Tatjana Soli - The Lotus Eaters

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Tatjana Soli’s haunting debut novel begins where it ought to end. In this quietly mesmerizing book about journalists covering the war in Vietnam, the first glimpses of the place are the most familiar. The year is 1975. Americans are in a state of panic as North Vietnamese forces prepare to occupy Saigon. The looters, the desperate efforts to escape this war zone, the mobs surrounding the United States Embassy, the overcrowded helicopters struggling to rise above the chaos: these images seem to introduce Ms. Soli’s readers to a story they already know.
"[A] splendid first novel…Helen’s restlessness and grappling, her realization that "a woman sees war differently," provide a new and fascinating perspective on Vietnam. Vivid battle scenes, sensual romantic entanglements and elegant writing add to the pleasures of "The Lotus Eaters." Soli’s hallucinatory vision of wartime Vietnam seems at once familiar and new. The details – the scorched villages, the rancid smells of Saigon – arise naturally, underpinning the novel’s sharp realism and characterization. In an author’s note, Soli writes that she’s been an "eager reader of every book" about Vietnam she has come across, but she is never overt or heavy-handed. Nothing in this novel seems "researched." Rather, its disparate sources have been smoothed and folded into Soli’s own distinct voice." -Danielle Trussoni, The New York Times Book Review
"[A] haunting debut novel…quietly mesmerizing…If it sounds as if a love story is the central element in "The Lotus Eaters" (which takes its title from those characters in "The Odyssey" who succumb to the allure of honeyed fruit), Ms. Soli’s book is sturdier than that. Its object lessons in how Helen learns to refine her wartime photography are succinct and powerful. By exposing its readers to the violence of war only gradually and sparingly, the novel becomes all the more effective." -Janet Maslin, The New York Times
“The novel is steeped in history, yet gorgeous sensory details enliven the prose… 35 years after the fall of Saigon, Soli’s entrancing debut brings you close enough to feel a part of it." -People (3 1/2 stars)
"If it’s possible to judge a novel by its first few lines, then "The Lotus Eaters,’’ Tatjana Soli’s fiction debut, shows great promise right from the start: ‘The city teetered in a dream state. Helen walked down the deserted street. The quiet was eerie. Time running out.’… Anyone who has seen Kathryn’s Bigelow’s Oscar-winning film, "The Hurt Locker," understands that the obsession with violence and risk, at least for a certain personality type, is hard to shake. That Soli’s story explores this mindset from a woman’s perspective (and a journalist, not a soldier) adds interesting and unexpected layers…The author explores Helen’s psyche with startling clarity, and portrays the chaotic war raging around her with great attention to seemingly minor details" -The Boston Globe
"Lotus eaters, in Greek mythology, taste and then become possessed by the narcotic plant. Already an accomplished short story writer, Soli uses as her epigraph a passage from Homer's "Odyssey" in which the lotus eaters are robbed of their will to return home. It is a clue, right from the start, that this novel will delve into the lives of those who become so fixated on recording savagery that life in a peaceful, functioning society begins to feel banal and inconsequential." -The Washington Post
"An impressive debut novel about a female photographer covering the Vietnam War…A visceral story about the powerful and complex bonds that war creates. It raises profound questions about professional and personal lives that are based on, and often dependent on, a nation’s horrific strife. Graphic but never gratuitous, the gripping, haunting narrative explores the complexity of violence, foreignness, even betrayal. Moving and memorable." -Kirkus Reviews (starred review)
"This evocative debut novel is a well researched exploration of Vietnam between 1963 and 1975, when the United States pulled out of the conflict. Like Marianne Wiggins's Eveless Eden and Tim O'Brien's The Things They Carried before it, Soli's poignant work will grab the attention of most readers. A powerful new writer to watch." -Library Journal (starred review)
"The strength here is in Soli’s vivid, beautiful depiction of war-torn Vietnam, from the dangers of the field where death can be a single step away to the emptiness of the Saigon streets in the final days of the American evacuation." -Booklist
"Suspenseful, eloquent, sprawling…This harrowing depiction of life and death shows that even as the country burned, love and hope triumphed." -Publishers Weekly
"A haunting world of war, betrayal, courage, obsession, and love." -Tim O’Brien, author of The Things They Carried
"You must read The Lotus Eaters, Tatjana Soli’s beautiful and harrowing new novel. Its characters are unforgettable, as real as the historical events in which they’re enmeshed." -Richard Russo, author of Empire Falls and That Old Cape Magic
"The very steam from Vietnam's jungles seems to rise from the pages of Tatjana Soli's tremendously evocative debut…A beautiful book." -Janice Y. K. Lee, author of The Piano Teacher
"A vivid and memorable evocation of wartime Vietnam…I was most impressed by The Lotus Eaters and enjoyed it from start to finish." -Robert Stone, author of Damascus Gate and Fun With Problems
"A mesmerizing novel. Tatjana Soli takes on a monumental task by re-examining a heavily chronicled time and painting it with a lovely, fresh palette. The book is a true gift." -Katie Crouch, author of Girls in Trucks
"Tatjana Soli explores the world of war, themes of love and loss, and the complicated question of what drives us toward the heroic with remarkable compassion and grace. This exquisite first novel is among the best I’ve read in years." -Meg Waite Clayton, author of The Wednesday Sisters
"A haunting story of unforgettable people who seek, against overwhelming odds, a kind of redemption. A great read from a writer to watch." -Janet Peery, author of River Beyond the World

