James Ballard - Crash

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Crash: краткое содержание, описание и аннотация

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This powerful and often terrifying novel, the fruit of J.G. Ballard’s obsession with the motor-car, will shock and disturb many readers. Few products of modern technology excite as much fascination and interest as the automobile, but each year hundreds of thousands of people die in car crashes throughout the world, millions are injured. Yet attempts to regulate the motor-car and reduce this slaughter constantly meet with strong and almost unthinking resistance. Ballard believes that the key to this paradox is to be found in the car crash itself, which contains an image of all our fantasies of speed, power, violence and sexuality. ‘Three years ago, I held an exhibition of crashed cars at the New Arts Laboratory in London,’ he says. ‘People were fascinated by the cars but I was surprised that these damaged vehicles were continually attacked and abused during the month they were on show—watching this, I decided to write
.’
The novel opens with the narrator recovering in hospital after a serious car crash in which he has killed the husband of a young woman doctor. In his pain-filled dreams he finds himself dominated by strange sexual fantasies, and he determines to find the real meaning of this horrific experience. When he leaves hospital he revisits the scene of the crash, and meets the woman doctor. During their affair they begin an exploration of the motor-car in all its forms, attending stock-car races, watching test vehicles being crashed, conducting a variety of sexual experiments on London motorways. They meet a violent and aggressive figure called Vaughan, a ‘hoodlum scientist’ who seems determined to die in a car crash with a famous film actress. Terrified of Vaughan, and yet under his spell, the narrator is carried closer to the sinister climax of the novel, a disquieting vision of the future in which sex and technology form a nightmare marriage.
Violent and frightening, but always true to its subject,
is above all a cautionary tale, a warning against the brutal, erotic and overlit future that beckons us, ever more powerfully, from the margins of the technological landscape. The book was filmed by Canadian director David Cronenberg in 1996; the movie
provoked fierce debates over censorship and obscenity.
Microsoft ® Encarta ® 2006

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The traffic stream moved on. I started the engine and eased the car forwards. Vaughan raised the camera to his eye, lowering it from sight when an ambulance attendant tried to knock it from his hands. The pedestrian bridge passed overhead. Half out of the car, Vaughan peered at the scores of legs pressed against the metal railings, then opened the door and dived out.

As I pulled the Lincoln on to the verge he was running back to the pedestrian bridge, darting in and out of the cars.

We followed Vaughan back to the accident site. Hundreds of faces pressed at the windows of the cars moving down the flyover. Spectators stood three deep on the sidewalks and central reservation, crowded together against the wire mesh fence that separated the roadway embankment from the nearby shopping precinct and housing estate. The police had given up any attempt to disperse this enormous crowd. One group of engineers worked on the crushed sports car, prying at the metal roof which had been flattened on to the heads of the occupants. The passengers from the taxi were carried on stretchers to an ambulance. The dead chauffeur of the limousine lay with a blanket over his face, while a doctor and two ambulance men climbed into the rear compartment.

I looked round at the crowd. A considerable number of children were present, many lifted on their parents’ shoulders to give them a better view. The revolving police beacons moved across the watching faces as we climbed the embankment to the wire mesh fence. None of the spectators showed any signs of alarm. They looked down at the scene with the calm and studied interest of intelligent buyers at a leading bloodstock sale. Their relaxed postures implied a shared understanding of the most subtle points, as if they all realized the full significance of the displacement of the limousine’s radiator grille, the distortion of the taxi’s body frame, the patterns of frosting on its shattered windshield.

Pushing amiably between Catherine and myself on the embankment was a thirteen-year-old boy in a cowboy suit. He chewed steadily on a piece of gum, watching the last of the taxi passengers being lifted on to a stretcher. A policeman with a broom scattered lime on the blood-smeared concrete beside the sports car. With careful strokes, as if frightened of working out the complex human arithmetic of these injuries, he swept the darkening clots against the verge of the central reservation.

More spectators strolled across the common from the shopping precinct. They climbed through a break in the wire fence. Together we watched as the two occupants of the limousine were eased through the canted door of their car. Clearly the most vivid erotic fantasies would be moving through our minds, of imaginary acts of intercourse performed with enormous decorum and solicitude upon the blood-stained loins of this young woman while she lay within her car, as the members of her audience stepped forward and entered the broken compartment of the limousine, each placing his penis within her vagina, seeding the infinite futures that would flower from the marriage of violence and desire.

