Michael Chabon - Telegraph Avenue

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Telegraph Avenue: краткое содержание, описание и аннотация

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As the summer of 2004 draws to a close, Archy Stallings and Nat Jaffe are still hanging in there—longtime friends, bandmates, and co-regents of Brokeland Records, a kingdom of used vinyl located in the borderlands of Berkeley and Oakland. Their wives, Gwen Shanks and Aviva Roth-Jaffe, are the Berkeley Birth Partners, two semi-legendary midwives who have welcomed more than a thousand newly minted citizens into the dented utopia at whose heart—half tavern, half temple—stands Brokeland.
When ex–NFL quarterback Gibson Goode, the fifth-richest black man in America, announces plans to build his latest Dogpile megastore on a nearby stretch of Telegraph Avenue, Nat and Archy fear it means certain doom for their vulnerable little enterprise. Meanwhile, Aviva and Gwen also find themselves caught up in a battle for their professional existence, one that tests the limits of their friendship. Adding another layer of complication to the couples’ already tangled lives is the surprise appearance of Titus Joyner, the teenage son Archy has never acknowledged and the love of fifteen-year-old Julius Jaffe’s life.
An intimate epic, a NorCal
set to the funky beat of classic vinyl soul-jazz and pulsing with a virtuosic, pyrotechnical style all its own,
is the great American novel we’ve been waiting for. Generous, imaginative, funny, moving, thrilling, humane, triumphant, it is Michael Chabon’s most dazzling book yet.

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“Your father,” Flowers began. He paused, ordering his next words, putting them through their paces before he set them loose in the room. “Your dad has been trying to blackmail me,” he went on, keeping his tone light, amused by the idea. “Over something that happened a long time ago, that no one even cared about at the time, to somebody no one remembers. Been skulking around from rathole to rathole. