Philip Roth - The Plot Against America

I got inside just as the lights went out and the martial music came on and the film began to roll. Because seemingly every man in Newark (the theater drew only a very few women) wanted to get a look at the unlikely White House guest, the place was filled to capacity for this late-Friday-afternoon show and the only empty seat I could find was in the far reaches of the balcony-anyone entering now would have to stand at the back of the orchestra's last row. A great excitement came over me, not only because of my having pulled off something that was not expected of me, but because enveloped by the fumes of the hundreds of cigarettes and the extravagant odor of the five-cent cigars, I felt deep in the virile magic of a boy masquerading as a man among men.

British land on Madagascar to take over French naval base.

Pierre Laval, chief of Vichy French government, denounces British move as "act of aggression."

RAF bombs Stuttgart third consecutive night.

British fighter planes in savage air battle over Malta.

German army resumes assault on USSR in the Kerch Peninsula.

Mandalay falls to Japanese army in Burma.

Japanese army launches new drive in jungles of New Guinea.

Japanese army marches into Yunnan province of China from Burma.

Chinese guerrillas raid city of Canton, killing five hundred Japanese troops.

A multitude of helmets, uniforms, weapons, buildings, harbors, beaches, flora, fauna-human faces of every race-but otherwise the same inferno again and again, the unsurpassable evil from whose horrors the United States, of all the great nations, was alone in being spared. Picture after picture of misery without end: the mortars bursting, the infantrymen doubled over and running, marines with raised rifles wading ashore, airplanes dropping bombs, airplanes blown apart and spiraling to earth, the mass graves, the kneeling chaplains, the improvised crosses, the sinking ships, the drowning sailors, the sea in flames, the shattered bridges, the tank bombardment, the targeted hospitals sheared in two, pillars of fire coiling upward from bombed-out oil tanks, prisoners corralled in a sea of mud, stretchers bearing living torsos, bayoneted civilians, dead babies, beheaded bodies bubbling blood…

And then the White House. A twilit spring evening. Shadows falling across the sprawl of lawn. Blooming bushes. Flowering trees. Limousines driven by liveried chauffeurs and everyone exiting them in formal attire. From the marble hallway beyond the open portico doors, a string ensemble playing last year's number one hit song, "Intermezzo," popularized from a theme in Wagner's Tristan and Isolde. Gracious smiles. Quiet laughter. The lean, beloved, handsome president. Beside him the talented poetess, daring aviatrix, and decorous socialite who is the mother of their murdered child. The loquacious, silver-haired honored guest. The elegant Nazi spouse in her long satin gown. Welcoming words, witticisms, and the Old World gallant, steeped in the theatrics of the royal court and looking in his evening clothes like a million bucks, charmingly kissing the First Lady's hand.

Had it not been for the Iron Cross, awarded to the foreign minister by his Führer and embellishing the pocket just inches below the impeccably arranged silk handkerchief, as persuasively civilized a sham as human cunning could devise.

And there! Aunt Evelyn, Rabbi Bengelsdorf-past the marine guards, through the doorway, and gone!

They couldn't have been on the screen for as long as three seconds, and yet the rest of the national news and the closing sports clips were incomprehensible to me and I kept hoping for the film to spin back to the moment where my aunt materialized asparkle with the gems previously the property of the rabbi's late wife. Among the many improbabilities that the cameras established as irrefutably real, Aunt Evelyn's disgraceful triumph was for me the least real of all.

When the show was over and the lights went up, a uniformed usher was standing in the aisle motioning with his flashlight. "You," he said. "You come with me."

He led me into the crowd that was emptying out of the lobby and through a door he unlocked with a key and then up a narrow stairway that I recognized from when Sandy and I had been brought here to see the Madison Square Garden von Ribbentrop rallies. "How old are you?" the usher asked me.

"Sixteen."

"That's a good one. Keep it up, kid. Get yourself in more hot water."

"I have to go home now," I told him. "I'm going to miss my bus."

"You're going to miss a lot more than that."

He rapped sharply on the famous soundproof door to the Newsreel's projection booth and Mr. Tirschwell let us in.

He was holding the note from Sister Mary Catherine.

"I don't see how I cannot show this to your parents," he told me.

"It was just a joke," I said.

"Your father's coming to pick you up. I telephoned his office to tell him you were here."

"Thank you," I said as politely as I had been taught to say it.

"Please sit down."

"But it was a joke," I repeated.

Mr. Tirschwell was preparing the reels for the new show. I saw when I got to looking around that many of the signed photos of the theater's renowned patrons had been removed from the walls, and realized that Mr. Tirschwell had begun to gather together the mementos he was taking to Winnipeg. And I realized too that the gravity of such a move might alone have been enough to account for the sternness with which he was treating me. Yet he also struck me as the exacting sort of adult whose sense of responsibility often extends to what is none of his business. It would have been hard to tell from either his looks or his speech that he'd grown up in a Newark tenement with my father. He was an understated, distinctly more polished and prideful version than my father of the scantily educated slum child who'd lifted himself out of his parents' immigrant poverty almost entirely by virtue of a vigilant, programmatic industriousness. Ardor, for these men, was all they had to go on. What their Gentile betters called pushiness was generally just this-the ardor that was everything.

"If I go outside," I said, "I can still get the bus and be home in time for dinner."

"Stay where you are, please."

"But what did I do wrong? I wanted to see my aunt. This isn't fair," I said, dangerously close to crying. "I wanted to see my aunt at the White House, that's all."

"Your aunt," he said, and he gritted his teeth so as to say no more.

Of all things, his disdain for Aunt Evelyn triggered my tears. Here Mr. Tirschwell lost his patience. "Are you suffering?" he asked sardonically. "What, what are you suffering? Do you have any idea what people are going through all over the world? Did you understand nothing of what you just saw? I only hope that in the future you're spared any real reason to cry. I hope and pray that in the days ahead your family-" He stopped abruptly, clearly unaccustomed to an undignified eruption of irrational emotion, particularly in the handling of an insignificant child. Even I could understand that his argument was with something other than me, but that didn't lessen the shock of my having to bear the brunt of it.

"What's going to happen in June?" I asked him. It was the unanswered question that I'd overheard my mother ask my father the night before.

Mr. Tirschwell continued scanning my face as though trying to determine how lacking in intelligence I was. "Pull yourself together," he finally said. "Here," and handed me his handkerchief. "Dry your eyes."

I did as he told me, but when I repeated, "What's going to happen? Why are you going to Canada?" the exasperation all at once disappeared from his voice and something emerged both stronger and milder- his intelligence.

"I have a new job there," he replied.