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“You see the tree in front of the building? It’s bare now, but in the spring it blooms large red flowers. Henry and his girl used to have parties each spring to celebrate the tree blooming. Very Tale of Genji, very Asian.” Darrow chuckled to himself. “Henry loved all that shit. Swore he’d never go back to the States. Said America scared him more than any war could.”

“What happened to the girl of the red lampshade?”

Darrow shrugged. “I don’t know. Disappeared. Found someone else. The local women don’t have much choice once they start taking up with white men.” Darrow justified his own actions with the native women that if not him, they would offer themselves to someone else. He treated them kindly and then promptly forgot them. The grand, futile gestures of renunciation, fidelity, bored him; he had become a practical bourgeois in war time. “There’s something lovely here, yet even as we look, even as we have contact with it, we change it. So why are you going out with that blowhard, Robert?”

“How rude. We’re friends.”

He poured two glasses of scotch from the armoire and handed her one. The glass was heavy, square, with a solid crystal bottom.

“Aren’t these from the hotel bar?”

He grinned. “Keep forgetting to return them.”

She sipped her drink in silence, listening to the outside sounds, the heaviness of the warm air moving through the room. He refilled their glasses and sat across from her.

“I like it here,” she said finally. What she didn’t add was that it was the first time she’d felt safe since she’d arrived in-country.

“This is the real Vietnam. When I come here, my mind slows down… I can imagine what is good about the place, what the people want to keep. The Continental and the Caravelle, the air-conditioning and room boys and ice cubes, make you forget where you are. The war groupies starting to descend. Restaurants and nightclubs booming, parties every night. Saigon is their Casablanca or Berlin. It’s the scene now. All these daughters of the country-club set descending with their copy of Graham Greene under their arm… sorry for the speechifying, I’m drunk.”

Helen set down her glass on the floor. “You’re saying I shouldn’t be here.”

“Should you?” His eyes took her in, coolly assessing. “Don’t ever believe that staying here won’t change you.”

“Tell me what you really think.”

“I’ve hurt your feelings.”

“I had Robert take me to the dinner to night because I knew you would be there.”

Darrow raised his eyebrows. “Should I be flattered?”

“All they’ve let me do so far is human-interest features-widows, orphans, wounded soldiers. I need someone to get me out in the field.”

He blinked, not wanting to admit his hurt feelings at how unromantic her reasons were. Usually the battle-weary reporter spiel worked. “Only a handful of women are covering the war. None doing combat. It’s too dangerous, too spooky out there. The men don’t like it, either. It’s hard work. It’s hard for me. I’m forty years old, I look fifty, I feel sixty.”

