Margaret Atwood - The Robber Bride

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WINNER OF THE 2000 BOOKER PRIZE
Even Zenia’s name is enough to provoke the old sense of outrage, of humiliation and confused pain. The truth is that at certain times—early mornings, the middle of the night—she finds it hard to believe that Zenia is really dead.’ Zenia is beautiful, smart and greedy; by turns manipulative and vulnerable, needy and ruthless; a man’s dream and a woman’s nightmare. She is also dead. Just to make absolutely sure Tony, Roz and Charis are there for the funeral. But five years on, as the three women share a sisterly lunch, the impossible happens: ‘with waves of ill will flowing out of her like cosmic radiation’, Zenia is back ...
This is the wise, unsettling, drastic story of three women whose lives share a common wound: Zenia, a woman they first met as university students in the sixties. Zenia is smart and beautiful, by turns manipulative, vulnerable—and irresistible. She has entered into their separate lives to ensnare their sympathy, betray their trust, and exploit their weaknesses. Now Zenia, thought dead, has suddenly reappeared. In this richly layered narrative, Atwood skilfully evokes the decades of the past as she retraces three women’s lives, until we are back in the present—where it’s yet to be discovered whether Zenia’s ‘pure, free-wheeling malevolence’ can still wreak havoc.
reports from the farthest reaches of the sex wars and is one of Margaret Atwood’s most intricate and subversive novels yet.
Exploring the paradox of female villainy, this tale of three fascinating women is another peerless display of literary virtuosity by the supremely gifted author of
and
. Roz, Charis and Tony all share a wound, and her name is Zenia. Beautiful, smart and hungry, by turns manipulative and vulnerable, needy and ruthless, Zenia is the turbulent center of her own neverending saga. She entered their lives in the sixties, when they were in college. Over the three decades since, she has damaged each of them badly, ensnaring their sympathy, betraying their trust, and treating their men as loot. Then Zenia dies, or at any rate the three women—with much relief -- attend her funeral. But as
begins, Roz, Charis and Tony have come together at a trendy restaraunt for their monthly lunch when in walks the seemingly resurrected Zenia...
 In this consistently entertaining and profound new novel, Margaret Atwood reports from the farthest reaches of the war between the sexes with her characteristic well-crafted prose, rich and devious humor, and compassion.

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Who was the enemy? What past wrong was she seeking to avenge? Where was her battlefield? Not in any one place. It was in the air all around, it was in the texture of the world itself, or it was nowhere visible, it was in among the neurons, the tiny incandescent fires of the brain that flash up and burn out. An electric flower would be the right kind for Zenia, a bright, lethal flower like a short circuit, a thistle of molten steel going to seed in a burst of sparks.

The best Tony can do is a sprig of Queen Anne’s lace from Charis’s backyard, already dry and brittle. She picks it surreptitiously as the others go in the back door. She will take it home and press it as flat as possible, and tape it into her scrapbook.

She’ll place it at the very end, after Tallinn, after Valley Forge, after Ypres, because she is a sentimentalist about dead people and Zenia is dead, and although she was many other things, she was also courageous. What side she was on doesn’t matter; not to Tony, not any more. There may not even have been a side. She may have been alone.

Tony stares up at Zenia, cornered on the balcony with her failing magic, balancing on the sharp edge, her bag of tricks finally empry. Zenia stares back down. She knows she has lost, but whatever her secrets are she’s still not telling. She’s like an ancient statuette dug up from a Minoan palace: there are the large breasts, the tiny waist, the dark eyes, the snaky hair. Tony picks her up and turns her over, probes and questions, but the woman with her glazed pottery face does nothing but smile.

From the kitchen she hears laughter, and the clatter of dishes. Charis is setting out the food, Roz is telling a story. That’s what they will do, increasingly in their lives: tell stories. Tonight their stories will be about Zenia.

Was she in any way like us? thinks Tony. Or, to put it the other way around: Are we in any way like her?

Then she opens the door, and goes in to join the others.

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