Christopher Moore - Fluke, Or, I Know Why the Winged Whale Sings

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Fluke, Or, I Know Why the Winged Whale Sings: краткое содержание, описание и аннотация

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After reverently lambasting the most cherished rites and credos of virtually every one of the world's major religions in his transcendently hilarious novel
the one and only Christopher Moore returns with a wild look at interspecies communication, adventure on the high seas, and an eons-old mystery.
Marine behavioral biologist Nate Quinn is in love — with the salt air and sun-drenched waters off Maui… and especially with the majestic ocean-dwelling behemoths that have been bleeping and hooting their haunting music for more than twenty million years. But just why do the humpback whales sing? That's the question that has Nate and his crew poking, charting, recording, and photographing any large marine mammal that crosses their path. Until the extraordinary day when a whale lifts its tail into the air to display a cryptic message spelled out in foot-high letters: No one on Nate's team has ever seen such a thing; not his longtime partner, photographer Clay Demodocus, not their saucy young research assistant, Amy. Not even spliff-puffing white-boy Rastaman, Kona (the former Preston Applebaum of New Jersey), could boast such a sighting in one of his dope-induced hallucinations. And when a roll of film returns from the lab missing the crucial tail shot — and their research facility is summarily trashed — Nate realizes that something very fishy indeed is going on.
This, apparently, is big, involving dangerously interested other parties — competitive researchers, the cutthroat tourist industry, perhaps even the military. The weirdness only gets weirder when a call comes in from Nate's big-bucks benefactor saying that a whale has made contact — by phone. And it's asking for a hot pastrami and Swiss on rye. Suddenly the answer to the question that has daunted and driven Nate throughout his adult life is within his reach. But it's waiting for him in the form of an amazing adventure beneath the waves, 623 feet down, somewhere off the coast of Chile. And it's not what anyone would think.
It must be said: Christopher Moore's
is a whale of a novel.

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"I'm still curious. But what I do know is that this stuff makes up everything in Gooville, everything you've seen here, the buildings, the corridors, most of the machinery — although I guess you'd call it biomachinery — all of it is the Goo. One giant, all-encompassing organism. It can form itself into nearly any organism on earth, and it can design new organisms as the need arises. The Goo made the whale ships and the whaley boys. And here's the kicker, Nate: It didn't make them over thirty million years. The entire species isn't more than three hundred years old."

"That's not possible," Nate said. There were certain things that you accepted if you were going to be a biologist, and one of them was that complex life was a process of evolution by natural selection, that you got a new species because the genes that favored survival in a certain environment were replicated in that species, selected by being passed on, often a process that took millions of years. You didn't put in your order and pick up a new species at the window. There was no cosmic fry cook, there was no watchmaker, there was no designer. There was only process and time. "How could you possibly know that anyway?"

"I just know things by being in contact with the Goo, but I'm not far off. It might be less time — two hundred years."

"Two hundred years? The whaley boys are definitely sentient by any definition, and I don't even know what the whale ships are, but they're definitely alive, too. That kind of complexity doesn't happen in that short a time."

"No, I'd say the Goo has probably been here as long as three and a half billion years. The rocks around these caves are some of the oldest in the world. I'm just saying the whaley boys and the ships are new. They're only a few hundred years old because that's how long ago the Goo needed them."

"The Goo needed them, so it made them to serve it? Like it has will?"

"It does have will. It's self-aware, and it knows a lot. In fact, I'd venture to say that the Goo is a repository for every bit of biological knowledge on the planet. This, Nate, this Goo is as close to God as we are ever going to see. It's the perfect soup."

"As in primordial soup?"

