Peter Matthiessen - Shadow Country

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Shadow Country: краткое содержание, описание и аннотация

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2008 NATIONAL BOOK AWARD WINNER
Peter Matthiessen's great American epic-Killing Mister Watson, Lost Man's River, and Bone by Bone-was conceived as one vast mysterious novel, but because of its length it was originally broken up into three books. In this bold new rendering, Matthiessen has cut nearly a third of the overall text and collapsed the time frame while deepening the insights and motivations of his characters with brilliant rewriting throughout. In Shadow Country, he has marvelously distilled a monumental work, realizing his original vision.
Inspired by a near-mythic event of the wild Florida frontier at the turn of the twentieth century, Shadow Country reimagines the legend of the inspired Everglades sugar planter and notorious outlaw E. J. Watson, who drives himself relentlessly toward his own violent end at the hands of neighbors who mostly admired him, in a killing that obsessed his favorite son.
Shadow Country traverses strange landscapes and frontier hinterlands inhabited by Americans of every provenance and color, including the black and Indian inheritors of the archaic racism that, as Watson's wife observed, "still casts its shadow over the nation."
Peter Matthiessen's lyrical and illuminating work in the Watson narrative has been praised highly by such contemporaries as Saul Bellow, William Styron, and W. S. Merwin. Joseph Heller said "I read it in great gulps, up each night later than I wanted to be, in my hungry impatience to find out more and more."

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“For why Monsieur le Baron Anton du Chevalier ees call ‘Meester Jeen Shovel- leer ’? For why ?” He stabbed at the venison and grits on his tin plate. Next he thought about Watson and jabbed his fork like he aimed to stab my eyes out. “This Wat- son! Fokink crazy man! Satan foo! ” Chevelier held up thumb and forefinger to show how close Ed Watson’s bullet clipped his ear that morning. When I wondered aloud if Watson had been joking, he shrieked, “ Choke ? With bullet? That ees choke ?” The Frenchman purely hated E. J. Watson.

Next day I rowed him downriver to consult with Old Man Harden. Nearing the Bend, I seen Mister Watson far out in his field. I edged the skiff in closer to the bank so’s he wouldn’t see us, then shipped my oars and drifted past so’s our thole pins wouldn’t creak. Damn if that man a quarter mile away don’t stiffen like a panther caught out in the open. Turned his head real slow and looked straight at us, then dropped to one knee and reached into his shirt. I felt a chill. How did the man know we was there? How come he went armed in his own field? And why was he so quick to draw his weapon?

I found out quick. That old French fool behind me had stood up with his shootin iron and now he’s ricketing around, trying to draw a bead on Watson. I yell Sit down! and I row that boat right out from under him. He falls back hard, nearly goes overboard. Sheltered by the bank, I row all-out to get down around the Bend, scared Mister Watson might run up to the water’s edge and pick us off. Please, sir, I holler, don’t go pointing guns at Mister Watson, not with young Bill settin in the boat!

Offshore, I flagged down the Bertie Lee, Captain R. B. Storter, who would carry the Frenchman to Key West: the old man told me to work my keep at Hardens till he got back. Trouble was, I weren’t real easy in their company. That family never got along good with us Bay people, bein too white to fit with Injuns nor nigras but nowhere near fair-skinned enough to suit most whites. Old Man Richard called hisself Choctaw, had Injun features, sure enough, but one look at his boy Webster told you that Choctaw weren’t the whole story by a long shot.

Times we worked for the old Frenchman, Henry Short and me used to visit with the Hardens, and Henry held a high opinion of that family, but I don’t believe he thought that they was white or he wouldn’t have never felt so much at home. While I was living there, Henry would come visiting, to be sure I was getting along-probably believed that, knowing Henry-but the one he really come to visit was young Liza.

Liza Harden weren’t a woman yet and she weren’t entirely white, but she was as pretty put together as any critter I ever saw, made me ache to look at her. I would have give up my left ear to see her stepping slow into the river without clothes on, see all that golden honey in the sun. It thickened my blood to think about that, even, and Henry was in the same fix I was, though he’d never dare say it. One look at each other and we’d look away, embarrassed, that’s how jittery and fired up that young girl made us from an early age.

