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Anthony Burgess: A Clockwork Orange (UK Version)

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Anthony Burgess A Clockwork Orange (UK Version)

A Clockwork Orange (UK Version): краткое содержание, описание и аннотация

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In Anthony Burgess’s A Clockwork Orange, Burgess creates a gloomy future full of violence, rape and destruction. In this dystopian novel, Burgess does a fantastic job of constantly changing the readers’ allegiance toward the books narrator and main character, Alex. Writing in a foreign language, Burgess makes the reader feel like an outsider. As the novel begins, the reader has no emotional connection to Alex. This non-emotional state comes to a sudden halt when Alex and his droogs begin a series of merciless acts of violence. The reader rapidly begins to form what seems to be an irreversible hatred toward the books narrator. However, as time progresses, Burgess cleverly changes the tone of his novel. Once wishing only the harshest punishments be bestowed upon him, it is these same punishments that begin to change how the reader feels. In fact, by the end of the book, one almost begins to have pity for Alex. The same character that was once hated soon emerges as one of many victims taken throughout the course of the book. Throughout Alex’s narration, Burgess manages to change the readers’ allegiance toward a once seemingly evil character. Alex is the type of character one loves to hate; he makes it all too easy to dislike him. He is a brutal, violent, teenage criminal with no place in society. His one and only role is to create chaos, which he does too well. Alex’s violent nature is first witnessed during the first chapter, and is soon seen again when Alex and his gang chose to brutally beat an innocent drunkard. This beating off the homeless man serves no purpose other then to amuse Alex’s gang. The acts committed were not performed for revenge, the one reason given was that Alex did not enjoy seeing a homeless drunk, “I could never stand to see a moodge all filthy and rolling and burping and drunk, whatever his age might be, but more especially when he was real starry like this one was”. Alex continues to explain his reason for dislike, “his platties were a disgrace, all creased and untidy and covered in cal”, from this explanation one realizes his reasons for nearly killing a man are simply based on pleasure, desire, and a dislike toward the untidy. By the end of the second chapter Burgess’s inventive usage of a different language to keep the reader alienated from forming opinions about Alex ceases to work. At this point in time Alex’s true nature is revealed, and not even his unfamiliar Nadsat language can save him from being strongly disliked by the reader. The more the reader learns of Alex, the more and more he is disliked; Alex’s relationship with his parents only builds on ones already negative opinions toward Alex. Coming from a normal family and a sturdy household free of domestic violence, there is no excuse for Alex’s violent nature. In fact, Alex’s loving parents are just as baffled by his immoral personality as the reader, although because of their naivete, they know much less of what he does. This leaves the reader uninformed and wondering: why is Alex the way he is? Fortunately, just as one begins to question Alex’s motives, Alex gives an answer, “badness is of the self, the one…is not our modern history, my brothers the story of brave malenky selves fighting these big machines? I am serious with you, brothers, over this. But what I do I do because I like to do”. He could not have explained it more clearly. While from one point of view Alex visions himself as a revolutionary, even simpler then that, he is basically admitting he commits violent acts because he enjoys doing so. Later in the book Alex offers another solution for his violent nature, “Being young is like being one of these malenky machines…and so it would itty on to like the end of the world”. These malenky machines he is referring to are very similar to the clockwork orange Burgess talks to in his introduction. Whatever reasons he gives, none of them are valid enough to prevent the reader from hating Alex. In spite of all the hatred aimed toward Alex at this point, seemingly it is not enough to prevent the pity one begins to feel when Alex is abandoned by his “droogs”. Knowing he is the leader of his group, Alex constantly gives orders to his gang. Unfortunately it is due to his tendency to need leadership that a quarrel begins with his gang. After settling the original dispute that arises, Alex and his “droogs” are not so successful at ending their second squabble. Framed by his friends, Alex is arrested while they run away. Furthermore, he is beaten by the police, and sentenced to fourteen years of jail. It only takes two of them for the reader to realize the difficulties that Alex is living through. Throughout the first part of the book, there is in fact only one sign that Alex is not utterly evil, that being his music. Along with his abandonment from friends, it is the music that Burgess uses to help change the readers opinion, and eventually to have pity toward his young antagonist. As the reader continues to pry deeper into Alex’s life it is shocking to learn of the music he listens to, it is because of this music and the actions taken against him that one truly begins to feel sorry for Burgess’s little Alex. The music that Alex chooses to listen is very ironic. While it causes him to do evil things, the fact remains that he listens to normal music, one of the first things he is not disliked for, “lying there on my bed with glazzies tight shut and rookers behind my gulliver, I broke and spattered and cried aaaaaaah with the bliss of it". His particular interest in Ludwig Van arises during one of his sessions while undergoing Ludivico’s Technique. Upon hearing what he perceives to be heavenly music Alex cry’s out about the injustice in the procedure, “I don’t mind about the ultra-violence and all that cal. I can put up with that. But it’s not fair on the music”. It is during this same treatment that the reader really begins to feel sympathy toward him. Striped of his ability to choose right from wrong, and now the same clockwork orange that F. Alexander earlier told him about, Alex becomes one of the governments’ machines. Forced to do exactly what they want him to, become their “true Christian”, Alex poses the question to his doctors, “How about me? Where do I come into all this? Am I like just some animal or dog…am I to be just like a clockwork orange?” Alex is all alone in the world, no longer capable of performing cruel deeds, he is denied by all whom he once knew. The same character one used to wish the harshest punishment upon received it, and when he got it, it becomes strikingly evident that it was much more then even the worst person would ever deserve. Burgess does a magical job at making the reader quickly forget the horrible deeds Alex once committed. Instead by making powerful moral statements, Burgess goes so far that the reader not only turns the other cheek toward Alex’s crimes, but also feels genuinely sorry for him. Alex may not be completely cured, but that is not the issue at hand. Through means of pity and by playing with the readers’ emotions throughout the book, during A Clockwork Orange, Burgess is constantly playing with the reader’s allegiances.

