Anthony Burgess - A Clockwork Orange (UK Version)

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A Clockwork Orange (UK Version): краткое содержание, описание и аннотация

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In Anthony Burgess’s A Clockwork Orange, Burgess creates a gloomy future full of violence, rape and destruction. In this dystopian novel, Burgess does a fantastic job of constantly changing the readers’ allegiance toward the books narrator and main character, Alex. Writing in a foreign language, Burgess makes the reader feel like an outsider. As the novel begins, the reader has no emotional connection to Alex. This non-emotional state comes to a sudden halt when Alex and his droogs begin a series of merciless acts of violence. The reader rapidly begins to form what seems to be an irreversible hatred toward the books narrator. However, as time progresses, Burgess cleverly changes the tone of his novel. Once wishing only the harshest punishments be bestowed upon him, it is these same punishments that begin to change how the reader feels. In fact, by the end of the book, one almost begins to have pity for Alex. The same character that was once hated soon emerges as one of many victims taken throughout the course of the book. Throughout Alex’s narration, Burgess manages to change the readers’ allegiance toward a once seemingly evil character.
Alex is the type of character one loves to hate; he makes it all too easy to dislike him. He is a brutal, violent, teenage criminal with no place in society. His one and only role is to create chaos, which he does too well. Alex’s violent nature is first witnessed during the first chapter, and is soon seen again when Alex and his gang chose to brutally beat an innocent drunkard. This beating off the homeless man serves no purpose other then to amuse Alex’s gang. The acts committed were not performed for revenge, the one reason given was that Alex did not enjoy seeing a homeless drunk, “I could never stand to see a moodge all filthy and rolling and burping and drunk, whatever his age might be, but more especially when he was real starry like this one was”. Alex continues to explain his reason for dislike, “his platties were a disgrace, all creased and untidy and covered in cal”, from this explanation one realizes his reasons for nearly killing a man are simply based on pleasure, desire, and a dislike toward the untidy. By the end of the second chapter Burgess’s inventive usage of a different language to keep the reader alienated from forming opinions about Alex ceases to work. At this point in time Alex’s true nature is revealed, and not even his unfamiliar Nadsat language can save him from being strongly disliked by the reader.
The more the reader learns of Alex, the more and more he is disliked; Alex’s relationship with his parents only builds on ones already negative opinions toward Alex. Coming from a normal family and a sturdy household free of domestic violence, there is no excuse for Alex’s violent nature. In fact, Alex’s loving parents are just as baffled by his immoral personality as the reader, although because of their naivete, they know much less of what he does. This leaves the reader uninformed and wondering: why is Alex the way he is? Fortunately, just as one begins to question Alex’s motives, Alex gives an answer, “badness is of the self, the one…is not our modern history, my brothers the story of brave malenky selves fighting these big machines? I am serious with you, brothers, over this. But what I do I do because I like to do”. He could not have explained it more clearly. While from one point of view Alex visions himself as a revolutionary, even simpler then that, he is basically admitting he commits violent acts because he enjoys doing so. Later in the book Alex offers another solution for his violent nature, “Being young is like being one of these malenky machines…and so it would itty on to like the end of the world”. These malenky machines he is referring to are very similar to the clockwork orange Burgess talks to in his introduction. Whatever reasons he gives, none of them are valid enough to prevent the reader from hating Alex.
In spite of all the hatred aimed toward Alex at this point, seemingly it is not enough to prevent the pity one begins to feel when Alex is abandoned by his “droogs”. Knowing he is the leader of his group, Alex constantly gives orders to his gang. Unfortunately it is due to his tendency to need leadership that a quarrel begins with his gang. After settling the original dispute that arises, Alex and his “droogs” are not so successful at ending their second squabble. Framed by his friends, Alex is arrested while they run away. Furthermore, he is beaten by the police, and sentenced to fourteen years of jail. It only takes two of them for the reader to realize the difficulties that Alex is living through. Throughout the first part of the book, there is in fact only one sign that Alex is not utterly evil, that being his music. Along with his abandonment from friends, it is the music that Burgess uses to help change the readers opinion, and eventually to have pity toward his young antagonist.
As the reader continues to pry deeper into Alex’s life it is shocking to learn of the music he listens to, it is because of this music and the actions taken against him that one truly begins to feel sorry for Burgess’s little Alex. The music that Alex chooses to listen is very ironic. While it causes him to do evil things, the fact remains that he listens to normal music, one of the first things he is not disliked for, “lying there on my bed with glazzies tight shut and rookers behind my gulliver, I broke and spattered and cried aaaaaaah with the bliss of it". His particular interest in Ludwig Van arises during one of his sessions while undergoing Ludivico’s Technique. Upon hearing what he perceives to be heavenly music Alex cry’s out about the injustice in the procedure, “I don’t mind about the ultra-violence and all that cal. I can put up with that. But it’s not fair on the music”. It is during this same treatment that the reader really begins to feel sympathy toward him. Striped of his ability to choose right from wrong, and now the same clockwork orange that F. Alexander earlier told him about, Alex becomes one of the governments’ machines. Forced to do exactly what they want him to, become their “true Christian”, Alex poses the question to his doctors, “How about me? Where do I come into all this? Am I like just some animal or dog…am I to be just like a clockwork orange?” Alex is all alone in the world, no longer capable of performing cruel deeds, he is denied by all whom he once knew. The same character one used to wish the harshest punishment upon received it, and when he got it, it becomes strikingly evident that it was much more then even the worst person would ever deserve.
Burgess does a magical job at making the reader quickly forget the horrible deeds Alex once committed. Instead by making powerful moral statements, Burgess goes so far that the reader not only turns the other cheek toward Alex’s crimes, but also feels genuinely sorry for him. Alex may not be completely cured, but that is not the issue at hand. Through means of pity and by playing with the readers’ emotions throughout the book, during A Clockwork Orange, Burgess is constantly playing with the reader’s allegiances.

