Isabel Allende - Island Beneath the Sea

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Of the many pitfalls lurking for the historical novel, the most dangerous is history itself. The best writers either warp it for selfish purposes (Gore Vidal), dig for the untold, interior history (Toni Morrison), or both (Jeannette Winterson). Allende, four years after Ines of My Soul, returns with another historical novel, one that soaks up so much past life that there is nowhere left to go but where countless have been. Opening in Saint Domingue a few years before the Haitian revolution would tear it apart, the story has at its center Zarité, a mulatto whose extraordinary life takes her from that blood-soaked island to dangerous and freewheeling New Orleans; from rural slave life to urban Creole life and a different kind of cruelty and adventure. Yet even in the new city, Zarité can't quite free herself from the island, and the people alive and dead that have followed her.Zarité's passages are striking. More than merely lyrical, they map around rhythms and spirits, making her as much conduit as storyteller. One wishes there was more of her because, unlike Allende, Zarité is under no mission to show us how much she knows. Every instance, a brush with a faith healer, for example, is an opportunity for Allende to showcase what she has learned about voodoo, medicine, European and Caribbean history, Napoleon, the Jamaican slave Boukman, and the legendary Mackandal, a runaway slave and master of black magic who has appeared in several novels including Alejo Carpentier's Kingdom of This World . The effect of such display of research is a novel that is as inert as a history textbook, much like, oddly enough John Updike's Terrorist, a novel that revealed an author who studied a voluminous amount of facts without learning a single truth.Slavery as a subject in fiction is still a high-wire act, but one expects more from Allende. Too often she forgoes the restraint and empathy essential for such a topic and plunges into a heavy breathing prose reminiscent of the Falconhurst novels of the 1970s, but without the guilty pleasure of sexual taboo. Sex, overwritten and undercooked, is where opulent hips slithered like a knowing snake until she impaled herself upon his rock-hard member with a deep sigh of joy. Even the references to African spirituality seem skin-deep and perfunctory, revealing yet another writer too entranced by the myth of black cultural primitivism to see the brainpower behind it. With Ines of My Soul one had the sense that the author was trying to structure a story around facts, dates, incidents, and real people. Here it is the reverse, resulting in a book one second-guesses at every turn. Of course there will be a forbidden love. Betrayal. Incest. Heartbreak. Insanity. Violence. And in the end the island in the novel's title remains legend. Fittingly so, because to reach the Island Beneath the Sea, one would have had to dive deep. Allende barely skims the surface.Marlon James's recent novel, The Book of Night Women was a finalist for the 2010 National Book Critics Circle Award.

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Violette had matured, slowly, like mangoes. With the years she had not lost her freshness, her haughty bearing or soft, purring laughter; she had only grown a little plump, which her husband found enchanting. She had the confidence of those who enjoy love. With time, and the strategy of Loula's rumors, she had become a legend, and wherever she went people looked at her and whispered, including the same people who would not receive her in their houses. "They must be wondering about the dove egg," Violette said, laughing. Arrogant men doffed their hats when she went by and they were alone, many remembering passionate nights in the apartment on the place Clugny, but women of any color looked away out of envy. Violette dressed in cheerful colors, and her only adornments were the opal ring that was her husband's gift and the heavy earrings of gold that flickered over her magnificent features and the ivory skin owed to a lifetime of never being exposed to a ray of sun. She had no other jewels; they had all been sold to augment the capital indispensable for their dealings as moneylenders. She and Loula had through the years buried their savings, in solid gold coins, in a hole in the patio, without raising her husband's suspicions, waiting for the moment they would leave.

Violette and Relais were in bed one Sunday at the hour of siesta, not touching because it was so hot, when she announced that if in fact he wanted to return to France, as he had been saying for an eternity, they had the means to do so. That same night, sheltered by the darkness, she and Loula dug up their treasure. Once the major weighed the bag of coins, recovered from his astonishment, and set aside the objections of a macho humiliated by women's cleverness, he decided to present his resignation to the army. He had more than paid his duty to France. Then the couple began to plan the voyage, and Loula had to resign herself to the idea of being free, for in France slavery had been abolished.