Anthony Burgess: другие книги автора


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The music was still pouring in all brass and drums and the violins miles up through the wall. The window in the room where I had laid down was open. I ittied to it and viddied a fair drop to the autos and buses and waiting chellovecks below. I creeched out to the world: "Good-bye, good-bye, may Bog forgive you for a ruined life." Then I got on to the sill, the music blasting away to my left, and I shut my glazzies and felt the cold wind on my litso, then I jumped.

6

I jumped, O my brothers, and I fell on the sidewalk hard, but I did not snuff it, oh no. If I had snuffed it I would not be here to write what I written have. It seems that the jump was not from a big enough heighth to kill. But I cracked my back and my wrists and nogas and felt very bolshy pain before I passed out, brothers, with astonished and surprised litsos of chello-vecks in the streets looking at me from above. And just before I passed out I viddied clear that not one chelloveck in the whole horrid world was for me and that that music through the wall had all been like arranged by those who were supposed to be my like new droogs and that it was some veshch like this that they wanted for their horrible selfish and boastful politics. All that was in like a million millionth part of one minoota before I threw over the world and the sky and the litsos of the staring chellovecks that were above me. Where I was when I came back to jeezny after a long black black gap of it might have been a million years was a hospital, all white and with this von of hospitals you get, all like sour and smug and clean. These antiseptic veshches you get in hospitals should have a real horrorshow von of like frying onions or of flowers. I came very slow back to knowing who I was and I was all bound up in white and I could not feel anything in my plott, pain nor sensation nor any veshch at all. All round my gulliver was a bandage and there were bits of stuff like stuck to my litso, and my rookers were all in bandages and like bits of stick were like fixed to my fingers like on it might be flowers to make them grow straight, and my poor old nogas were all straightened out too, and it was all bandages and wire cages and into my right rooker, near the pletcho, was red red krovvy dripping from a jar upside down. But I could not feel anything, O my brothers. There was a nurse sitting by my bed and she was reading some book that was all very dim print and you could viddy it was a story because of a lot of inverted commas, and she was like breathing hard uh uh uh over it, so it must have been a story about the old in-out in-out. She was a real horrorshow devotchka, this nurse, with a very red rot and like long lashes over her glazzies, and under her like very stiff uniform you could viddy she had very horrorshow groodies. So I said to her: "What gives, O my little sister? Come thou and have a nice lay-down with your malenky droog in this bed." But the slovos didn't come out horrorshow at all, it being as though my rot was all stiffened up, and I could feel with my yahzick that some of my zoobies were no longer there. But this nurse like jumped and dropped her book on the floor and said: "Oh, you've recovered consciousness." That was like a big rotful for a malenky ptitsa like her, and I tried to say so, but the slovos came out only like er er er. She ittied off and left me on my oddy knocky, and I could viddy now that I was in a malenky room of my own, not in one of these long wards like I had been in as a very little malchick, full of coughing dying starry vecks all around to make you want to get well and fit again. It had been like diphtheria I had had then, O my brothers. It was like now as though I could not hold to being conscious all that long, because I was like asleep again almost right away, very skorry, but in a minoota or two I was sure that this nurse ptitsa had come back and had brought chello-vecks in white coats with her and they were viddying me very frowning and going hm hm hm at Your Humble Narrator. And with them I was sure there was the old charles from the Staja govoreeting: "Oh my son, my son," breathing a like very stale von of whisky on to me and then saying: "But I would not stay, oh no. I could not in no wise subscribe to what those bratchnies are going to do to other poor prestoopnicks. O I got out and am preaching sermons now about it all, my little beloved son in J. C."