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While I was doing this, a malenky little dwarf of a veck ittied in, selling the morning's gazettas, a twisted and grahzny prestoopnick type with thick glasses on with steel rims, his platties like the colour of very starry decaying currant pudding. I kupetted a gazetta, my idea being to get ready for plunging back into normal jeezny again by viddying what was ittying on in the world. This gazetta I had seemed to be like a Government gazetta, for the only news that was on the front page was about the need for every veck to make sure he put the Government back in again on the next General Election, which seemed to be about two or three weeks off. There were very boastful slovos about what the Government had done, brothers, in the last year or so, what with increased exports and a real horrorshow foreign policy and improved social services and all that cal. But what the Government was really most boastful about was the way in which they reckoned the streets had been made safer for all peace-loving night-walking lewdies in the last six months, what with better pay for the police and the police getting like tougher with young hooligans and perverts and burglars and all that cal. Which inter-essovatted Your Humble Narrator some deal. And on the second page of the gazetta there was a blurry like photograph of somebody who looked very familiar, and it turned out to be none other than me me me. I looked very gloomy and like scared, but that was really with the flashbulbs going pop pop all the time. What it said undrneath my picture was that here was the first graduate from the new State Institute for Reclamation of Criminal Types, cured of his criminal instincts in a fortnight only, now a good law-fearing citizen and all that cal. Then I viddied there was a very boastful article about this Ludovico's Technique and how clever the Government was and all that cal. Then there was another picture of some veck I thought I knew, and it was this Minister of the Inferior or Interior. It seemed that he had been doing a bit of boasting, looking forward to a nice crime-free era in which there would be no more fear of cowardly attacks from young hooligans and perverts and burglars and all that cal. So I went arghhhhhh and threw this gazetta on the floor, so that it covered up stains of spilled chai and horrible spat gobs from the cally animals that used thus caff. "What's it going to be then, eh?"

What it was going to be now, brothers, was homeways and a nice surprise for dadada and mum, their only son and heir back in the family bosom. Then I could lay back on the bed in my own malenky den and slooshy some lovely music, and at the same time I could think over what to do now with my jeezny. The Discharge Officer had given me a long list the day before of jobs I could try for, and he had telephoned to different vecks about me, but I had no intention, my brothers, of going off to rabbit right away. A malenky bit of a rest first, yes, and a quiet think on the bed to the sound of lovely music.