"Precisely. Four billion years ago some big organic molecules grouped up, probably around some deep-sea source of geothermal heat, and they learned how to divide, how to replicate. Since replication is the name of life's game, it very quickly — probably in the span of less than a hundred million years — covered the entire planet. Big organic molecules that couldn't exist now because there are millions of bacteria that would eat them, but back then there were no bacteria. At one time the entire oceanic surface of the earth was populated by one single living thing that had learned to replicate itself. Sure, as the replicators were exposed to different conditions they mutated, they developed into new species, they fed on each other, some colonized each other and turned into complex animals, and then more complex animals, but part of that original living animal pulled back into its original niche. By this time chemical information was being exchanged — first by UNA, then by DNA — and as each new species evolved, it carried on all the information for making the next species, and that information came back to the original animal. But it had its safe niche, pulling energy from the earth's heat, sheltered in the deep ocean and by rock. It took in all the information from the animals that it came in contact with, but it changed only enough to protect itself, replicate itself. While a million million species lived and died in the sea, this original animal evolved very slowly, learning, always learning. Think of it, Nate: Within the cells of your body is not only the blueprint for every living thing on earth but everything that has ever lived. Ninety-eight percent of your DNA is just hitching a ride, just lucky little genes that were smart enough to align themselves to other successful genes, like marrying into money, if you will. But the Goo, not only does it have all of those genes, it has the diagram to turn them on and off. That seat you're sitting on may well be three billion years old."

Nate suddenly felt something he'd felt before only when waking up in a hotel with the bedspread pulled up around his face: a deep and earnest hope, motivated by disgust, that in all the time it had been there, someone had cleaned the cast-off genetic material from it. He stood up, just for safety. "How could you possibly know this, Growl? It goes against everything we know about evolution."

"No it doesn't. It completely fits. Yes, a complex process like life can develop, given enough time, but we also know that an animal that fits perfectly into its niche isn't pressured to change. Sharks have remained basically the same for a hundred million years, the chambered nautilus for five hundred million. Well, you're just looking at the animal that found its niche first. The first animal, the source."

Nate shook his head at the magnitude of it. "You might be able to explain the evolutionary path being preserved, but you can't explain consciousness, analytical thought, processes that require a very complex mechanism to perform. You can't pull off that sort of complexity of function with big, fluffy organic molecules."

"The molecules have evolved, but they remembered. The Goo is a complex, if amorphous, life form; there are no analogs for it. Everything is a model of it, and nothing is a model of it."

Nate stepped back from the Colonel, and the Goo flexed to make room for him. The movement gave him a brief moment of vertigo, and he lost his balance. The Goo caught him, the surface moving forward against his shoulder blades just enough to steady him on his feet. Nate whipped around quickly and the Goo pulled back. "God, that's creepy!"

"There you go, Nate. Aware. You'd be amazed at what the Goo knows — at what it can tell us. You can have a life here, Nate. You'll see things here you would never see, you'll do things you could never do. And in the process you can help me unravel the greatest biological riddle in the history of the world."

"I think you're supposed to laugh manically after saying something like that, Colonel."

"If you help me, I'll give you what you've always wanted."

"Despite what you think, what I want is to go home."

"That's not going to happen, Nate. Not ever. You're a bright man, so I won't insult you by pretending the circumstances are any different than they are: You are not ever going to leave these caverns alive, so now you have to make the decision of how you want to spend your life. You can have everything here that you could have on the surface — much more, in fact — but you're not leaving."

"Well, in that case, Colonel, see if you can get your giant booger to duplicate you so you can go fuck yourself."

"I know what the whale song means, Nate. I know what it's for." Nate felt as if he'd been sucker-punched by his own obsession, but he tried not to show the impact.

"Doesn't really matter now, does it?"

"I understand. You take a little time to work into the idea, Nate, but there is some urgency. This isn't just standing back and collecting data — we need to do something. I want your help. We'll talk soon."

The Goo came down and seemed to envelop the Colonel. There was a sound like ripping paper, and a long, pink tunnel opened behind Nate, leading all the way to the iris door through which he'd entered. He took one last look over his shoulder, but there was nothing except Goo, Ryder was gone.

Nate was met in the hall by the two big killer whaley boys, who took one look at his face, then looked at each other, then snickered, with big toothy grins. Emily 7 was nowhere to be seen.

"He's a fucking squirrel," Nate said.

The whaley boys went into wheezing fits of laughter, doubling over as they led Nate down the corridor and back to the grotto. Say what you want, Nate thought. The Goo designed these guys to enjoy themselves.

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