deeper into Alex’s life it is shocking to learn of the music he listens to, it is because of this music and the actions taken against him that one truly begins to feel sorry for Burgess’s little Alex. The music that Alex chooses to listen is very ironic. While it causes him to do evil things, the fact remains that he listens to normal music, one of the first things he is not disliked for, “lying there on my bed with glazzies tight shut and rookers behind my gulliver, I broke and spattered and cried aaaaaaah with the bliss of it". His particular interest in Ludwig Van arises during one of his sessions while undergoing Ludivico’s Technique. Upon hearing what he perceives to be heavenly music Alex cry’s out about the injustice in the procedure, “I don’t mind about the ultra-violence and all that cal. I can put up with that. But it’s not fair on the music”. It is during this same treatment that the reader really begins to feel sympathy toward him. Striped of his ability to choose right from wrong, and now the same clockwork orange that F. Alexander earlier told him about, Alex becomes one of the governments’ machines. Forced to do exactly what they want him to, become their “true Christian”, Alex poses the question to his doctors, “How about me? Where do I come into all this? Am I like just some animal or dog…am I to be just like a clockwork orange?” Alex is all alone in the world, no longer capable of performing cruel deeds, he is denied by all whom he once knew. The same character one used to wish the harshest punishment upon received it, and when he got it, it becomes strikingly evident that it was much more then even the worst person would ever deserve.
Burgess does a magical job at making the reader quickly forget the horrible deeds Alex once committed. Instead by making powerful moral statements, Burgess goes so far that the reader not only turns the other cheek toward Alex’s crimes, but also feels genuinely sorry for him. Alex may not be completely cured, but that is not the issue at hand. Through means of pity and by playing with the readers’ emotions throughout the book, during A Clockwork Orange, Burgess is constantly playing with the reader’s allegiances.

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And that was it, that was what I viddied quite clear was the thing to do, but how to do it I did not properly know, never having thought of that before, O my brothers. In my little bag of personal veshches I had my cut-throat britva, but I at once felt very sick as I thought of myself going swishhhh at myself and all my own red red krovvy flowing. What I wanted was not something violent but something that would make me like just go off gentle to sleep and that be the end of Your Humble Narrator, no more trouble to anybody any more. Perhaps, i thought, if I ittied off to the Public Biblio around the corner I might find some book on the best way of snuffing it with no pain. I thought of myself dead and how sorry everybody was going to be, pee and em and that cally vonny Joe who was a like usurper, and also Dr. Brodsky and Dr. Branom and that Inferior Interior Minister and every veck else. And the boastful vonny Government too. So out I scatted into the winter, and it was afternoon now, near two o'clock, as I could viddy from the bolshy Center timepiece, so that me being in the land with the old moloko plus must have took like longer than I thought. I walked down Marghanita Boulevard and then turned into Boothby Avenue, then round the corner again, and there was the Public Biblio. It was a starry cally sort of a mesto that I could not remember going into since I was a very very malenky malchick, no more than about six years old, and there were two parts of it – one part to borrow books and one part to read in, full of gazettas and mags and like the von of very starry old men with their plotts stinking of like old age and poverty. These were standing at the gazetta stands all round the room, sniffling and belching and govoreeting to themselves and turning over the pages to read the news very sadly, or else they were sitting at the tables looking at the mags or pretending to, some of them asleep and one or two of them snoring real gromky. I couldn't remember what it was I wanted at first, then I remembered with a bit of a shock that I had ittied here to find out how to snuff it without pain, so I goolied over to the shelf full of reference veshches. There were a lot of books, but there was none with a title, brothers, that would really do. There was a medical book that I took down, but when I opened it it was full of drawings and photographs of horrible wounds and diseases, and that made me want to sick just a bit. So I put that back and took down the big book or Bible, as it was called, thinking that might give me like comfort as it had done in the old Staja days (not so old really, but it seemed a very very long time ago), and I staggered over to a chair to read in it. But all I found was about smiting seventy times seven and a lot of Jews cursing and tolchocking each other, and that made me want to sick, too. So then I near cried, so that a very starry ragged moodge opposite me said:

"What is it, son? What's the trouble?"

"I want to snuff it," I said. "I've had it, that's what it is. Life's become too much for me."

A starry reading veck next to me said: "Shhhh," without looking up from some bezoomny mag he had full of drawings of like bolshy geometrical veshches. That rang a bell somehow. This other moodge said:

"You're too young for that, son. Why, you've got everything in front of you."

