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Salman Rushdie: Shalimar the Clown

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Salman Rushdie Shalimar the Clown

Shalimar the Clown: краткое содержание, описание и аннотация

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The Man Booker Prize (nominee) Whitbread Prize (nominee) International IMPAC Dublin Literary Awards (nominee) Los Angeles, 1991. Ambassador Maximilian Ophuls, one of the makers of the modern world, is murdered in broad daylight on his illegitimate daughter India's doorstep, slaughtered by a knife wielded by his Kashmiri Muslim driver, a myscerious figure who calls himself Shalimar the clown. The dead man is a World War II Resistance hero, a man of formidable intellectual ability and much erotic appeal, a former US ambassador to India and subsequently America's counter-terrorism chief. The murder looks at first like a political assassination, but turns out to be passionately personal. This is the story of Max, his killer, and his daughter – and of a fourth character, the woman who links them, whose story finally explains them all. It is an epic narrative that moves from California to Kashmir, France and England, and back to California again. Along the way there are tales of princesses lured from their homes by demons, legends of kings forced to defend their kingdoms against evil. There is kindness and magic, capable of producing miracles, but there is also war, ugly, unavoidable, and seemingly interminable. And there is always love, gained and lost, uncommonly beautiful and mortally dangerous. Everything is unsettled. Everything is connected. Lives are uprooted, names keep changing – nothing is permanent. The story of anywhere is also the story of everywhere else. Spanning the globe and darting through history, Rushdie's narrative captures the heart of the reader and the spirit of a troubled age.

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Quite the reverse. She presented herself as disciplined, groomed, nuanced, inward, irreligious, understated, calm. She spoke with an English accent. In her behavior she was not heated, but cool. This was the persona she wanted, that she had constructed with great determination. It was the only version of her that anyone in America, apart from her father and the lovers who had been scared off by her nocturnal proclivities, had ever seen. As to her interior life, her violent English history, the buried record of disturbed behavior, the years of delinquency, the hidden episodes of her short but eventful past, these things were not subjects for discussion, were not (or were no longer) of concern to the general public. These days she had herself firmly in hand. The problem child within her was sublimated into her spare-time pursuits, the weekly boxing sessions at Jimmy Fish’s boxing club on Santa Monica and Vine where Tyson and Christy Martin were known to work out and where the cold fury of her hitting made the male boxers pause to watch, the biweekly training sessions with a Clouseau-attacking Burt Kwouk look-alike who was a master of the close-combat martial art of Wing Chun, the sun-bleached blackwalled solitude of Saltzman’s Moving Target shooting gallery out in the desert at 29 Palms, and, best of all, the archery sessions in downtown Los Angeles near the city’s birthplace in Elysian Park, where her new gifts of rigid self-control, which she had learned in order to survive, to defend herself, could be used to go on the attack. As she drew back her golden Olympic-standard bow, feeling the pressure of the bowstring against her lips, sometimes touching the bottom of the arrow shaft with the tip of her tongue, she felt the arousal in herself, allowed herself to feel the heat rising in her while the seconds allotted to her for the shot ticked down toward zero, until at last she let fly, unleashing the silent venom of the arrow, reveling in the distant thud of her weapon hitting its target. The arrow was her weapon of choice.

She also kept the strangeness of her seeing under control, the sudden otherness of vision that came and went. When her pale eyes changed the things she saw, her tough mind changed them back. She did not care to dwell on her turbulence, never spoke about her childhood, and told people she did not remember her dreams.

