Gary Shteyngart - Super Sad True Love Story

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The author of two critically acclaimed novels, The Russian Debutante's Handbook and Absurdistan, Gary Shteyngart has risen to the top of the fiction world. Now, in his hilarious and heartfelt new novel, he envisions a deliciously dark tale of America's dysfunctional coming years – and the timeless and tender feelings that just might bring us back from the brink.
In a very near future – oh, let's say next Tuesday – a functionally illiterate America is about to collapse. But don't that tell that to poor Lenny Abramov, the thirty-nine-year-old son of an angry Russian immigrant janitor, proud author of what may well be the world's last diary, and less-proud owner of a bald spot shaped like the great state of Ohio. Despite his job at an outfit called Post-Human Services, which attempts to provide immortality for its super-rich clientele, death is clearly stalking this cholesterol-rich morsel of a man. And why shouldn't it? Lenny's from a different century – he totally loves books (or 'printed, bound media artifacts,' as they're now known), even though most of his peers find them smelly and annoying. But even more than books, Lenny loves Eunice Park, an impossibly cute and impossibly cruel twenty-four-year-old Korean American woman who just graduated from Elderbird College with a major in Images and a minor in Assertiveness.
After meeting Lenny on an extended Roman holiday, blistering Eunice puts that Assertiveness minor to work, teaching our 'ancient dork' effective new ways to brush his teeth and making him buy a cottony nonflammable wardrobe. But America proves less flame-resistant than Lenny's new threads. The country is crushed by a credit crisis, riots break out in New York's Central Park, the city's streets are lined with National Guard tanks on every corner, the dollar is so over, and our patient Chinese creditors may just be ready to foreclose on the whole mess. Undeterred, Lenny vows to love both Eunice and his homeland. He's going to convince his fickle new love that in a time without standards or stability, in a world where single people can determine a dating prospect's 'hotness' and 'sustainability' with the click of a button, in a society where the privileged may live forever but the unfortunate will die all too soon, there is still value in being a real human being.
Wildly funny, rich, and humane, Super Sad True Love Story is a knockout novel by a young master, a book in which falling in love just may redeem a planet falling apart.

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“Lenny,” Grace said. Her face was near mine, and her vocal breathing kept pace with the exhale of the wind and the trees. Her hand was upon my cheek, and all the worries of my life were cupped and held within. A dull thud echoed behind the trees, metal connecting with scalp, but there was no whimper, just the distant, mirage-like sight of a body fully lowering itself to the ground. “Sometimes,” she said, “I think you’re not going to make it.”

Late October. A few days after my lunch with Grace, Eunice verballed me at work and told me to come down immediately. “They’re throwing us all out,” she said. “Old people, everyone. That asshole.” I did not have time to ascertain who the asshole was. I hijacked a company Town Car and raced downtown to find my inglorious red-brick hulk of a building surrounded by flat-bottomed young men in khakis and oxfords, and three Wapachung Contingency armored personnel carriers, their crews lounging peaceably beneath an elm tree, guns at their feet. My aged fellow cooperators had filled the ample park-like grounds around our buildings with their helter-skelter belongings, heavy on decrepit credenzas, deflated black leather couches, and framed photographs of their chubby sons and grandsons attacking river trout.

I found a young guy in the standard-issue chinos and an ID that read “Staatling Property Relocation Services.” “Hey,” I said, “I work for Post-Human Services. What the fuck? I live in one of these units. Joshie Goldmann’s my boss.”

“Harm Reduction,” he said, giving me an actual pout with those fat red lips.

“Excuse me?”

“You’re too close to the river. Staatling’s tearing these down tomorrow. In case of flooding. Global warming. Anyways, Post-Human has space for its employees uptown.”

“That’s bull crap,” I said. “You’re just going to build a bunch of Triplexes here. Why lie, pal?”

He walked away from me, and I followed through the jumble of old women propelling themselves out of the lobby on walkers, some of the more able-bodied babushkas pushing the wheelchair-bound, a collective crooning, heavier on depression than outrage, forming a kind of aural tent over the exile-in-progress. All the younger, angrier people who lived in the co-ops were probably at work. That’s why they were throwing us out at noon.

I was ready to grab the young Staatling guy’s head and to start bashing it against the cement of my beloved building, my homely refuge, my simple home. I could feel my father’s anger finding a righteous target. There was something Abramovian in this buzz in my head, in the continual teetering between aggression and victimhood. “The Joys of Playing Basketball.” Masada. Grabbing the young man by one skinny shoulder, I said to him, “Wait a second, friend. You don’t own this place. This is private property .”

