Anthony Powell - The Kindly Ones

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A Dance to the Music of Time The novels follow Nicholas Jenkins, Kenneth Widmerpool and others, as they negotiate the intellectual, cultural and social hurdles that stand between them and the “Acceptance World.”

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Anthony Powell

The Kindly Ones

1

ALBERT, FLESHY, SALLOW, BLUE CHINNED, breathing hard, sweating a little, fitted an iron bar into sockets on either side of the wooden shutters he had just closed across the final window of the stable-block. Rolled shirt-sleeves, green baize apron, conferred a misleadingly businesslike appearance, instantly dispelled by carpet-slippers of untold shabbiness which encased his large, chronically tender feet. All work except cooking abhorrent to him, he went through the required movements with an air of weariness, almost of despair. In those days he must have been in his middle to late thirties. We were on good terms, although he possessed no special liking for children. Indeed, I was supposedly helping him lock up these outbuildings for the night, a task in principle all but completely accomplished, for some unknown reason, in late afternoon. Up to that moment, it is true, I had done no more than examine a coloured picture, fastened to the wall by four rusting drawing-pins, of Mr Lloyd George, fancifully conceived as extending from his mouth an enormous scarlet tongue, on the liquescent surface of which a female domestic servant in cap and apron, laughing heartily as if she much enjoyed the contact, was portrayed vigorously moistening the gum of a Health Insurance stamp. I was still contemplating this lively image of state-aided social service — which appeared in some manner to hint at behaviour unseemly, even downright improper — when night, as if arbitrarily induced at that too early hour by Albert’s lethargic exertions, fell abruptly in the shuttered room, blurring all at once the outlines of the anonymous artist’s political allegory. Albert withdrew ponderously from the dusk now surrounding us. I followed him into the broad daylight of the yard, where tall pine trees respired on the summer air a resinous, somehow alien odour, gently disinfectant like the gardens of a sanatorium in another country than England.

‘Don’t want any of them Virgin Marys busting in and burning the place down,’ Albert said.

Aware of a faint sense of horror at the prospect of so monstrous a contingency — enigmatic, no less than unhallowed, in its heretical insistence on plurality — I asked explanation.

‘Suffragettes.’

‘But they won’t come here?’

‘Never know.’

‘Do you think they will?’

‘Can’t tell what those hussies will do next.’

I felt in agreement with Albert that the precariousness of life was infinite. I pondered his earlier phrase. It was disconcerting. Why had he called suffragettes ‘Virgin Marys’? Then I remembered a fact that might throw light on obscurity. At lessons that morning — the subject classical mythology — Miss Orchard had spoken of the manner in which the Greeks, because they so greatly feared the Furies, had named them the Eumenides — the Kindly Ones — flattery intended to appease their terrible wrath. Albert’s figure of speech was no doubt employed with a similar end in view towards suffragettes. He was by nature an apprehensive man; fond, too, of speaking in riddles. I recalled Miss Orchard’s account of the Furies. They inflicted the vengeance of the gods by bringing in their train war, pestilence, dissension on earth; torturing, too, by the stings of conscience. That last characteristic alone, I could plainly see, made them sufficiently unwelcome guests. So feared were they, Miss Orchard said, that no man mentioned their names, nor fixed his eyes upon their temples. In that respect, at least, the Furies differed from the suffragettes, whose malevolence was perpetually discussed by persons like Edith and Mrs Gullick, the former of whom had even seen suffragette processions on the march under their mauve-and-green banners. At the same time, the nature of suffragette aggression seemed to bear, in other respects, worthy comparison with that of the Furies, feminine, too, so far as could be judged, equally the precursors of fire and destruction. Thought of them turned my mind to other no less awe-inspiring, in some ways even more fascinating, local terrors with which we might have to contend during the hours of darkness.

‘Has Billson seen the ghost again?’

Albert shook his head, giving the impression that the subject of spectres, generally speaking, appealed to him less than to myself. He occupied one of the two or three small rooms beyond the loose-boxes, where he slept far away from the rest of the household. The occasional intrusion of Bracey into another of the stable rooms offered small support where ghosts were concerned. Bracey’s presence was intermittent, and, in any case, there was not sufficient fellow-feeling between the two of them to create a solid resistance to such visitations. It was, therefore, reasonable enough, since he inhabited such lonely quarters, for Albert to prefer no undue emphasis to be laid on the possibilities of supernatural appearance even in the house itself. To tell the truth, there was always something a little frightening about the stable-block in daytime too. The wooden bareness of its interior enjoyably reconstructed — in my own unrestricted imagination — a log cabin or palisade, loop-holed and bullet-scarred, to be defended against Zulus or Red Indians. In such a place, after nightfall, the bravest might give way to nameless dread of the occult world; more to be feared, indeed, than any crude physical onslaught from suffragettes, whose most far-fetched manifestations of spite and perversity would scarcely extend to an incendiary attack on the Stonehurst stables.

The ‘ghosts’ of Stonehurst, on the other hand, were a recognised feature of the place, almost an amenity in my own eyes, something far more real than suffragettes. Billson, the parlourmaid, had waked at an early hour only a week or two before to find a white shape of immense height standing beside her bed, disappearing immediately before she had time to come fully to her senses. That, in itself, might have been dismissed as a wholly imaginary experience, something calling for banter rather than sympathy or interest. Billson, however, confessed she had also on an earlier occasion found herself confronted with this or another very similar apparition, a spectre unfortunately reported in much the same terms by Billson’s immediate predecessor. In short, it looked very much as if the house was undeniably ‘haunted’. Maids were, in any case, disinclined to stay in so out-of-the-way a place as Stonehurst. Ghosts were likely to be no encouragement. Perhaps it was a coincidence that two unusually ‘highly strung’ persons had followed each other in that particular maid’s bedroom. Neither Albert himself, nor Mercy, the housemaid, had at present been subjected to such an ordeal. On the other hand, my nurse, Edith (herself, before my own day, a housemaid), had from time to time heard mysterious rappings in the night-nursery, noises which could not — as first supposed — be attributed to myself. What was more, my mother admitted to a recurrent sense, sometimes even in the day, of an uncomfortable presence in her bedroom. At night, there, she had waked once or twice overwhelmed with an inexplicable feeling of doom and horror. I record these things merely as a then accepted situation. Such circumstances might have been disregarded in a more rationalistic family; in one less metaphysically flexible, they could have caused agitation. In my own, they were received without scepticism, at the same time without undue trepidation. Any discussion on the subject took place usually behind closed doors, simply in order that the house should not acquire a reputation which might dry up entirely the sources of domestic staff. No effort was made to keep such talk from my own ears. My mother — together with her sisters in their unmarried days — had always indulged a taste for investigation of the Unseen World, which even the threatened inconveniences of the Stonehurst ‘ghosts’ could not entirely quench. My father, not equally on terms with such hidden forces, was at the same time no less imbued with belief. In short, the ‘ghosts’ were an integral, an essential part of the house; indeed, its salient feature.

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