Tatjana Soli - The Lotus Eaters

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Tatjana Soli’s haunting debut novel begins where it ought to end. In this quietly mesmerizing book about journalists covering the war in Vietnam, the first glimpses of the place are the most familiar. The year is 1975. Americans are in a state of panic as North Vietnamese forces prepare to occupy Saigon. The looters, the desperate efforts to escape this war zone, the mobs surrounding the United States Embassy, the overcrowded helicopters struggling to rise above the chaos: these images seem to introduce Ms. Soli’s readers to a story they already know.
"[A] splendid first novel…Helen’s restlessness and grappling, her realization that "a woman sees war differently," provide a new and fascinating perspective on Vietnam. Vivid battle scenes, sensual romantic entanglements and elegant writing add to the pleasures of "The Lotus Eaters." Soli’s hallucinatory vision of wartime Vietnam seems at once familiar and new. The details – the scorched villages, the rancid smells of Saigon – arise naturally, underpinning the novel’s sharp realism and characterization. In an author’s note, Soli writes that she’s been an "eager reader of every book" about Vietnam she has come across, but she is never overt or heavy-handed. Nothing in this novel seems "researched." Rather, its disparate sources have been smoothed and folded into Soli’s own distinct voice." -Danielle Trussoni, The New York Times Book Review
"[A] haunting debut novel…quietly mesmerizing…If it sounds as if a love story is the central element in "The Lotus Eaters" (which takes its title from those characters in "The Odyssey" who succumb to the allure of honeyed fruit), Ms. Soli’s book is sturdier than that. Its object lessons in how Helen learns to refine her wartime photography are succinct and powerful. By exposing its readers to the violence of war only gradually and sparingly, the novel becomes all the more effective." -Janet Maslin, The New York Times
“The novel is steeped in history, yet gorgeous sensory details enliven the prose… 35 years after the fall of Saigon, Soli’s entrancing debut brings you close enough to feel a part of it." -People (3 1/2 stars)
"If it’s possible to judge a novel by its first few lines, then "The Lotus Eaters,’’ Tatjana Soli’s fiction debut, shows great promise right from the start: ‘The city teetered in a dream state. Helen walked down the deserted street. The quiet was eerie. Time running out.’… Anyone who has seen Kathryn’s Bigelow’s Oscar-winning film, "The Hurt Locker," understands that the obsession with violence and risk, at least for a certain personality type, is hard to shake. That Soli’s story explores this mindset from a woman’s perspective (and a journalist, not a soldier) adds interesting and unexpected layers…The author explores Helen’s psyche with startling clarity, and portrays the chaotic war raging around her with great attention to seemingly minor details" -The Boston Globe
"Lotus eaters, in Greek mythology, taste and then become possessed by the narcotic plant. Already an accomplished short story writer, Soli uses as her epigraph a passage from Homer's "Odyssey" in which the lotus eaters are robbed of their will to return home. It is a clue, right from the start, that this novel will delve into the lives of those who become so fixated on recording savagery that life in a peaceful, functioning society begins to feel banal and inconsequential." -The Washington Post
"An impressive debut novel about a female photographer covering the Vietnam War…A visceral story about the powerful and complex bonds that war creates. It raises profound questions about professional and personal lives that are based on, and often dependent on, a nation’s horrific strife. Graphic but never gratuitous, the gripping, haunting narrative explores the complexity of violence, foreignness, even betrayal. Moving and memorable." -Kirkus Reviews (starred review)
"This evocative debut novel is a well researched exploration of Vietnam between 1963 and 1975, when the United States pulled out of the conflict. Like Marianne Wiggins's Eveless Eden and Tim O'Brien's The Things They Carried before it, Soli's poignant work will grab the attention of most readers. A powerful new writer to watch." -Library Journal (starred review)
"The strength here is in Soli’s vivid, beautiful depiction of war-torn Vietnam, from the dangers of the field where death can be a single step away to the emptiness of the Saigon streets in the final days of the American evacuation." -Booklist
"Suspenseful, eloquent, sprawling…This harrowing depiction of life and death shows that even as the country burned, love and hope triumphed." -Publishers Weekly
"A haunting world of war, betrayal, courage, obsession, and love." -Tim O’Brien, author of The Things They Carried
"You must read The Lotus Eaters, Tatjana Soli’s beautiful and harrowing new novel. Its characters are unforgettable, as real as the historical events in which they’re enmeshed." -Richard Russo, author of Empire Falls and That Old Cape Magic
"The very steam from Vietnam's jungles seems to rise from the pages of Tatjana Soli's tremendously evocative debut…A beautiful book." -Janice Y. K. Lee, author of The Piano Teacher
"A vivid and memorable evocation of wartime Vietnam…I was most impressed by The Lotus Eaters and enjoyed it from start to finish." -Robert Stone, author of Damascus Gate and Fun With Problems
"A mesmerizing novel. Tatjana Soli takes on a monumental task by re-examining a heavily chronicled time and painting it with a lovely, fresh palette. The book is a true gift." -Katie Crouch, author of Girls in Trucks
"Tatjana Soli explores the world of war, themes of love and loss, and the complicated question of what drives us toward the heroic with remarkable compassion and grace. This exquisite first novel is among the best I’ve read in years." -Meg Waite Clayton, author of The Wednesday Sisters
"A haunting story of unforgettable people who seek, against overwhelming odds, a kind of redemption. A great read from a writer to watch." -Janet Peery, author of River Beyond the World

