Tatjana Soli - The Lotus Eaters

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The Lotus Eaters: краткое содержание, описание и аннотация

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Tatjana Soli’s haunting debut novel begins where it ought to end. In this quietly mesmerizing book about journalists covering the war in Vietnam, the first glimpses of the place are the most familiar. The year is 1975. Americans are in a state of panic as North Vietnamese forces prepare to occupy Saigon. The looters, the desperate efforts to escape this war zone, the mobs surrounding the United States Embassy, the overcrowded helicopters struggling to rise above the chaos: these images seem to introduce Ms. Soli’s readers to a story they already know.
"[A] splendid first novel…Helen’s restlessness and grappling, her realization that "a woman sees war differently," provide a new and fascinating perspective on Vietnam. Vivid battle scenes, sensual romantic entanglements and elegant writing add to the pleasures of "The Lotus Eaters." Soli’s hallucinatory vision of wartime Vietnam seems at once familiar and new. The details – the scorched villages, the rancid smells of Saigon – arise naturally, underpinning the novel’s sharp realism and characterization. In an author’s note, Soli writes that she’s been an "eager reader of every book" about Vietnam she has come across, but she is never overt or heavy-handed. Nothing in this novel seems "researched." Rather, its disparate sources have been smoothed and folded into Soli’s own distinct voice." -Danielle Trussoni, The New York Times Book Review
"[A] haunting debut novel…quietly mesmerizing…If it sounds as if a love story is the central element in "The Lotus Eaters" (which takes its title from those characters in "The Odyssey" who succumb to the allure of honeyed fruit), Ms. Soli’s book is sturdier than that. Its object lessons in how Helen learns to refine her wartime photography are succinct and powerful. By exposing its readers to the violence of war only gradually and sparingly, the novel becomes all the more effective." -Janet Maslin, The New York Times
“The novel is steeped in history, yet gorgeous sensory details enliven the prose… 35 years after the fall of Saigon, Soli’s entrancing debut brings you close enough to feel a part of it." -People (3 1/2 stars)
"If it’s possible to judge a novel by its first few lines, then "The Lotus Eaters,’’ Tatjana Soli’s fiction debut, shows great promise right from the start: ‘The city teetered in a dream state. Helen walked down the deserted street. The quiet was eerie. Time running out.’… Anyone who has seen Kathryn’s Bigelow’s Oscar-winning film, "The Hurt Locker," understands that the obsession with violence and risk, at least for a certain personality type, is hard to shake. That Soli’s story explores this mindset from a woman’s perspective (and a journalist, not a soldier) adds interesting and unexpected layers…The author explores Helen’s psyche with startling clarity, and portrays the chaotic war raging around her with great attention to seemingly minor details" -The Boston Globe
"Lotus eaters, in Greek mythology, taste and then become possessed by the narcotic plant. Already an accomplished short story writer, Soli uses as her epigraph a passage from Homer's "Odyssey" in which the lotus eaters are robbed of their will to return home. It is a clue, right from the start, that this novel will delve into the lives of those who become so fixated on recording savagery that life in a peaceful, functioning society begins to feel banal and inconsequential." -The Washington Post
"An impressive debut novel about a female photographer covering the Vietnam War…A visceral story about the powerful and complex bonds that war creates. It raises profound questions about professional and personal lives that are based on, and often dependent on, a nation’s horrific strife. Graphic but never gratuitous, the gripping, haunting narrative explores the complexity of violence, foreignness, even betrayal. Moving and memorable." -Kirkus Reviews (starred review)
"This evocative debut novel is a well researched exploration of Vietnam between 1963 and 1975, when the United States pulled out of the conflict. Like Marianne Wiggins's Eveless Eden and Tim O'Brien's The Things They Carried before it, Soli's poignant work will grab the attention of most readers. A powerful new writer to watch." -Library Journal (starred review)
"The strength here is in Soli’s vivid, beautiful depiction of war-torn Vietnam, from the dangers of the field where death can be a single step away to the emptiness of the Saigon streets in the final days of the American evacuation." -Booklist
"Suspenseful, eloquent, sprawling…This harrowing depiction of life and death shows that even as the country burned, love and hope triumphed." -Publishers Weekly
"A haunting world of war, betrayal, courage, obsession, and love." -Tim O’Brien, author of The Things They Carried
"You must read The Lotus Eaters, Tatjana Soli’s beautiful and harrowing new novel. Its characters are unforgettable, as real as the historical events in which they’re enmeshed." -Richard Russo, author of Empire Falls and That Old Cape Magic
"The very steam from Vietnam's jungles seems to rise from the pages of Tatjana Soli's tremendously evocative debut…A beautiful book." -Janice Y. K. Lee, author of The Piano Teacher
"A vivid and memorable evocation of wartime Vietnam…I was most impressed by The Lotus Eaters and enjoyed it from start to finish." -Robert Stone, author of Damascus Gate and Fun With Problems
"A mesmerizing novel. Tatjana Soli takes on a monumental task by re-examining a heavily chronicled time and painting it with a lovely, fresh palette. The book is a true gift." -Katie Crouch, author of Girls in Trucks
"Tatjana Soli explores the world of war, themes of love and loss, and the complicated question of what drives us toward the heroic with remarkable compassion and grace. This exquisite first novel is among the best I’ve read in years." -Meg Waite Clayton, author of The Wednesday Sisters
"A haunting story of unforgettable people who seek, against overwhelming odds, a kind of redemption. A great read from a writer to watch." -Janet Peery, author of River Beyond the World

