Christopher Moore - Fluke, Or, I Know Why the Winged Whale Sings

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Fluke, Or, I Know Why the Winged Whale Sings: краткое содержание, описание и аннотация

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After reverently lambasting the most cherished rites and credos of virtually every one of the world's major religions in his transcendently hilarious novel
the one and only Christopher Moore returns with a wild look at interspecies communication, adventure on the high seas, and an eons-old mystery.
Marine behavioral biologist Nate Quinn is in love — with the salt air and sun-drenched waters off Maui… and especially with the majestic ocean-dwelling behemoths that have been bleeping and hooting their haunting music for more than twenty million years. But just why do the humpback whales sing? That's the question that has Nate and his crew poking, charting, recording, and photographing any large marine mammal that crosses their path. Until the extraordinary day when a whale lifts its tail into the air to display a cryptic message spelled out in foot-high letters: No one on Nate's team has ever seen such a thing; not his longtime partner, photographer Clay Demodocus, not their saucy young research assistant, Amy. Not even spliff-puffing white-boy Rastaman, Kona (the former Preston Applebaum of New Jersey), could boast such a sighting in one of his dope-induced hallucinations. And when a roll of film returns from the lab missing the crucial tail shot — and their research facility is summarily trashed — Nate realizes that something very fishy indeed is going on.
This, apparently, is big, involving dangerously interested other parties — competitive researchers, the cutthroat tourist industry, perhaps even the military. The weirdness only gets weirder when a call comes in from Nate's big-bucks benefactor saying that a whale has made contact — by phone. And it's asking for a hot pastrami and Swiss on rye. Suddenly the answer to the question that has daunted and driven Nate throughout his adult life is within his reach. But it's waiting for him in the form of an amazing adventure beneath the waves, 623 feet down, somewhere off the coast of Chile. And it's not what anyone would think.
It must be said: Christopher Moore's
is a whale of a novel.

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"Is that what you want?"

"No, that's not what I want. What I want is a doorknob. And not an organic nodule thing — I want a dead doorknob. One that always has been dead, too. Not something that you used to be friends with."

Cielle Nuñez had backed away from him several feet, and the whaley kids who'd been following them had quieted down and gone into a defensive pod formation, the big kids on the outside. People who were out walking, and who normally made a point of nodding and smiling as they passed, took a wide detour around Nate. There was an inordinate amount of whistling among the milling whaley boys.

"That going to do it for you?" Nuñez asked. "A doorknob. I get you a doorknob, you're a happy man?"

Why should he be embarrassed? Because he'd scared the kids? Because he'd made his captors uncomfortable? Nevertheless, he was embarrassed.

"I could use some earplugs, too, if you have them. For sleeping." For ten hours out of twenty-four, the grotto went dark. Cielle explained that this was for the comfort of the humans, to help them keep some semblance of their normal circadian rhythms. People needed day and night — without the change many people couldn't sleep. The problem was, the whaley boys didn't sleep. They rested, but they didn't sleep. So when the grotto went dark, they went on about their business. In the dark, however, they were all constantly emitting sonar clicks. At night the grotto sounded like it was being marched upon by an army of tap dancers. Consequently, so did Nate's apartment.

Nuñez nodded. "We can probably do that. You want to go get a steaming hot cup of sea otter now?"

"What?"

"I'm just kidding. Lighten up, Nate."

"I want to go home." He'd said it before he even realized it.

"That's not going to happen. But I'll send word. I think it's time you met with the Colonel."

They spent the day going to shops. Nate found some cotton slacks that fitted him, some socks and underwear, and a pile of T-shirts from one tiny shop. There was no currency exchanged. Nuñez would just nod to the shopkeeper, and Nate would take what he needed. There was little variety in any of the shops, and most of what they carried was goods from the real world: clothes, fabric, books, razor blades, shoes, and small electronics. But a few shops carried items that appeared to have been grown or made right there in Gooville: toothbrushes, soaps, lotions. All the packaging seemed to come out of the seventeenth century — the shopkeepers wrapped parcels in a ubiquitous oilcloth that Nate thought smelled vaguely of seaweed and indeed had the same olive color as giant kelp. Patrons brought their own jars to carry oils, pickles, and other soft goods. Nate had seen everything from a modern mayonnaise jar to hand-thrown crockery that had to have been made a hundred years ago.