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Helen standing at the end of the table at the restaurant. Sprung from the monsoon outside. Appearing like a spirit in her dark blue soaked dress. Ridiculous, klutzy, sublime. Leaving a trail of wet footprints despite the towels the maître d’ pressed on her.

Even after making love, she evaded him, disappeared under his fingertips. This night had proved only how much of her remained a mystery. A woman who didn’t hate what he did, didn’t begrudge him his obsession, in fact had her own that might be stronger, because more thwarted, than his own. After all the affairs he had had during his four-year marriage, this was the first time he had forgotten to feel guilty.

Helen shifted in her sleep, and he went to her, and her lips formed to his before she was awake.

Helen woke at dawn, bathed in sweat, a nightmare caught in her throat, barely swallowing when she saw the accusing fact of Darrow beside her. A mistake made because she didn’t want to spend the night alone. As the nightmare drained away, it left behind a throb in her temples. Curt from Philly had become Michael on the evacuation helicopter, and the minor leg wound became a fatal evisceration, the blue and green and plum of his insides spilling out of him, and she bucking on the corrugated floor of the helicopter, trying literally to hold her brother together. Then they were on the ground behind the berm. Michael’s eyes-the pale blue recognizable, but the whites yellowed from jaundice, marbled with blood. His face skeletal, hands crusted in dirt, black under his fingernails as he pressed her into the ground as if to bury her, her face in the mud, the helmet cutting her ear, unable to breathe, urine pouring hot down the inside of her legs.

In the soft dawn light, she rose and crept to the bathroom, closed the door, and stood under the trickling of the tepid shower to wash the fact of Darrow from her, the water falling rust-colored at her feet. Michael’s fury, the idea that she was haunting him by entering his war. Her failure still raked against her this morning. Maybe she should give up, go home to California, take up the small life offered to her. Let everyone think it had only been a grand, misguided gesture. Running a washcloth across her throat, she felt her skin, tender and sunburned. She pushed the washcloth between her legs. The water had a metallic smell, like medicine. She wanted to escape down to a café on a quiet street and sip coffee alone and think. Should she return home, tail between her legs? The last part of the dream, Michael and she were inexplicably prone on the ground beside the helicopter, and a group of Vietnamese children approached, circling the two of them, pressing in, circling around and around, touching, but when she tried to speak with them, they turned their backs to her. Stones began to fall.

When she opened the bathroom door, her hair wet, a towel wrapped around her damp body, Darrow was sitting up in bed. “Everyone was right about you. You’re some kind of mermaid. Always dripping with water when I see you.”

Defeated by the awkwardness of the moment, she turned prim. “I need to brush my teeth.”

