Anthony Powell - Casanova’s Chinese Restaurant

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A Dance to the Music of Time – his brilliant 12-novel sequence, which chronicles the lives of over three hundred characters, is a unique evocation of life in twentieth-century England.
The novels follow Nicholas Jenkins, Kenneth Widmerpool and others, as they negotiate the intellectual, cultural and social hurdles that stand between them and the “Acceptance World.”

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Lord Huntercombe tried the door of the cabinet. Although the key turned, the door refused to open. He steadied the top of the cabinet with his hand, then tried again. Still the door remained firmly closed. Lord Huntercombe shook his head. He brought out a small penknife from his pocket, opened the shorter blade, and inserted this in the crevice.

‘How is Erridge?’ he asked.

He spoke with that note almost of yearning in his voice, which peers are inclined to employ when speaking of other peers, especially of those younger than themselves of whom they disapprove.

‘He is still in Spain.’

‘I hope he will try to persuade his friends not to burn all the churches,’ said Lord Huntercombe, without looking up, as he moved the blade of the knife gently backwards and forwards.

He had crouched on his haunches to facilitate the operation, and in this position gave the impression of an old craftsman practising a trade at which he was immensely skilled, his extreme neatness and the quick movement of his fingers adding to this illusion. However, these efforts remained ineffective. The door refused to open. I had some idea of trying to find Isobel to arrange a meeting between herself and Stringham. However, I was still watching Lord Huntercombe’s exertions when Chandler now reappeared.

‘Nick,’ he said, ‘come and talk to Amy.’

‘Just hold this cabinet steady for a moment, both of you,’ said Lord Huntercombe. ‘There… it’s coming… that’s done it. Thank you very much.’

‘I say, Lord Huntercombe,’ said Chandler, ‘I did simply worship those cut-glass candelabra you lent to that exhibition the other day. I am going to suggest to the producer of the show I’m in rehearsal for that we try and get the effect of something of that sort in the Second Act – instead of the dreary old pewter candlesticks we are now using.’

‘I do not think the Victoria and Albert would mind possessing those candelabra,’ said Lord Huntercombe with complacency, at the same time abstracting some of the pieces from the cabinet. ‘Ah, the Marcolini Period. I thought as much. And here are some lndianische Blumen.’

We moved politely away from Lord Huntercombe’s immediate area, leaving him in peace to pursue further researches.

‘My dear,’ said Chandler, speaking in a lower voice, ‘Amy is rather worried about Charles turning up like this. She thought that, as an old friend of his, you might be able to persuade him to go quietly home after a time. He is a sweet boy, but in the state he is in you never know what he is going to do next.’

‘It is ages since I saw Charles. We met tonight for the first time for years. I doubt if he would take the slightest notice of anything I said. As a matter of fact he has just gone off with Mrs Maclintick to whom he is paying what used to be called marked attentions.’

‘That is one of the things Amy is worried about. Amy has an eye like a hawk, you know.’

I was certainly surprised to hear that Mrs Foxe had taken in the circumstances of the party so thoroughly as even to have included Mrs Maclintick in her survey. As a hostess, she gave no impression of observing the room meticulously (at least not with the implication of fear pedantic use of that term implies), nor did she seem in the smallest degree disturbed when we came up to her.

‘Oh, Mr Jenkins,’ she said, ‘dear Charles has arrived, as you know since you have been talking to him. I thought you would not mind if I asked you to keep the smallest eye on him. His nerves are so bad nowadays. You have known him for such a long time. He is much more likely to agree to anything you suggest than to fall in with what I want him to do. He really ought not to stay up too late. It is not good for him.’

She said no more than that; gave no hint she required Stringham’s immediate removal. That was just as well, because I should have had no idea how to set about any such dislodgement. I remembered suddenly that the last time a woman had appealed to me for help in managing Stringham was when, at her own party years before, Mrs Andriadis had said: ‘Will you persuade him to stay?’ Then it was his mistress; now, his mother. Mrs Foxe had been too discreet to say outright: ‘Will you persuade him to go?’ None the less, that was what she must have desired. Her discrimination in expressing this wish, her manner of putting herself into my hands, made her as successful as Mrs Andriadis in enlisting my sympathy; but no more effective as an ally. It was hard to see what could be done about Stringham. Besides, I had by then begun to learn – what I had no idea of at Mrs Andriadis’s party – that to people like Stringham there is really no answer.

‘Don’t worry, Amy, darling,’ said Chandler. ‘Charles is perfectly all right for the time being. Don’t feel anxious. Nick and I will keep an eye on him.’

‘Will you? It would be so awful if something did go wrong. I should feel so guilty if the Morelands’ party were spoiled for them.’

‘It won’t be.’

‘I shall rely on you both.’

She gazed at Chandler with deep affection. They might have been married for years from the manner in which they talked to one another. Some people came up to say goodbye. I saw Isobel, and was about to suggest that we should look for Stringham, when Mrs Foxe turned from the couple to whom she had been talking.

‘Isobel, my dear,’ she said, ‘I haven’t seen you all the evening. Come and sit on the sofa. There are some things I want to ask you about.’

‘Odd scenes in the next room,’ Isobel said to me, before she joined Mrs Foxe.

I felt sure from her tone the scenes must be odd enough. I found Isobel had spoken without exaggeration. Stringham, Mrs Maclintick, Priscilla, and Moreland were sitting together in a semi-circle. The rest of the party had withdrawn from that corner of the room, so that this group was quite cut off from the other guests. They were laughing a great deal and talking about marriage, Stringham chiefly directing the flow of conversation, with frequent interruptions from Moreland and Mrs Maclintick. Stringham was resting his elbow on his knee in an attitude of burlesqued formality, from time to time inclining his head towards Mrs Maclintick, as he addressed her in the manner of a drawing-room comedy by Wilde or Pinero. These fulsome compliments and epigrammatic phrases may have been largely incomprehensible to Mrs Maclintick, but she looked thoroughly pleased with herself; indeed, seemed satisfied that she was half-teasing, half-alluring Stringham. Priscilla appeared enormously happy in spite of not knowing quite what was going on round her. Moreland was almost hysterical with laughter which he continually tried to repress by stuffing a handkerchief into his mouth. If he had fallen in love with Priscilla – the evidence for something of the sort having taken place had to be admitted – it was, I thought, just; like him to prefer listening to this performance to keeping his girl to himself in some remote part of the room. This judgment was superficial, because, as I have said, Moreland could be secretive enough about his girls when he chose; while politeness and discretion called for some show of outwardly casual behaviour at this party. Even so, his behaviour that night could hardly be called discreet in general purport. It was obvious he was very taken with Priscilla from the way he was sitting beside her. He was clearly delighted by Stringham, of whose identity I felt sure he had no idea. When I approached, Mrs Maclintick was apparently describing the matrimonial troubles of some friends of hers.

‘… and then,’ she was saying, ‘this first husband of hers used to come back at four o’clock in the morning and turn on the gramophone. As a regular thing. She told me herself.’

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