Around me, down the entire length of Western Avenue, along both ramps of the flyover, stretched an immense congestion of traffic held up by the accident. Standing at the centre of this paralysed hurricane, I felt completely at ease, as if my obsessions with the endlessly multiplying vehicles had at last been relieved.

Vaughan, by contrast, seemed to have lost interest in the accident. Holding his camera above his head, he pushed roughly through the spectators making their way down the bridge. Catherine watched him jump the last six steps and dart among the tired police. Her clear interest in Vaughan, her eyes avoiding my own but fixed continually on his scarred face as she held tightly to my arm, neither surprised nor upset me. Already I sensed that the three of us had yet to make the most of this crash, play its quickening possibilities into our own lives. I was thinking of the scars on my own body and on Vaughan’s, handholds for our first embraces, and of the wounds on the bodies of the survivors of the crash behind us, contact points for all the sexual possibilities of their futures.

The last of the ambulances drove away, its siren wailing. The spectators returned to their cars, or climbed the embankment to the break in the wire fence. An adolescent girl in a denim suit walked past us, her young man with an arm around her waist. He held her right breast with the back of his hand, stroking her nipple with his knuckles. They stepped into a beach buggy slashed with pennants and yellow paint and drove off, horn hooting eccentrically. A burly man in a truck-driver’s jacket helped his wife up the embankment, a hand on her buttocks. This pervasive sexuality filled the air, as if we were members of a congregation leaving after a sermon urging us to celebrate our sexualities with friends and strangers, and were driving into the night to imitate the bloody eucharist we had observed with the most unlikely partners.

Catherine leaned against the rear body panel of the Lincoln, crotch pressed against the chromium fin moulding. She kept her head away from me.

‘Are you going to drive? You’re all right, aren’t you?’

I stood with my feet apart, hands on my breast bone, inhaling the floodlit air. I could feel my wounds again, cutting through my chest and knees. I searched for my scars, those tender lesions that now gave off an exquisite and warming pain. My body glowed from these points, like a resurrected man basking in the healed injuries that had brought about his first death.

I knelt by the nearside front wheel of the Lincoln. Streaks of a black gelatinous material smeared the fender and wheel housing, marking the muddied disc of the whitewall tyre. I touched the gummy residues with my fingers. A heavy dent marked the wheel housing, the same deformation produced on my own car some two years earlier when I had been hit by a German shepherd dog running blindly across a street. I had stopped a hundred yards ahead and walked back to find two schoolgirls vomiting into their hands over the dying dog.

I pointed to the smears of blood. ‘You must have hit a dog—the police may impound the car while they have the blood analysed.’

Vaughan knelt beside me and inspected the bloodstains, nodding sagely. ‘You’re right, Ballard—there’s an all-night car-wash in the airport service area.’

He held the door open for me, his steady eyes without any show of hostility, as if calmed and relaxed by the accident we had passed. I sat behind the wheel, waiting for him to walk around the car and sit beside me, but he pulled open the rear door and climbed in with Catherine.

As we set off, his camera landed on the front seat. Its invisible silver memories of pain and excitement distilled themselves on their dark reel as, behind me, Catherine’s most sensitive mucous surfaces quietly discharged their own quickening chemicals.

We drove westwards towards the airport. I watched Catherine in the rear-view mirror. She sat in the centre of the rear seat, elbows forward on her knees, looking over my shoulder at the speeding lights of the expressway. At the first traffic lights, when I glanced at her, she smiled at me reassuringly. Vaughan sat like a bored gangster behind her, his left knee leaning against her thigh. One hand rubbed his groin absent-mindedly. He stared at the nape of her neck, running his eyes along the profiles of her cheek and shoulder. That Catherine should choose Vaughan, whose manic style summed up everything she found most unnerving, struck me as perfectly logical. The multiple car-crash we had seen had sprung the same traps in her mind as in mine.

At the north-west airport entrance I turned the car into the service area. On this peninsula between the perimeter fence and the access roads to Western Avenue was an encampment of car-hire firms, all-night cafeterias, airfreight offices and filling stations. The evening air was crossed by the navigation lights of airliners and maintenance vehicles, by the thousands of headlamps flowing along Western Avenue and the flyover. The jarring light across Catherine’s face made her seem part of this midsummer nightmare, true creature of the electric air.

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