"Yes," I said, bitter. "Like a pair of false groodies." This mag-reading veck said: "Shhhh" again, looking up this time, and something clocked for both of us. I viddied who it was. He said, real gromky:

"I never forget a shape, by God. I never forget the shape of anything. By God, you young swine, I've got you now." Crystallography, that was it. That was what he'd been taking away from the Biblio that time. False teeth crunched up real hor-rorshow. Platties torn off. His books razrezzed, all about Crystallography. I thought I had best get out of here real skorry, brothers. But this starry old moodge was on his feet,

creeching like bezoomny to all the starry old coughers at the gazettas round the walls and to them dozing over mags at the tables. "We have him," he creeched. "The poisonous young swine who ruined the books on Crystallography, rare books, books not to be obtained ever again, anywhere." This had a terrible mad shoom about it, as though this old veck was really off his gulliver. "A prize specimen of the cowardly brutal young," he creeched. "Here in our midst and at our mercy. He and his friends beat me and kicked me and thumped me. They stripped me and tore out my teeth. They laughed at my blood and my moans. They kicked me off home, dazed and naked." All this wasn't quite true, as you know, brothers. He had some platties on, he hadn't been completely nagoy. I creeched back: "That was over two years ago. I've been punished since then. I've learned my lesson. See over there -my picture's in the papers."

"Punishment, eh?" said one starry like ex-soldier type. "You lot should be exterminated. Like so many noisome pests. Punishment indeed."

"All right, all right," I said. "Everybody's entitled to his opinion. Forgive me, all. I must go now." And I started to itty out of this mesto of bezoomny old men. Aspirin, that was it. You could snuff it on a hundred aspirin. Aspirin from the old drugstore. But the crystallography veck creeched: "Don't let him go. We'll teach him all about punishment, the murderous young pig. Get him." And, believe it, brothers, or do the other veshch, two or three starry dodderers, about ninety years old apiece, grabbed me with their trembly old rookers, and I was like made sick by the von of old age and disease which came from these near-dead moodges. The crystal veck was on to me now, starting to deal me malenky weak tolchocks on my litso, and I tried to get away and itty out, but these starry rookers that held me were stronger than I had thought. Then other starry vecks came hobbling from the gazettas to have a go at Your Humble Narrator. They were creeching veshches like: "Kill him, stamp on him, murder him, kick his teeth in," and all that cal, and I could viddy what it was clear enough. It was old age having a go at youth, that's what it was. But some of them were saying: "Poor old Jack, near killed poor old Jack he did, this is the young swine" and so on, as though it had all happened yesterday. Which to them I suppose it had. There was now like a sea of vonny runny dirty old men trying to get at me with their like feeble rookers and horny old claws, creeching and panting on to me, but our crystal droog was there in front, dealing out tolchock after tolchock. And I daren't do a solitary single veshch, O my brothers, it being better to be hit at like that than to want to sick and feel that horrible pain, but of course the fact that there was violence going on made me feel that the sickness was peeping round the corner to viddy whether to come out into the open and roar away.

Then an attendant veck came along, a youngish veck,and he creeched: "What goes on here? Stop it at once. This is a reading room." But nobody took any notice. So the attendant veck said: "Right, I shall phone the police." So I creeched, and I never thought I would ever do that in all my jeezny: "Yes yes yes, do that, protect me from these old madmen." I noticed that the attendant veck was not too anxious to join in the dratsing and rescue me from the rage and madness of these starry vecks' claws; he just scatted off to his like office or wherever the telephone was. Now these old men were panting a lot now, and I felt I could just flick at them and they would all fall over, but I just let myself be held, very patient, by these starry rookers, my glazzies closed, and feel the feeble tolchocks on my litso, also slooshy the panting breathy old golosses creeching: "Young swine, young murderer, hooligan, thug, kill him." Then I got such a real painful tolchock on the nose that I said to myself to hell to hell, and I opened my glazzies up and started to struggle to get free, which was not hard, brothers, and I tore off creeching to the sort of hallway outside the reading-room. But these starry avengers still came after me, panting like dying, with their animal claws all trembling to get at your friend and Humble Narrator. Then I was tripped up and was on the floor and was being kicked at, then I slooshied golosses of young vecks creeching: "All right, all right, stop it now," and I knew the police had arrived.

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