“My brother wrote me a letter before he was killed. He said no matter what happened he couldn’t regret coming. I needed to see for myself. And the only way to become famous is to cover combat, right? I dropped out of college because I was worried it would be over by the time I graduated.” Later, she would cringe at her crassness, but at the time it had seemed daring to reveal such an unflattering truth. How could she explain the years of being a tomboy, refusing dolls and dresses, always hanging out with the boys? Her father and Michael shared the idea of soldiering, and she had been left out. She cried when she had to stay in the kitchen with her mother, told to bake cookies. Michael’s taunts as they went out shooting-You can’t come, you can’t come.

Darrow knelt in front of her. He liked her a little less now, so it made it easier to seduce her.

“No one can say I didn’t try. Go out with me on patrol tomorrow. You’ll have your own bite of the apple. You’re going to get it anyway… right?”

“Right.”

This girl, filled with ambition and doubt and passion. Like himself. Utterly unlike his wife, who was cool, clear, and sharp-a constant obstacle to his doing what he loved. A mystery why she had married him just to make him guilty over what he did. Their arguments ran in circles like a dog chasing its tail: It’s the only thing I’m good at, he’d shouted, but the truth was it was the only thing that made him feel alive.

“Are we fine? I mean, things between you and me?”

Helen reached and gently pulled off his glasses. Despite her playacting, she was terrified by what she saw in the hospitals, and the idea of turning down a man she wanted to night seemed ridiculous. What if she were gone tomorrow, like Henry? She frowned. “Is there something between you and me?”

He put a hand on each side of her chair, and she noticed his hands shaking. That was good; neither was practiced at this seduction thing.

“Nerves. I’m steady in the field. Downtime fallout.”

She ran her fingers along the scar on his arm. “How’d that happen?”

He shrugged. “An angry husband.”

She laughed.

“I think it was Algeria. Hard to remember one from another. We should discuss this. Are we open about it, or do we try to keep it secret?”

“Cat’s a little out of the bag.”

“True. But are you prepared? A married man’s mistress?”

He folded the glasses into his shirt pocket. With his index finger he lightly traced her upper lip. Pressing harder, he went down her lower lip, pressing on the fleshy bottom till it spread into a dark flower. He kissed her.

“You’re beautiful,” he said.

She was not beautiful, but she did not correct him. She let it go that she was beautiful enough for that moment.

“Tonight is just ours. Nothing to do with tomorrow, okay?” he said.

She nodded and pulled away from him, stood up, and walked across the room to the mirror. Back home time seemed to stand still; she was always impatient, restless. In Vietnam everything moved at a flash speed that had nothing to do with normal life. She tried to hold her breath and become as still as the room. “You didn’t ask why I came here to night.”

“I figured you’d tell me if you wanted to. I’ll find out soon enough.”

“Robert said you were one of the charmed. He said everyone tries to stick close to you because they think they will be safe.” As the words came from her mouth, she realized how foolish she sounded, like a child.

“Poor Robert still believes in the Tooth Fairy.”

“I already asked him to help me. He refused.”

“Well, good for him.”

“He said you have no morals. That you’ll do anything for a picture. That you would have no scruples about bedding a woman or letting her go out in the field.”

Darrow sat back on his heels a moment, winded. He got up and moved behind her, slowly unfastening the back of her dress, one button at a time. “But you came anyway. I didn’t finish the passage at the restaurant to night. Last time I was out on a mission, the only paperback I had was a battered copy of The Iliad. I would memorize passages:

“ ‘Ravishing as she is, let her go home in the long ships
and not be left behind… for us and our children
down the years an irresistible sorrow.’ ”

A growl came from deep within the building, and the electricity struggled back on, first at half power, then all the way. Out of the darkness, plunged into light, she felt confused. Cheap, more like it. Dress half pulled off and her bra showing. Desire shrank. She pulled away, reached to refasten the buttons that had been undone. “We should be going. Robert will be at the hotel…”

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