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“Really? Did you suddenly get frightened of yourself?” He watched her flushed face as she moved around the room, gathering her things. Not as easy as he had thought. Was he being played? Even so, she intrigued him. Perhaps at long last he had met his match in female form? “Why is it, you suppose, that the people who are supposed to love us the most are precisely the ones who try to stop us doing what we love? Did you leave anyone behind?”

“No. If there had been anyone that important, I wouldn’t have come. I wouldn’t have been so selfish.”

“That’s where you’re wrong.”

“How so?”

“Sometimes you have to fulfill a promise in order to deserve the love you’re given. Don’t you think it’s a calling to live in danger just to capture the face of those who are suffering? To show their invisible lives to the world?”

She walked past him and out the door. “I’m leaving… with you or without you.” Down the hallway, she refused to look back, not wanting to acknowledge that if he didn’t follow her by the time she reached the alley, she would most certainly be lost.

When she and Michael were kids, their favorite game was hide-and-seek. Helen would search for the most difficult hiding places possible, and time would turn into eternities; often she would fall into a daydream and forget she was playing a game. She would wait in the darkened cubby, desperately wanting to be found.

FOUR. IndianCounty

At the Bien Hoa Air Base, Helen stood in the shade of a metal storage shed, a faded red stenciled BEWARE above her head; the words below disappeared, peeled off by the sun and rain. The area to be patrolled was considered a cleared one, the search of some marshland and two hamlets routine, establishing presence and nation building.

Darrow rolled his eyes at her as he harangued the lieutenant colonel into taking Helen along. She heard the words added burden and lack of facilities, but then the man gave in because of a gambling debt he owed Darrow.

Waiting for the transport, Helen fumbled with her newly acquired cameras, which were fancier than the simple Instamatics she was used to. “Would you show me how to load film in these?” she said quietly, her eyes downcast.

Darrow was speechless, with no choice but to comply. He showed her basic photographic technique in the fifteen minutes it took them to load supplies.

“Where’s Linh?” she asked, trying to act casual.

“He’s taken off for a few days. Personal stuff.”

The helicopter hovered above the ground, and the soldiers jumped and ran; Helen also jumped and ran, the soft, dull ache of the jump inside her ankles, the small bones and ligaments crushing against one another. They ran to a berm of reeds in front of the swampy marsh and crouched down on the dry land behind, waiting for the next helicopter to unload. It wasn’t until the last soldier got off that sniper bullets started hissing through the air. “That’s not supposed to happen,” she said, as the last helicopter bucked up like startled prey, nose dipping, then disappeared over the trees.

“Shut up,” a soldier hissed.

