John Banville - Eclipse

I was right again, Lily is sleeping in my mother’s room. I looked in early this morning and there she was, in the smouldering dawn light, crouched in a heap in a corner of the big bed, snoring. She did not wake up, even when I came to the side of the bed and put my face down close to hers. What a strange spectacle it is, the slumbering human. She smelled of sleep and young sweat and that sickly sweet cheap perfume that she douses herself with. Except for the scent and the snores it might have been Cass. Whole days my girl would keep to her bed, ignoring all entreaties, all reproaches. I would tiptoe into her room and lift a corner of the sheet and there she would be, like something that had crept in from the wild, stark pale and tousled, lying stiffly on her side and staring at nothing, a knuckle pressed against two bared front teeth. Then at dead of night she would drag herself up at last and come down and sit with her knees against her chest in front of the television with the sound turned off, watching the flickering images with a fixed, hungry stare, as if they were so many hieroglyphs she was struggling to decipher.

Over our nightly card games Quirke has been telling me his life story, such as it is: mother ran a pub, father drank it dry, Quirke fils sent to work at fourteen as a solicitor’s runner, been there ever since; wife, child; later, dead wife, widower. He recounts all this with a bemused air, shaking his head, as if these were things that had happened to someone else, someone he had heard of, or read about in the papers. The family home he lost through legal finagling of some kind, whether by him or another he does not say, and I do not press for details. From an inner pocket he produced a creased and yellowed newspaper cutting announcing the sale of a house by auction. “Ours,” he said, nodding. “Went for a song.” The paper is warm from being close to his chest with its womanly bubs; squeamishly, between thumb and forefinger, I hand the clipping back to him, and he studies it a moment, making that clicking noise in his cheek, then stows it and turns his attention to the cards again.

The future he seems to regard as an entirely improbable prospect, like a win of the sweepstakes, or the promise of eternal life. How long does he think I will allow him to live here, I wonder? I marvel at his equanimity. His mother knew my mother, he says. He remembers well this house when there were lodgers here, claims he was brought on visits with his Ma. He says he remembers me, too. I find all this obscurely disquieting. It is like being told of indecent things that had been done to one in sleep, or under anaesthesia. I trawled and trawled my memory and at last obligingly the deeps gave up an image that might be him, not as he would have been then but, ludicrously, as he is now, got up in a schoolboy’s outfit bursting at the buttons, with a skullcap perched on his big round head, a Tweedledum to my identically attired Tweedledee. We have been sent into the garden to play, while our mothers sit in the parlour murmuring over their tea and fairy cakes. We stand in moody silence, the man-child Quirke and I, looking away from each other and kicking holes in the lawn with the toecaps of our school shoes. Even the sunlight seems bored. Quirke treads on a slug and squashes it, leaving a long smear like snot on the grass. I would have been his senior by some years, yet we seem to be the same age. From the back pocket of his short trousers he brings out a photograph, which shows a fat girl in a cloche hat and flapper’s silks lolling on a kitchen chair with her legs wide open, insouciantly inserting a cucumber into herself; he says I can keep it, if I want, he is fed up looking at it. A thunder-head is forming in the sky above the garden. We stand with heads bent, gazing down at the picture of the girl. I can hear him breathing. “Some tart,” he says, “what?” A first fat splash of rain falls on the photo. The day is darkening like a bruise.

