Margaret Atwood - The Robber Bride

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The Robber Bride: краткое содержание, описание и аннотация

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WINNER OF THE 2000 BOOKER PRIZE
Even Zenia’s name is enough to provoke the old sense of outrage, of humiliation and confused pain. The truth is that at certain times—early mornings, the middle of the night—she finds it hard to believe that Zenia is really dead.’ Zenia is beautiful, smart and greedy; by turns manipulative and vulnerable, needy and ruthless; a man’s dream and a woman’s nightmare. She is also dead. Just to make absolutely sure Tony, Roz and Charis are there for the funeral. But five years on, as the three women share a sisterly lunch, the impossible happens: ‘with waves of ill will flowing out of her like cosmic radiation’, Zenia is back ...
This is the wise, unsettling, drastic story of three women whose lives share a common wound: Zenia, a woman they first met as university students in the sixties. Zenia is smart and beautiful, by turns manipulative, vulnerable—and irresistible. She has entered into their separate lives to ensnare their sympathy, betray their trust, and exploit their weaknesses. Now Zenia, thought dead, has suddenly reappeared. In this richly layered narrative, Atwood skilfully evokes the decades of the past as she retraces three women’s lives, until we are back in the present—where it’s yet to be discovered whether Zenia’s ‘pure, free-wheeling malevolence’ can still wreak havoc.
reports from the farthest reaches of the sex wars and is one of Margaret Atwood’s most intricate and subversive novels yet.
Exploring the paradox of female villainy, this tale of three fascinating women is another peerless display of literary virtuosity by the supremely gifted author of
and
. Roz, Charis and Tony all share a wound, and her name is Zenia. Beautiful, smart and hungry, by turns manipulative and vulnerable, needy and ruthless, Zenia is the turbulent center of her own neverending saga. She entered their lives in the sixties, when they were in college. Over the three decades since, she has damaged each of them badly, ensnaring their sympathy, betraying their trust, and treating their men as loot. Then Zenia dies, or at any rate the three women—with much relief -- attend her funeral. But as
begins, Roz, Charis and Tony have come together at a trendy restaraunt for their monthly lunch when in walks the seemingly resurrected Zenia...
 In this consistently entertaining and profound new novel, Margaret Atwood reports from the farthest reaches of the war between the sexes with her characteristic well-crafted prose, rich and devious humor, and compassion.

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Roz could cry with relief. He’s wrong, of course; whatever

Zenia had, whatever her magic was, it transcended image-ofthe-month. But she loves what he just said. “Boyce,” she tells him, “you’re a goldarn jewel:”

Boyce smiles. “I try to be,” he says.

Roz parks the Benz in an outdoor lot off Queen and hopes that nobody will flatten her tires, jimmy her trunk, or scratch her clean, recently polished dark blue paint while she’s in having lunch. True, it’s broad daylight, the car’s in a supervised lot, and this isn’t New York. But things are deteriorating, and even while she locks the door she’s conscious of a dozen shadowy forms, out there on the sidewalk, huddled cloth-covered shapes, undernourished red eyes sizing her up, calculating whether she’s good for a touch.

It’s the Hearts, the Eyes, the Kidneys, and the Livers, but at a more basic level. She carries a clutch of pink two-dollar bills, ready in her pocket so she doesn’t even have to slow down to open her purse. She will dole to left and to right as she runs the gauntlet from here to the Toxique. To give is a blessing, or so her father used to say. Does Roz agree? Do chickens have lipsg To give is basically a drag these days, because it doesn’t get you anything, it won’t even buy you a scratch-free car, and for why? Because those you give to hate you. They hate you because they have to ask, and they hate you for being able to give. Or else they’re professionals and they despise you for believing them, for feeling sorry for them, for being such a gullible dork. What happened to the Good Samaritan, afterwards? After he’d rescued the man fallen among thieves, lugged him off the roadside, carted him home, fed him some soup, and tucked him into the guest room overnight? The poor sappy

Samaritan woke up in the morning to find the safe cracked and the dog strangled and the wife raped and the gold candlesticks missing, and a big pile of shit on the carpet, because it was just stick-on wounds and fake blood in the first place. A put-up job.

Roz has a quick flashback to Zenia. Zenia standing on their front steps, hers and Mitch’s, after one of those dinner parties in the early eighties, the ones when Roz was still susceptible to Zenia’s act, still promoting her, still inviting her. Zenia, in a tight red suit with jutting shoulders, a flared peplum at the back of the jacket skirting the curve of her neatly packed bum; Zenia in spike heels, hip cocked, one hand on it. She was only a little drunk; same with Roz. Zenia kissed Roz on the cheek because they were such friends, such pals and cohorts, and smiled mischievously at wretched Mitch, whose wretchedness Roz had stupidly failed to recognize. Then she turned to go down the steps, lifting her hand in a gesture oddly reminiscent of a newsreel general saluting the troops, and what was it she’d said? Fuck the Third World! I’m tired of it!

