Christopher Moore - Fluke, Or, I Know Why the Winged Whale Sings

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Fluke, Or, I Know Why the Winged Whale Sings: краткое содержание, описание и аннотация

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After reverently lambasting the most cherished rites and credos of virtually every one of the world's major religions in his transcendently hilarious novel
the one and only Christopher Moore returns with a wild look at interspecies communication, adventure on the high seas, and an eons-old mystery.
Marine behavioral biologist Nate Quinn is in love — with the salt air and sun-drenched waters off Maui… and especially with the majestic ocean-dwelling behemoths that have been bleeping and hooting their haunting music for more than twenty million years. But just why do the humpback whales sing? That's the question that has Nate and his crew poking, charting, recording, and photographing any large marine mammal that crosses their path. Until the extraordinary day when a whale lifts its tail into the air to display a cryptic message spelled out in foot-high letters: No one on Nate's team has ever seen such a thing; not his longtime partner, photographer Clay Demodocus, not their saucy young research assistant, Amy. Not even spliff-puffing white-boy Rastaman, Kona (the former Preston Applebaum of New Jersey), could boast such a sighting in one of his dope-induced hallucinations. And when a roll of film returns from the lab missing the crucial tail shot — and their research facility is summarily trashed — Nate realizes that something very fishy indeed is going on.
This, apparently, is big, involving dangerously interested other parties — competitive researchers, the cutthroat tourist industry, perhaps even the military. The weirdness only gets weirder when a call comes in from Nate's big-bucks benefactor saying that a whale has made contact — by phone. And it's asking for a hot pastrami and Swiss on rye. Suddenly the answer to the question that has daunted and driven Nate throughout his adult life is within his reach. But it's waiting for him in the form of an amazing adventure beneath the waves, 623 feet down, somewhere off the coast of Chile. And it's not what anyone would think.
It must be said: Christopher Moore's
is a whale of a novel.

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"And I know," continued the Old Broad, "that if it were not for his stubbornness in procuring a pastrami on rye for that singer in the channel, he would be here with us today."

"But if he were here with us — " whispered Clair.

"Shhhhhh," shushed Margaret Painborne.

"Don't you shush me, or you'll be munching carpet through a straw."

"Please, honey," said Clay.

The Old Broad rambled on about talking to the whales every day for the last twenty-five years, about how she'd known Nate and Clay and Cliff when they first came to the island and how young and stupid they were then, and how that had changed, as now they weren't that young anymore. She talked about what a thoughtful and considerate man Nate was, but how, if he hadn't been so absentminded, he might have found a decent woman to love him, and how she didn't know where he was, but if he didn't get his bottom back to Maui soon, she would twist his ear off when she saw him. And then she sat down to resounding silence and tittering pity, and everyone looked at Clay, who looked at a ceiling fan.

After a long, awkward minute, when the Unity minister had to head-fake to the podium a couple of times, as if he would have to call a conclusion to the service, Gilbert Box — the Count — got up. He wasn't wearing his hat for once, but he still wore his giant wraparound sunglasses, and without the balance of the giant hat, the glasses atop his angular frame made him appear insectlike, a particularly pale praying mantis in khakis. He adjusted the microphone, cleared his throat with great pomp, and said, "I never liked Nathan Quinn…" And everyone waited for the "but," but it never came. Gilbert Box nodded to the crowd and sat back down. Gilbert's grommets applauded.

Cliff Hyland spoke next, talking for ten minutes about what a great guy and fine researcher Nate was. Then Libby actually went forward and spoke at length about Nate's Canadianness and how he had once defended the Great Seal of British Columbia as being superior to all the other provincial seals in that it depicted a moose and a ram smoking a hookah, showing a spirit of cooperation and tolerance, while Ontario's seal depicted a moose and an elk trying to eat a bear, and Saskatchewan's showed a moose and a lion setting fire to a fondue pot — both of which clearly exploited the innate Canadian fear of moose — and the seal of Quebec depicted a woman in a toga flashing one of her boobs at a lion, which was just fucking French. He'd named all the provinces and their seals, but those were the ones Libby could remember. Then Libby sniffled and sat down.

"That's what you could come up with?" hissed Clay. "What, five years of marriage?"

Libby whispered in his ear, "I had to go with something that wouldn't threaten Margaret. I don't see you storming the podium."