Is it Quirke I am remembering, really, or another, for instance that boy who was my first love? Have I mentioned him? I cannot remember his name. He lodged at our house one summer with his mother. They were English, or Welsh, maybe: I recall some oddity of accent. The mother must have been in some terrible trouble, fleeing debts, perhaps, or a brutal husband. She would spend entire days in bed, not making a sound, until my mother, unable any longer to stand the suspense, would go up to her with the excuse of a cup of tea, or a vase of roses from the garden. The boy and I were of an age, nine, I suppose, not more than ten, certainly. He was not good-looking, or striking in any particular way. He had thin, reddish hair and freckles and weak eyes, and big hands, I remember, and big, bristly, porcine knees. I adored him; I would lie in bed at night and think about him, devising adventures in which he and I joined forces against robbers and bands of Redskins. My love for him was innocent of all carnal yearnings, of course, and went undeclared; I would not even have known to call it love, would have been shocked at the word. Nor did I know if he knew what I felt for him, nor what he might feel for me, if he felt anything. One day when we were walking through the town together—I was always brimmingly proud to be seen in his company, thinking everyone was noticing and admiring us—all casually I linked my arm in his, and he stiffened and frowned, and looked away, and after a step or two, keeping up a carefully preoccupied air, withdrew his arm delicately from mine. On his last night I crept down, in a fever of sorrow already, and stood outside the door of the room he shared with his mother and tried to hear him breathing as he slept or, better still, as he lay awake, thinking of me, as it might be, and presently, to my dismay and joy, I heard from within the sound of jagged, muffled sobs, and hoarsely I whispered his name, and a moment later the door opened an inch and not his but his mother’s blotched and tear-stained face appeared in the crack. She said nothing, only looked at me, a novice in the art of sorrow, and gave a grim, shallow sigh and without a word withdrew and shut the door. Next morning they left early, and he did not come to say goodbye. I stood at my window and watched them struggling across the square with their bags, and even when they were gone from sight I could still see him, his big feet in cheap sandals, his rounded shoulders, the back of his head with its whorl of colourless hair.

We turn away from the sunlight, from the squashed slug, the dirty picture, turn back to the house, and decades flash past.

“Ever see a ghost here?” Quirke asked. “They used to say this place was haunted.”

I looked at him. He was absorbed in his cards.

“Haunted?” I said. “By what?”

He shrugged.

“Just old stories,” he said. “Old pishogues.”

“What sort of stories? “

He sat back on his chair, which gave a shriek, and squinted up into a far corner of the darkness beyond the candlelight. Now Lily was looking at him too, her mouth crookedly open a little way; I wish she would not do that, it makes her look like a retard.

“Don’t remember,” Quirke said. “Something about a child.”

“A child.”

“That died. The mother, too. Probably one of the ones that was lodging here…” He looked at me and indicated the girl and let an eyelid flicker.

“He means,” Lily said to me with ironic emphasis, “someone that got pregnant. I, of course, don’t know where babies come from.”

Quirke ignored her.

“Always queer goings-on, in an old house, like this,” he said mildly. “I’ll play the seven.”

Life, life is always a surprise. Just when you think you have got the hang of it, have learned your part to perfection, someone in the cast will take it into her head to start improvising, and the whole damned production will be thrown into disorder. Lydia turned up today, unannounced. “Well, how could I let you know I was coming,” she snapped, “since you seem to have torn the telephone out of the wall?” When she arrived I was sitting in my eyrie, scribbling away. Have I described this little room, my hidey-hole and refuge? It is at the back of the house, up three high concrete steps, and through a little arched, green-painted door that gives a queer monastic effect. I judge that the room was built on after the house was finished, as a chambre de bonne, though any maid the builder had in mind would have had to be a midget. Only in the middle of the room is there space to stand upright, for the ceiling slopes down steeply, almost to the floor at one side. It is like being in a tent, or the attic of a big doll’s house. I have a little bamboo table at which I write, and a straw-bottomed chair brought up from the scullery. At my elbow, in the end wall opposite the door, a single small square window gives on to a sunny corner of the garden. Outside, just below the window, there is a clump of old geraniums, whose blossoms when the sun is at a certain angle throw a pinkish cast across the pages of my notebook. In the mornings I clamber in here as into a diving bell and shut myself away from the Quirkes, and brood, and dream, and remember, now and then setting down a sentence or two, a stray thought, a dream. There is a distinct rhetorical cast to the tone of these jottings, inevitable, I suppose, given my actor’s training, yet often I catch myself speaking the words aloud as I write them, as if I were addressing them directly to some known and sympathetic ear. Since I found out that the Quirkes are living in the house I have been spending more and more of my time here. I am happy, or happiest, at least, in this sealed chamber, suspended in the tideless sea of myself.