Christopher Moore - Fluke, Or, I Know Why the Winged Whale Sings

"They're coming down to check out the newcomer. Don't be surprised if you get rubbed up against in the streets. They're just saying hi."

"Streets?"

"We call them streets. They're sort of streets."

Now, out of the dim yellow light of the whale ships, Nate realized that there was a wide variety in the whaley boys' coloring. Some were actually mottled blue, like the skin of a blue whale, while others were black like a pilot whale, or light gray like a minke whale. Some even had the black-on-white coloring of killers and Pacific white-sided dolphins, while a few here and there were stark white like a beluga. The body shapes of all were very similar, differing only in size, with the killer whaley boys, who were taller by a foot and heavier by perhaps a hundred pounds, having jaws twice the width of the others'. He also noticed in the brighter light that he was the only human who had a tan. The people, even Cal and the crew, looked healthy; it just appeared that none of them had ever seen the sun. Like the British.

Nuñez came over and helped Cal, and then Nate, to his feet.

"How're the shoes?" she asked Nate.

"They're strange after not wearing any for so long."

"You'll be wobbly for a few hours, too. You'll feel the motion when you stand still for a day or so. No different from having been at sea in normal ship. I'll take you to your new quarters, show you around a little, get you settled in. The Colonel will probably send for you before too long. People will help you out, humans and whaley boys. They'll all know you're new."

"How many, Cielle?"

"Humans? Almost five thousand live here. Whaley boys, maybe half that many."

"Where is here? Where are we?"

"I told him about Gooville," said Cal.

Nuñez looked up at Nate and then pulled her sunglasses down on her nose so he could see her eyes. "Don't freak out on me, huh?"

Nate shook his head. What did she think, that whatever she was going to tell him was going to be weirder, grander, or scarier than what he'd seen already?

"The roof above this ceiling — which is thick rock, although we're not exactly sure how thick — anyway, it's around six hundred feet below the surface of the Pacific Ocean. We're about two hundred miles off the coast of Chile, under the continental shelf. In fact, we came in through a cliff in the continental rise, a cliff face.

"We're six hundred feet underwater right now. The pressure?"

"We came in through a very long tunnel, a series of pressure locks that pass the ships along until we're at surface pressure. I would have shown you as we came through, but I didn't want to wake you."

"Yeah, thanks for that."

"Let's get you to your new house. We've got a long walk ahead of us." She headed away from the water, motioning for him to follow.

Nate nearly stumbled trying to look back at the whale ships lining the harbor. Tim caught him by the arm. "It's a lot to take in. People really have freaked out. You just have to accept that the Goo won't let anything bad happen to you. The rest is simply a series of surprises. Like life."

Nate looked into the younger man's dark eyes to see if there was any irony showing there, but he was as open and sincere as a bowl of milk. "The Goo will take care of me?"

"That's right," said Tim, helping him along toward the grotto wall, toward the actual village of Gooville, with its organically shaped doorways and windows, its knobs and nodules, its lobster-shell pathways, its whaley-boy pods working together or playing in the water, where was housed an entire village of what Nate assumed were all happy human wackjobs.

After two days of looking for meaning in hash marks on waveforms and ones and ohs on legal pads that were hastily typed into the machine, Kona found a surfer/hacker on the North Shore named Lolo who agreed to write it all into a Linux routine in exchange for Kona's old long board and a half ounce of the dankest nugs [1] Marijuana buds of the finest quality .

"Won't he just take cash?" asked Clay.

"He's an artist," explained Kona. "Everyone has cash."

"I don't know what I'm going to put that under for the accountant."

"Nugs, dank?"

Clay looked forlornly at the legal-pad pages piling up on the desk next to where Margaret Painborne was typing. He handed a roll of bills over to Kona. "Go. Buy nugs. Bring him back. Bring back my change."

"I'm throwing in my board for the cause," said Kona. "I could use some time in the mystic myself."

"Do you want me to tell Auntie Clair that you tried to extort me?" Clay had taken to using Clair as a sort of sword of Damocles/assistant principal/evil dominatrix threat over Kona, and it seemed to work swimmingly.

"Must blaze, brah. Cool runnings."

Suddenly something sparked in Clay's head, a déjà vu trigger snapping electric with connections. "Wait, Kona."

The surfer paused in the doorway, turned.

"The first day you came here, the day that Nate sent you to the lab to get the film — did you actually do it?"

Kona shook his head, "Nah, boss, the Snowy Biscuit see me going. She say keep the money and she go to the lab. When I come back with my ganja, she give me the pictures to give to Nate."

"I was sort of afraid of that," Clay said. "Go, blaze, be gone. Get what we need."

So three days later they all stood watching as Lolo hit the return key and the subsonic waveform from a blue-whale call began scrolling across the bottom of the screen, while above it letters were transcribed from the data. Lolo was a year older than Kona, a Japanese-American burned nut brown by the sun with ducky-yellow minidreads and a tapestry of Maori tattoos across his back and shoulders.

Lolo spun in the chair to face them. "I mixed down a fifty-minute trance track with sixty percussion loops that was way harder than this." Lolo's prior forays into sound processing had been as a computer DJ at a dance club in Honolulu.

"It's not saying anything," said Libby Quinn. "It's just random, Clay."

"Well, that's the way it's gone so far, right?"

"But there's been nothing since that first day."

"We knew that might happen, that there couldn't be messages on all of them. We just have to find the right ones."

Libby's eyes were pleading. "Clay, it's a short season. We have to get out in the field. Now that you have this program, you don't need the manpower. Margaret and I will bring back more tapes — we have them coming in from people we trust — but we can't afford to blow off the season."

"And we need to go public with the torpedo range," Margaret added, less sympathetic than Libby had been.

Clay nodded and looked at his bare feet against the hardwood floor. He took a deep breath, and when he looked up, he smiled. "You're right. But don't just blow a whistle and hope someone will notice. Cliff Hyland told me that the diving data was the only thing they were worried about. You're going to need proof that humpbacks dive close to the bottom of the channel, or the navy will claim that you're just being whale buggers and there's no danger to the animals. Even with the range."

"You're okay if we go public, then?" asked Libby.

"People are going to know about the torpedo range soon enough. I don't think that's dangerous for you. Just don't say anything about the rest of this, okay?"

The two women looked at each other, then nodded. "We have to go," Libby said. "We'll call you, Clay. We're not running out on you."

"I know," Clay said.

After they left, Clay turned to the two surfers. Thirty years working with the best scientists and divers in the world, and this was what it came down to: two stoner kids. "If you guys need to go do things, I understand."

"Outta here," said Lolo, on his feet and bounding toward the door.