So much for the proprieties. So much for earnest old Roz and her poky, boring charities, her handouts to the Raped Moms and Battered Grannies, and, at that time, the whales and the famine victims and the village self-helpers, dowdy plump mommy Roz, shackled to her boring old conscience. It was a selfish, careless remark, a daring remark, a liberated remark—to hell with guilt! It was like speeding in a convertible, tailgating, weaving in and out without signalling, stereo on full blast and screw the neighbours, throwing your leftovers out the window, the ribbons, the wrapping paper, the half-eaten filo pastries and the champagne truffles, things you’d used up just by looking at them.

The worst of it was that Roz—although shocked, although gabbling, Oh Zenia, you don’t mean that!—had felt an answering beat, in herself. A sort of echo, an urge to go that fast, be that loose, that greedy, herself, too. Well, why not? You think they’d lift a finger, in the T1ird World, if it was you? It was like that ad, for a car if she remembers rightly: Make Dust Or Eat It. Those were the choices on offer, then.

And Roz made dust, a lot of it, gold dust, and Zenia made a lot of dust too, though of a different kind. And now she is dust. And ashes, and so is Mitch. That’s the taste Roz has now, in her mouth.

Roz teeters across the gravel, hits the sidewalk, and hurries towards the Toxique, as fast as her tight skirt will let her. There’s a random flutter of hands held out, of thin murmuring voices. pale unhappy voices like those at the edge of sleep. She presses crumpled balls of money into the shaking fingers, the worn gloves, without looking, because if there’s anything they resent it’s your curiosity. So would she in their place. Ahead of her she spots Tony, coming along at her even-footed pony’s trot. Roz waves an arm and yoo-hoos, and Tony stops and smiles, and Roz feels a warm rush of pleasure. Such a comfort!

And Charis is a comfort, too, sitting at the table already, flapping her hand in welcome. Kiss kiss, goes Roz, to either cheek, and plops herself into a chair, digging in her purse for her cigarettes. She intends to enjoy this lunch, because these two women are safe: of everyone she knows, her kids included, these two alone want nothing from her. She can slip her shoe~ off under the table, she can hold forth and laugh and say whatever she likes, because nothing’s being decided, nothing’s being demanded; and nothing’s being withheld either, because the two of them know everything already. They know the worst. With them, and with them alone, she has no power.

Along comes the waitress—where do they get these clothes? Roz truly admires the nerve, and wishes she had some of it herself. Leopard-skin tights and silver boots! These are not outfits, these are costumes, but who are these people trying to be? Celebrants. But of what? What strange religion? Roz finds the

Toxique denizens fascinating, but also a little scary. Every time she goes to the ladies’ she’s afraid of opening the wrong door down there, by mistake, and stumbling upon some kind of unholy rite. Orgies! Human sacrifices! No, that’s going too far. But something she shouldn’t know about, something that will get her in trouble. Some awful movie.

That’s not the real reason she’s drawn to the Toxique, however. The real reason is that, try as she may, she can’t keep her hands off the laundry. She cruises her kids’ rooms like a bottomfeeding fish, retrieving a dirty sock here, some underpants there, and she found a Toxique match folder in the pocket of Larry’s crumpled shirt, and another one the next week. Is it so unnatural, to want to know where your son spends his time? At night, of course; he wouldn’t be there at lunch. But she’s compelled to keep an eye on the place, check in once in a while. It gives her more of a handle: at least he goes somewhere, he doesn’t just vanish into thin air. But what does he do here, and who does he do it with?

Nothing and nobody, maybe. Maybe he just eats here, like her.

Speaking of which. She runs a finger down the menu—she’s so hungry she could eat a horse, though she knows better than to use such an expression in front of Charis. What she settles on is the Thick-cut Gourmet Toasted Cheese Sandwich, on Herb and Caraway Seed Bread, with Polish Pickle. Solid peasant food, or an imitation of it. The Poles should have it so good, right now they’re probably exporting all their pickles for hard currency. She gives her order to the tousle-haired waitress—could this be the attraction, for Larry? a serving wench?—and settles down to pick Tony’s brain on the subject of the Middle East. Whenever something major happens there, the business world ripples.

Tony is so satisfying too, because however pessimistic Roz may be about current affairs, Tony is worse. She makes Roz feel like a naive young bubblebrain, such a refreshing change! Over the years they have deplored the US. presidency, shaken their heads while the Tories shredded the country, cast dire auguries from their analysis of Margaret Thatcher’s hairdo, a militaristic sheet-iron coiffure if ever there was one, said Tony. When the Wall fell, Tony predicted waves of outgoing East Bloc iiiiamigrants, and rising resentment of them in the West, and Roz said, Oh surely not, because the thought of immigrants being resented bothers her a lot. None is too many, is what some Canadian government pooh-bah said about the Jews, during the war.

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