"I'm not going to talk about my dead friend when I don't think he's dead."

And before they knew it, Jon Thomas Fuller was at the podium being thankful for Nate's support for his new project, then going on about how much he appreciated how the whale-research community had gotten behind his new "dolphin interaction center," all of which was big news to the whale-research community who was listening. During the short speech, Clair had caught Clay's neck in what appeared to be an embrace of consolation but was in fact a choke hold she'd learned from watching cops on the news. "Baby, if you try to go after him, I'll have you unconscious on the floor in three seconds. That would be disrespectful to Nate's memory." But her effort left Kona unattended on the other side, and he managed to cough «Bullshit» as Jon Thomas took his seat.

Next a grad student who worked for Cliff Hyland stood and talked about how Nate's work had inspired her to go into the field. Then someone from the Hawaiian Department of Conservation and Resources talked about how Nate had always been at the forefront of conservation and protection of the humpbacks. Then the harbormaster talked about Nate's being a competent and conscientious boat pilot. All told, an hour had passed, and when it seemed obvious that no one else was going to stand up, the minister moved toward the podium but was beaten to it by Kona, who had slipped from Clair's steely grip and high-stepped his way to the front.

"Like old Auntie say, Nathan is living on. But no one here today say a thing about the Snowy Biscuit, who — Jah's mercy be on her — is feeding fishes in the briny blue about now." (Sniff.) "I know her only short time, but I think I can say for all of us, that I always want to see her naked. Truth, mon. And when I think upon the round, firm —»

"— she will be missed," Clay said, finishing for the faux Hawaiian. He had clamped a hand over Kona's mouth and was dragging him out the door. "She was a bright kid." With that, the minister jumped to the podium, thanked everyone for coming, and declared, with a prayer, all respects paid in full. Amen.

* * *

"Well, yes, mental health can be a problem," said Growl Ryder.

"Being God's conscience is a tough job."

Nate looked around, and, as if following his gaze, the Goo receded around them until they were in a chamber about fifteen feet in diameter — a bubble. It was like camping in someone's bladder, Nate thought.

"That better?" Ryder asked.

Nate realized that the Colonel was the one controlling the shape of the chamber they were in.

"Someplace to sit would be good."

The Goo behind Nate shaped itself into a chaise longue. Nate touched it tentatively, expecting to pull his hand back trailing strings of slime, but although the Goo glistened as if it were wet, on the chair it felt dry. Warm and icky, but dry. He sat down on the chaise. "Everyone thinks you're dead," Nate said.

"You, too."

Nate hadn't thought about it much, but, of course, the Colonel had to be right. They would have thought him long dead.

"You've been here since you disappeared, what, twelve years ago?"

"Yes, they took me with a modified right whale, ate my whole Zodiac, my equipment — everything. They brought me here in a blue whale. I went mad during the trip. Couldn't handle the whole idea of it. They kept me restrained most of the way here. I'm sure that didn't help." Ryder shrugged. "I got better, once I accepted the way things are down here. I understood why they took me."

"And that would be…?"

"The same reason they took you. I was about to figure out their existence from what was hidden in the signal of different whale calls. They took both of us to protect the whale ships and, ultimately, the Goo. We should be grateful they didn't just kill us."

Nate had wondered about that before. Why the trouble? "Okay, why didn't they?"

"Well, they took me alive because the Goo and the people here wanted to know what I knew, and by what path I came to suspect the content in the whale calls. They took you alive because I ordered it so."

"Why?"

"What do you mean, 'why'? Because we were colleagues, because I taught you, because you're bright and intuitive and I liked you and I'm a decent guy. 'Why? Fuck you, 'why? »

"Growl, you live in a slime lair and maintain an identity as the mysterious overlord of an undersea city, you command a fleet of meat dreadnaughts with crews of humanoid whale people, and you're currently reclining in a pulsating mass of gelatinous goo that looks like it escaped from hell's own Jell-O mold — so excuse the fuck out of me if I question your motives."

"Okay, good point. Can I get you something to drink?"

Like many scientists Nate had known, Ryder had plodded on only to realize midcourse that he'd forgotten certain social niceties practiced by other civilized humans, but in this case he was completely missing the point. "No, I don't need anything to drink. I need to know how this happened. What is this stuff? You're a biologist, Growl, you have to have been curious about this."

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