I woke up again later on and who should I viddy there round the bed but the three from whose flat I had jumped out, namely D. B. da Silva and Something Something Rubinstein and Z. Dolin. "Friend," one of these vecks was saying, but I could not viddy, or slooshy horrorshow which one, "friend, little friend," this goloss was saying, "the people are on fire with indignation. You have killed those horrible boastful villains' chances of re-election. They will go and will go for ever and ever. You have served Liberty well." I tried to say:

"If I had died it would have been even better for you political bratchnies, would it not, pretending and treacherous droogs as you are." But all that came out was er er er. Then one of these three seemed to hold out a lot of bits cut from gazettas and what I could viddy was a horrible picture of me all krovvy on a stretcher being carried off and I seemed to like remember a kind of a popping of lights which must have been photographer vecks. Out of one glazz I could read like headlines which were sort of trembling in the rooker of the chelloveck that held them, like BOY VICTIM OF CRIMINAL REFORM SCHEME and GOVERNMENT AS MURDERER and there was like a picture of a veck that looked familiar to me and it said OUT OUT OUT, and that would be the Minister of the Inferior or Interior. Then the nurse ptitsa said:

"You shouldn't be exciting him like that. You shouldn't be doing anything that will make him upset. Now come on, let's have you out." I tried to say:

"Out out out," but it was er er er again. Anyway, these three political vecks went. And I went, too, only back to the land, back to all blackness lit up by like odd dreams which I didn't know whether they were dreams or not, O my brothers. Like for instance I had this idea of my whole plott or body being like emptied of as it might be dirty water and then filled up again with clean. And then there were really lovely and horror-show dreams of being in some veck's auto that had been crasted by me and driving up and down the world all on my oddy knocky running lewdies down and hearing them creech they were dying, and in me no pain and no sickness. And also there were dreams of doing the old in-out in-out with devotchkas, forcing like them down on the ground and making them have it and everybody standing around claping their rookers and cheering like bezoomny. And then I woke up again and it was my pee and em come to viddy their ill son, my em boohooing real horrorshow. I could govoreet a lot better now and could say: "Well well well well well, what gives? What makes you think you are like welcome?" My papapa said, in a like ashamed way:

"You were in the papers, son. It said they had done great wrong to you. It said how the Government drove you to try and do yourself in. And it was our fault too, in a way, son. Your home's your home, when all's said and done, son." And my mum kept on going boohoohoo and looking ugly as kiss-my-sharries. So I said:

"And how beeth the new son Joe? Well and healthy and prosperous, I trust and pray?" My mum said: "Oh, Alex Alex. Owwwwwwww." My papapa said: "A very awkward thing, son. He got into a bit of trouble with the police and was done by the police."

"Really?" I said. "Really? Such a good sort of chelloveck and all. Amazed proper I am, honest."

"Minding his own business he was," said my pee. "And the police told him to move on. Waiting at a corner he was, son, to see a girl he was going to meet. And they told him to move on and he said he had rights like everybody else, and then they sort of fell on top of him and hit him about cruel."

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