The Master's Children

That evening, as Violette explained to Loula, she and Relais were waiting for the most important visit of their lives. The couple's house was somewhat larger than the three-room apartment on the place Clugny, comfortable but not luxurious. The simplicity Violette had adopted in her clothing extended to her home, decorated with the furniture of local artisans with none of the chinoiserie she had formerly fancied so greatly. The house was welcoming: trays of fruits, flowers, cages of birds, and several cats. The first to show up that evening was the notary with his young scribe and a large book with blue binding. Violette showed them to an adjacent room that Relais used as an office, and offered them coffee and delicate beignets made by the nuns; according to Loula the pastries were nothing but fried dough and she could make better. Shortly after, Toulouse Valmorain knocked at the door. He had gained weight, and looked broader and more worn than Violette remembered, but with his grand blanc arrogance intact. That attitude had always seemed comic to her since she had been trained to undress a man with one look, and naked neither titles, power, fortune, nor race had value; all that counted were physical condition and intentions. Valmorain greeted her and bowed to kiss her hand, but did not touch it to his lips; that would have been discourteous in front of Relais. He took a seat and the glass of fruit juice he was offered.

"A number of years have gone by since the last time we saw each other, monsieur," she said, with a formality that was new between them, trying to veil the anxiety squeezing her chest.

"Time has stopped for you, madame-you look the same."

"Do not offend me, I look better." She smiled, amazed that the man blushed; perhaps he was as nervous as she was.

"As you know by my letter, Monsieur Valmorain," began Etienne Relais, dressed in his uniform, stiff as a post in his chair, "we are planning to go to France fairly soon."

"Yes, yes," Valmorain interrupted. "First of all, it is fitting for me to thank both of you for having taken care of the boy all these years. What is his name?"

"Jean-Martin," said Relais.

"I suppose he is quite a little man by now. I would like to see him, if that is possible."

"In a minute. He is out for a walk with Loula and will soon be back."

Violette tugged at the skirt of her sober green crepe dress with purple trim and served more juice in their glasses. Her hands were trembling. For a pair of eternal minutes no one spoke. One of the canaries began to sing in its cage, breaking the heavy silence. Valmorain watched Violette out of the corner of his eye, taking note of the changes in that body that once he had made love to so persistently, although he could no longer remember very well what they did in bed. He wondered how old she might be, and whether she used mysterious balms to preserve her beauty, as he had read somewhere the ancient Egyptian queens did, the ones that ended up as mummies. He was envious as he imagined Relais's happiness with her.

"We cannot take Jean-Martin with us under the present conditions, Toulouse," Violette said finally in the familiar tone she had used when they were lovers, putting a hand on his shoulder.

"He does not belong to us," added the major, stiff-lipped, his eyes fixed on his former rival.

"We love this boy very much, and he thinks we are his parents. I always wanted to have children, Toulouse, but God did not give them to me. For that reason we want to buy Jean-Martin, emancipate him, and take him to France using the name Relais, as our legitimate son," said Violette and immediately burst into tears, shaking with sobs.

Neither of the two men made a move to console her. They stood looking at the canaries, uncomfortable, until she was able to calm herself, just as Loula came in holding a little boy's hand. He was handsome. He ran to Relais to show him something clutched in his fist, speaking excitedly, his cheeks bright red. Relais pointed toward the visitor, and the boy went to him, held out a plump hand, and timidly greeted him. Valmorain studied him, pleased, and saw that he did not resemble either him or his son Maurice in any way.

"What is it you have here?" he asked.

"A snail."

"Are you giving it to me?"

"No, I can't, it is for my papa," Jean-Martin replied, returning to Relais to climb up on his knees.

"Go along with Loula, son," the major ordered. The boy obeyed immediately, caught the woman's skirts, and both disappeared.

"If you are in agreement…well, we have summoned a notary in case you accept our proposition, Toulouse. After that it will have to go to a judge," babbled Violette, on the verge of crying again.

Valmorain had come to the interview without a plan. He knew what they were going to ask, because Relais had explained it in his letter, but he had not made a decision; he wanted to see the boy first. Jean-Martin had left a very favorable impression, he was good-looking and apparently did not lack character; the boy was worth a lot of money, but it would be a nuisance for Valmorain to have him. The couple had pampered him from the time he brought the infant to them, that was obvious, and he had no idea of his true position in society. What would he do with that little mixed blood bastard? He would have to keep him at home for the first few years. He could not imagine how Tete would react; surely she would turn all her attention to her son, and Maurice, whom she had until that moment brought up as her only child, would feel abandoned. The delicate balance of his home could come tumbling down. He also thought of Violette Boisier, of the hazy memory of the love he had had for her, of the services they had rendered each other through the years, and also about the simple truth that she was much more Jean-Martin's mother than Tete was. The Relais were offering the boy what he could not think to give him: freedom, education, a name, and a respectable situation.

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