After the shudder and roar of the helicopter, the land sounded hushed and peaceful except for the percussive, insect whine of bullets past her ears. Her field of vision was reduced to the few feet between her and the berm and the tops of the far-off trees. The heat burned through her clothing; pebbles bit into her down-turned palms. The danger seemed unreal, like a movie, like being out on training maneuvers, a bored rifleman shooting blanks from behind a tree. Her heart thumped hard against her chest at the idea that there was a real live enemy hidden in front of them.

Lieutenant Colonel Shaffer crawled over to her. “Stay flat and stay here. We’re going toward the tree line.”

Darrow moved forward with the rest of the men, entering the waist-high marsh. She saw him as if for the first time, the truest image she would ever have: a dozen men moving out single file, visible only from the waist up, only packs, helmets, and upraised weapons to identify them; a lone bare head, an upraised camera. After he forgave a ninety-five-dollar debt to get her on board the plane, he treated her like a stranger, which hurt her feelings though she understood its necessity. Darrow turned his back on the safety of the rear position, on Helen, on thoughts of Saigon and possibly America; his whole attention directed toward the depth of the marsh, and the further depth of the jungle, the war, the secrets he still had not found. Not yet understanding what drove him, she already respected it. She felt stupid with fear.

Raising her head, she saw that the trees were eucalyptus, lined like the windbreaks back home between the citrus groves. The familiarity of the trees, malevolent in this setting, doubly disturbed her.

Home. She longed for the clean quiet of her mother’s house, the mildew smell of closed rooms from being so close to the beach. All those surf days of beating sun and rolling water, dried out and happy, licking her child’s lips of salt, of ice cream. The crowded boardwalk along the beach, the pink-burned tourists and the tanned locals, giggling with her friends over the browned, lean torsos of older boys playing basketball, always shirtless, always ignoring them. Walking past the restaurants with their unfurled umbrellas, their white tablecloths, and cheap bottles of wine on the table to entice customers, the waiters leathery and bored.

Her mouth was dry, air scraped the shallows of her lungs, as the reality of where she was took hold. Shivering from the foreign rush of terror, she felt a warm, wet sensation, and burned at the realization that she had peed herself. She pressed her cheek into the dirt, the lip of the helmet-a man’s small but still too big-cutting into her ear. The sharp scent of burned grass combining with gunpowder and the sweetish smell of her own urine shamed her.

Nothing had prepared her for the smallness of the action. The moment-to-moment boredom. Intellectually, yes, there were people on the enemy side trying to kill them, American men might die, but that was all television stuff. Being on the flat land, pricked by the dying grass, the idea that she herself could be the target of a bullet became real. But the whole time she lay there she mostly fretted over the embarrassment of wetting herself, solving the problem by spilling the water from her canteen over part of her pants.

Minutes passed. She heard a cry in front of her. A soldier had been hit in the thigh. Helen crawled up to the group as the medic bandaged him and gave him a quick prick of morphine. Movement was better than paralysis. The boy was lying on his back, wild-eyed and jabbering.

“He’s fine, mostly nerves,” the medic said, shrugging. “First time out.”

The soldier’s lips twisted in sarcasm. “They say that to anyone who isn’t dead.”

“What’s your name?” Helen touched the boy’s hand.

“Curt.”

“Shut up, Curt,” the medic said. “We should call you Yellow.”

The bullets stopped, and half an hour later the patrol was back together, waiting on an opened dirt road for an evacuation helicopter for one wounded. The thick marsh slime dried stiff and dark on their fatigues in the scalding air. Helen’s own darkened pants went unnoticed. Against regulations, soldiers took off their flak jackets, smoked cigarettes, and wrung out socks while they waited.

Helen joined a group sitting under a tree. She took off her helmet. In herpanic and then relief that the encounter was over, she realized she hadn’t shot a single frame, had, in fact, forgotten all about the camera. Years later, her biggest regret was not taking the shot of Darrow in the marsh. It remained the one image etched in her mind, perhaps because she did not have the film to refer back to. Once a picture was taken, the experience was purged of its power to haunt.

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