"How long, Cielle?" he asked as he watched a shopkeeper count sugared dates into a hand-blown glass jar and seal it with wax. "How long have people been down here?"

She followed his gaze to the jar. "We get a lot of the surface goods from shipwrecks, so don't be impressed if you see antiques; the sea is a good preserver. We may have salvaged it only a week ago. A friend of mine keeps potatoes in a Grecian wine amphora that's two thousand years old."

"Yeah, and I'm using the Holy Grail to catch my spare change. How long?"

"You are so hostile today. I don't know how long, Nate. A long time."

He had dozens, hundreds more questions, like where the hell did they get potatoes when they didn't have sunlight to grow anything? They weren't bringing potatoes up from a shipwreck. But Cielle was letting him get only so far before claiming ignorance.

They had lunch at a four-stool lunch counter where the proprietor was a striking Irishwoman with stunning green eyes and a massive spill of red hair and who, like everyone, it seemed, knew Cielle and knew who Nate was.

"Got you a Walkman then, Dr. Quinn? Whaley boys will drive you to drink with that sonar at night."

"We're going to get him some earplugs today, Brennan," Cielle said.

"Music, that's the way to wash the whaley-boy whistles," the woman said. Then she was off to her kitchen. The walls of the cafe were decorated with a collection of antique beer trays, glued in place, as Nate had learned, with an adhesive that was similar to what barnacles secreted to fasten themselves to ships. Nailing things up was frowned upon, as the walls would bleed for a while if injured.

Nate took a bite of his sandwich, meatballs and mozzarella on good crusty French bread.

"How?" he asked Cielle, blowing crumbs on the counter. "How does any of this stuff get made if there's no flame?"

Cielle shrugged. "No idea. A bakery, I'd guess. They make all the prepared food outside the grotto. I've never been there."

"You don't know how? How can that be?"

Cielle Nuñez put down her own sandwich and leaned on one elbow, smiling at Nate. She had remarkably kind eyes, and Nate had to remind himself that she had been ordered to be his friend. Interesting, he thought, that they'd choose a woman. Was she bait?

"You ever read A Connecticut Yankee in King Arthur's Court, Nate?"

"Of course, everybody does."

"And that guy goes back to Camelot from the late nineteenth century and dazzles everyone with his scientific knowledge, mainly because he can make gunpowder, right?"

"Yes, so?"

"You're a scientist, so you might do better than most, but take your average citizen, a guy who works at a discount store, say. Drop him in the twelfth century, you know what he'll achieve?"

"Make your point?"

"Death by bacterial infection, more than likely. And the last words on his lips will probably be, 'There's such a thing as an antibiotic, really. My point is, I don't know how this stuff is made because I haven't needed to know. Nobody knows how to make the things they use. I suppose I could find out and get back to you, but I promise you I'm not holding out on you just to be mysterious. We do a lot of salvage on the whale ships, and we have a trade network into the real world that gets us a lot of our goods. When a freighter leaves pallets of goods for the people on remote islands in the Pacific, all they know is that they've been paid and they've delivered to shore. They don't stay to see who takes the goods away. The old-timers say that it used to be that the Goo provided everything. Nothing came in from the outside that wasn't on their backs when they got here."

Nate took a bite of his sandwich and nodded as if considering what she'd just said. Since he'd arrived in Gooville, he had spent every waking moment thinking about two things: one, how this whole place could possibly function; and two, how to get out of it. The Goo had to get energy from somewhere. The energy to light the huge grotto alone would require tens of millions of calories. If it got energy from outside, maybe you could use that same pathway to get out.

"So do you guys feed it? The Goo?"

"No."

"Well, then-"

"Don't know, Nate. I just don't know. How does dry-cleaning work?"

"Well, I assume that they use solvents, that, uh — Look, biologists don't have a lot of stuff that needs to be dry-cleaned. I'm sure it's not that complicated a process."

"Yeah, well, right back at you on all of your questions about the Goo."

Cielle stood and gathered up her parcels. "Let's go, Nate. I'm taking you back to your apartment. Then I'm going right to the whaley-boy den and find out if they can get the Colonel to see you. Today."

Nate still had a couple bites of his sandwich left. "Hey, I've still got a couple of bites of my sandwich left," he said.

"Really? Well, did you ask yourself where in Gooville we got meatballs? What sort of meat might be in them?"

Nate dropped his sandwich.

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