And so the autobus to Center, and then the autobus to Kingsley Avenue, the flats of Flatblock 18A being just near. You will believe me, my brothers, when I say that my heart was going clopclopclop with the like excitement. All was very quiet, it still being early winter morning, and when I ittied into the vestibule of the flatblock there was no veck about, only the nagoy vecks and cheenas of the Dignity of Labour. What surprised me, brothers, was the way that had been cleaned up, there being no longer any dirty ballooning slovos from the rots of the Dignified Labourers, not any dirty parts of the body added to their naked plotts by dirty-minded pencilling malchicks. And what also surprised me was that the lift was working. It came purring down when I pressed the electric knopka, and when I got in I was surprised again to viddy all was clean inside the like cage.

So up I went to the tenth floor, and there I saw 10-8 as it had been before, and my rooker trembled and shook as I took out of my carman the little klootch I had for opening up. But I very firmly fitted the klootch in the lock and turned, then opened up then went in, and there I met three pairs of surprised and almost frightened glazzies looking at me, and it was pee and em having their breakfast, but it was also another veck that I had never viddied in my jeezny before, a bolshy thick veck in his shirt and braces, quite at home, brothers, slurping away at the milky chai and munchmunching at his eggiweg and toast. And it was this stranger veck who spoke first, saying:

"Who are you, friend? Where did you get hold of a key? Out, before I push your face in. Get out there and knock. Explain your business, quick."

My dad and mum sat like petrified, and I could viddy they had not yet read the gazetta, then I remembered that the ga-zetta did not arrive till papapa had gone off to his work. But then mum said: "Oh, you've broken out. You've escaped. Whatever shall we do? We shall have the police here, oh oh oh. Oh, you bad and wicked boy, disgracing us all like this." And, believe it or kiss my sharries, she started to go boo hoo. So I started to try and explain, they could ring up the Staja if they wanted, and all the time this stranger veck sat there like frowning and looking as if he could push my litso in with his hairy bolshy beefy fist. So I said:

"How about you answering a few, brother? What are you doing here and for how long? I didn't like the tone of what you said just then. Watch it. Come on, speak up." He was a working-man type veck, very ugly, about thirty or forty, and he sat now with his rot open at me, not govoreeting one single slovo. Then my dad said:

"This is all a bit bewildering, son. You should have let us know you were coming. We thought it would be at least another five or six years before they let you out. Not," he said, and he said it very like gloomy, "that we're not very pleased to see you again and a free man, too."

"Who is this?" I said. "Why can't he speak up? What's going on in here?"

"This is Joe," said my mum. "He lives here now. The lodger, that's what he is. Oh, dear dear dear," she went. "You," said this Joe. "I've heard all about you, boy. I know what you've done, breaking the hearts of your poor grieving parents. So you're back, eh? Back to make life a misery for them once more, is that it? Over my dead corpse you will, because they've let me be more like a son to them than like a lodger." I could nearly have smecked loud at that if the old razdraz within me hadn't started to wake up the feeling of wanting to sick, because this veck looked about the same age as my pee and em, and there he was like trying to put a son's protecting rooker round my crying mum, O my brothers. "So," I said, and I near felt like collapsing in all tears myself. "So that's it, then. Well, I give you five large minootas to clear all your horrible cally veshches out of my room." And I made for this room, this veck being a malenky bit too slow to stop me. When I opened the door my heart cracked to the carpet, because I viddied it was no longer like my room at all, brothers. All my flags had gone off the walls and this veck had put up pictures of boxers, also like a team sitting smug with folded rookers and silver like shield in front. And then I vid-died what else was missing. My stereo and my disc-cupboard were no longer there, nor was my locked treasure-chest that contained bottles and drugs and two shining clean syringes. "There's been some filthy vonny work going on here," I creeched. "What have you done with my own personal veshches, you horrible bastard?" This was to this Joe, but it was my dad that answered, saying:

"That was all took away, son, by the police. This new regulation, see, about compensation for the victims." I found it very hard not to be very ill, but my gulliver was aching shocking and my rot was so dry that I had to take a skorry swig from the milk-bottle on the table, so that this Joe said: "Filthy piggish manners." I said: "But she died. That one died."

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