“Are you kidding, Grandpa?” he said, easily throwing off my almost-forty-year-old grip. “You touch me again, I swear I’ll ass-plug you.”

“Okay,” I said. “Let’s talk about this like human beings.”

“I am talking like a human being. You’re the one being a bitch. You’ve got one day to get all your shit out or it’s going down with the building.”

“I’ve got books in there.”

“Who?”

“Printed, bound media artifacts. Some of them very important.”

“I think I just refluxed my lunch.”

“Okay, what about them ?” I said, pointing to my elderly neighbors, shuffling out into the sunlight, widows in straw boaters and sundresses with perhaps but a few years to live.

“They’re being moved into abandoned housing in New Rochelle.”

“New Rochelle? Abandoned housing? Why not just take them straight to the abattoir? You know these old people can’t make it outside New York.”

The young man rolled his eyes. “I can’t be having this conversation,” he said.

I ran into my familiar lobby, with the twin pines of the cooperative movement inlaid into the shiny, carefully waxed floor. Old people were sitting atop tied-up bundles, awaiting instructions, awaiting deportation. Inside the elevator, two uniformed Wapachung men were carrying out an old woman, Bat Mitzvah-style, on the very chair she had been sitting on, her puffy, sniffling visage too much for me to bear. “Mister, mister,” some of her friends were chanting, withered arms reaching out to me. They knew me from the worst of the Rupture, when Eunice used to come and wash them down, hold their hands, give them hope. “Can’t you do something, mister? Don’t you know somebody?”

I could not help them. Could not help my parents. Could not help Eunice. Could not help myself. I ignored the elevators and ran up the six flights of stairs, stumbling, half alive, into the noontime light flooding my 740 square feet. “Eunice, Eunice!” I cried.

She was in her sweatpants and Elderbird T-shirt, heat rising from her body. The floor was covered with cardboard boxes she had assembled, some of them half filled with books. We hugged each other and I tried to kiss her at length, but she pushed me away and pointed to the Wall of Books out in the living room. She made me understand that she would put together more of these boxes and that I was to continue packing them with books. I went back to the living room to face the couch where Eunice and I had made love for the second and third time (the bedroom had won the first round). I walked up to the bookcase, picked up an armload of volumes, some of the Fitzgeraldian and Hemingwayesque stuff I had swallowed along with an imaginary glass of Pernod as an NYU undergrad; the musty, brittle Soviet books (average price one ruble, forty-nine kopecks) my father had given me as a way to bridge the unfathomable gap between our two existences; and the Lacanian and feminist volumes that were supposed to make me look good when potential girlfriends came over (like anybody even cared about texts by the time I got to college).

I dumped the books into the cardboard boxes, Eunice quickly moving over to repack them, because I was not placing them in an optimal way, because I was useless at manipulating objects and making the most out of the least. We worked in silence for the better part of three hours, Eunice directing me and scolding me when I made a mistake, as the Wall of Books began to empty and the boxes began to groan with thirty years’ worth of reading material, the entirety of my life as a thinking person.

Eunice. Her strong little arms, the claret of labor in her cheeks. I was so thankful to her that I wanted to cause her just a tiny bit of harm and then to beg for forgiveness. I wanted to be wrong in front of her, because she too should feel the high morality of being right. All the anger that had built against her during the past months was dissipating. Instead, with each armful of books tumbling into their cardboard graves, I found myself focusing on a new target. I felt the weakness of these books, their immateriality, how they had failed to change the world, and I didn’t want to sully myself with their weakness anymore. I wanted to invest my energies in something more fruitful and conducive to a life that mattered.

Instead of returning to the Wall of Books for a fresh batch, I walked into one of Eunice’s closets. I went through her intimates, peered at their labels, mouthed what I read as if I were reciting a poem: 32A, XS, JuicyPussy, TotalSurrender, sky-blue gossamer velvet. In the shoe closet, I plucked two glittering pairs of shoes and a lesser set of some kind of shoe/sneaker hybrid that Eunice was fond of wearing to the park, and I carried them into the kitchen. I thrust them at Eunice with a smile. “We don’t have that many boxes left,” I said.

She shook her head. “Just the books,” she said. “That’s all we have room for. They’re going to take us to a place uptown because you work for Joshie.” She put down her packing tape and poured me a cup of coffee out of the French press, garnishing it with soy milk from what would soon no longer be my refrigerator.

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