On her twenty-fourth birthday the ambassador came to her door. She looked down from her fourth-floor balcony when he buzzed and saw him waiting in the heat of the day wearing his absurd silk suit like a French sugar daddy. Holding flowers, yet. “People will think you’re my lover,” India shouted down to Max, “my cradle-snatching Valentine.” She loved the ambassador when he was embarrassed, the pained furrow of his brow, the right shoulder hunching up against his ear, the hand raised as if to ward off a blow. She saw him fracture into rainbow colors through the prism of her love. She watched him recede into the past as he stood below her on the sidewalk, each successive moment of him passing before her eyes and being lost forever, surviving only in outer space in the form of escaping light-rays. This is what loss was, what death was: an escape into the luminous wave-forms, into the ineffable speed of the light-years and the parsecs, the eternally receding distances of the cosmos. At the rim of the known universe an unimaginable creature would someday put its eye to a telescope and see Max Ophuls approaching, wearing a silk suit and carrying birthday roses, forever borne forward on tidal waves of light. Moment by moment he was leaving her, becoming an ambassador to such unthinkably distant elsewheres. She closed her eyes and opened them again. No, he was not billions of miles away amid the wheeling galaxies. He was here, correct and present, on the street where she lived.

He had recovered his poise. A woman in running clothes rounded the corner from Oakwood and cantered toward him, appraising him, making the easy judgments of the times, judgments about sex and money. He was one of the architects of the postwar world, of its international structures, its agreed economic and diplomatic conventions. His tennis game was strong even now, at his advanced age. The inside-out forehand, his surprise weapon. That wiry frame in long white trousers, carrying not much more than five percent body fat, could still cover the court. He reminded people of the old champion Jean Borotra: those few old-timers who remembered Borotra. He stared with undisguised European pleasure at the jogger’s American breasts in their sports bra. As she passed him he offered her a single rose from the enormous birthday bouquet. She took the flower; and then, appalled by his charm, by the erotic proximity of his snappy crackle of power, and by herself, accelerated anxiously away. Fifteen-love.

From the balconies of the apartment building the old Central and East European ladies were also staring at Max, admiringly, with the open lust of toothless age. His arrival was the high point of their month. They were out en masse today. Usually they gathered together in small street-corner clumps or sat in twos and threes by the courtyard swimming pool chewing the fat, sporting inadvisable beachwear without shame. Usually they slept a lot and when not sleeping complained. They had buried the husbands with whom they had spent forty or even fifty years of unregarded life. Stooped, leaning, expressionless, the old women lamented the mysterious destinies that had stranded them here, halfway across the world from their points of origin. They spoke in strange tongues that might have been Georgian, Croatian, Uzbek. Their husbands had failed them by dying. They were pillars that had fallen, they had asked to be relied upon and had brought their wives away from everything that was familiar into this shadowless lotus-land full of the obscenely young, this California whose body was its temple and whose ignorance was its bliss, and then proved themselves unreliable by keeling over on the golf course or face down in a bowl of noodle soup, thus revealing to their widows at this late stage in their lives the untrustworthiness of existence in general and of husbands in particular. In the evenings the widows sang childhood songs from the Baltic, from the Balkans, from the vast Mongolian plains.

The neighborhood’s old men were single, too, some inhabiting sagging sacks of bodies over which gravity had exerted far too much power, others grizzle-chopped and letting themselves go in dirty T-shirts and pants with unbuttoned flies, while a third, jauntier contingent dressed sharply, affecting berets and bow ties. These natty gents periodically tried to engage the widows in conversation. Their efforts, with yellow glints of false teeth and melancholy sightings of slicked-down vestiges of hair beneath the doffed berets, were invariably and contemptuously ignored. To these elderly beaux, Max Ophuls was an affront, the ladies’ interest in him a humiliation. They would have killed him if they could, if they had not been too busy staving off their own deaths.

India saw it all, the exhibitionist, desirous old women pirouetting and flirting on the verandahs, the lurking, spiteful old men. The antique Russian super, Olga Simeonovna, a bulbous denim-clad samovar of a woman, was greeting the ambassador as if he were a visiting head of state. If there had been a red carpet on the premises she would have rolled it out for him.

“She keeps you waiting, Mr. Ambassador, what you gonna do, the young. I say nothing against. Just, a daughter these days is more difficult, I was a daughter myself who for me my father was like a god, to keep him waiting unthinkable. Alas, daughters today are hard to raise and then they leave you flat. I sir am formerly mother, but now they are dead to me, my girls. I spit on their forgotten names. This is how it is.”

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