Henry’s mama was white, his daddy mixed, what some call redbone. High cheekbones, narrow features, looked more white than Injun and more Injun than nigra. One time Old Man Richard was carrying on about his own Injun ancestry, told Henry he looked like he might be Choctaw, too. Henry got more agitated up than I ever seen him, cause being a born stickler for the truth, he would choke telling a lie. Finally he whispered, “I ain’t no Choctaw, Mr. Richard. Chock-full o’ nigger is more like it.” Old Man Richard laughed and laughed. “Well,” he said, “best not let on about that to my Mary, son, cause she got you figured for a white boy with a drop of Indin, same as us.”

Course Old Man Richard knew as well as I did that Henry might of said chock-full o’ nigger just to show Bill House that eating at the Hardens’ table hadn’t give him no wrong ideas about his place. Or maybe the whole bunch was leading on this white boy, come to think about it. First time in my life I ever felt like the outsider-ever try that? I didn’t care for it.

In Chokoloskee, when I told the men what Henry Short said to Richard Harden, they laughed somewhat louder than I wanted, and right away they got it twisted all around: “Nigger Henry told that old mulatter, Hell, no, you ain’t Choctaw, Mister Richard! What you are is chock-full o’ nigger, same as me! ” “No, no,” I told ’em, “that ain’t what he said!” Trouble was, I got tired of explainin, just grinned and went along with it, which is why they are laughin yet today about chock-full o’ nigger.

Anyways, when Henry said them words, Earl jumps up so fast he spills his plate. “Well, we ain’t niggers in this family, boy, at least I ain’t, but it sure looks like we got nigger-lovers around here!” Earl was watching me so I got the idea this was a message that Bill House was supposed to take to Chokoloskee: Mr. Earl Harden don’t care to eat with niggers even if the rest of ’em puts up with it. “I would run you off, boy,” Earl told Henry, “but it ain’t my house.” Earl grabs his plate and marches out onto the stoop cause he can’t look his daddy in the eye.

Richard Harden never liked commotion, and he ain’t figured out yet how to handle this. Watching his brother stomping out, Webster just laughs. From outside Earl hollers, “Go to Hell, Webster!” Hearing that language, his mother comes a-running from the cookhouse and whaps Earl’s ear a terrific lick with her wood ladle. I catch Webster’s eye and wish I hadn’t. He tried to smile, but I seen he was very angry and humiliated.

Right from a boy, Earl Harden was out to prove something to Bay people, and I guess you could say he finally become friends with one or two families at Chokoloskee-Lopezes, mostly, who weren’t never really trusted, being Spanish. Earl tried to be friendly to me, too, but because he was so ornery with Henry, I could not warm up to him and never did, the whole rest of my life.

Two weeks later Jean Chevelier showed up again with Captain Eben Carey, who aimed to go partners with us in the plume trade. With E. J. Watson not a half mile down the river, Chevelier wanted company, and to make sure he got it, he had promised Captain Carey a share of Calusa treasure. He was getting too old to dig all day in hot white shell mound with them bad snakes, heat, and wasps, but being a miser, he refused my help for fear I might let on at Chokoloskee if he found something.

It was Cap’n Ebe who told us what took place at Key West in Bartlum’s produce auction room, how Ed Watson come in somewhat drunk and asked Adolphus Santini of Chokoloskee for advice about filing a land claim on both banks of Chatham River. Surveys would be needed because almost all of southwest Florida was “swamp and overflowed,” turned over to the state back in 1850; the state had give most all that territory to the railroad companies. But the Everglades and the Ten Thousand Islands were still wilderness, and nobody really knew what was where nor who owned what.

Dolphus Santini was one of the first settlers on Chokoloskee and its leading landowner and farmer. Along about 1877, Santinis filed a claim to “160 acres more or less on Chokoloskee Island among the Ten Thousand Islands of Florida.” That’s mostly less, cause there ain’t hardly one hundred fifty acres on our whole island. Except for Storters in Everglade, who was somewhat educated, people made do with quit-claim rights-pay me to quit my claim, get the heck off, that’s all it was, and maybe a handshake thrown in: Ed Watson wanted a real paper claim like Santinis and Storters. We figured later what he aimed to do was tie up as much high ground as he could from Chatham Bend to Lost Man’s River, then file a claim the way Santini done, but bad rumors about E. J. Watson had commenced to wander, so he figured he needed an upstanding citizen to back him up.

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