“There’s a fresh brush in the drawer. Rinse with scotch, I’m out of bottled water.”

She nodded, grabbed her clothes, and ducked back into the bathroom. Once dressed, she came out and edged toward the door. “I need to go.”

He leaned over to the nightstand and picked up a key, tossing it to her. “So the door will always be unlocked.”

Glad to have escaped, she was still not ready to go back to her own room. When the cab dropped her at the hotel, she walked through the streets of downtown and along the river walk, tired and overwhelmed by the strangle of noise, movement, and people. Beggars clogged the streets, and young ex-soldier amputees with sullen, closed faces lounged in doorways and along walls. The city bristled, full of dirty children and starving animals. The tension in the air unnerved her. Even the effort to decipher it seemed crushing.

She longed to return to her room, be cool and clean, close the curtains and lie in semidarkness, but she couldn’t be alone just yet. Visions of home became more per sis tent, filled with more and more longing-the wide streets along the beach, the green mossy lawns, the Vs of pelicans flying along the cliffs. Along Duong Hai Ba Trung, makeshift vendors sold sodas, the dusty bottles lying in boxes of crushed ice in the shade. The heat made them tempting, but she was frightened by stories of ground glass put in the drinks by VC.

Walking on and on, she neglected to check street signs, indecipherable anyway for the most part. She wandered for an hour in a labyrinth, then found herself back on Tu Do and felt pleased to be back at the familiar. As she passed along a row of shops, a cool, mint green bedspread in a store window caught her eye. The smooth fabric glowed in the dimness of the store. Helen was sure that if she touched it, it would be as cool as stepping onto a dewy lawn in the quiet of early morning back home. She went inside to ask the price.

The woman behind the counter barely looked up from her bookkeeping. Dark blond hair coiled into a bun with two weaponlike black lacquered sticks to hold it in place. Her face was pale and dry and powdered, painted crimson lips. For a moment, the store was so quiet Helen could hear the buzzing of a fly at the window and forgot if she had asked for the price or not. Then the woman spoke with a French accent. “That is expensive. Hand-embroidered silk from Hong Kong.”

Again she dismissed Helen’s presence, scratching at her ink-splotched columns of figures with an antique fountain pen. After a moment, she reached under her desk and brought out a large flyswatter that she snapped at the window behind her. Then the store fell into utter silence.

Helen turned and was startled by the sight of two Vietnamese women sitting in high-backed, rush-bottomed chairs. Neither of them looked up at her, not slowing down or missing a single stitch in their sewing.

Although they both had deeply lined faces, their hair, identically done up in tight buns, shone jet black. They wore matching black silk dresses, perfectly fitted from a fashion in vogue in Paris forty years back, consisting of tight bodices and long, flowing skirts. Heads bent down, they embroidered with the tiniest, most delicate stitch on silk cloth. So intent, so silent, Helen had not noticed their presence on first entering the store, their chairs on either side of the door to the supply room like bookends in a museum.

As Helen turned away, one of them, the older woman it appeared, began to murmur under her breath in French to the other. Helen could understand them no better than if they had spoken in Vietnamese. What new event could possibly have occurred to prompt conversation in this tomb except her entrance?

She turned back to the Frenchwoman, challenged now by her dismissal. “I’ll take it.”

The woman looked up, penciled eyebrows arched. “Lovely, I’ll wrap it with a large bow. I’m the owner, Annick.”

Helen leaned against the counter, dizzy from the heat and her lack of breakfast. The seamstresses, self-contained as sphinxes, were oblivious to her distress. She looked down and saw that her blouse had half-moons of sweat under the arms, and she was even more depressed by her water-ruined shoes. The Frenchwoman had undoubtedly noticed all this; probably that was the subject of the seamstresses’ conversation also. As she turned, she felt a warm stickiness between her legs, and realized that she had forgotten her time of the month. Simply too much to bear, and in frustration, to her horror, she began to cry.

“I need to use your bathroom. I have a problem.”

Annick sized her up, determining if she passed some test. The two women could just as easily have become adversaries, but something had swayed her to be Helen’s friend. “Come, let’s take care of you.”

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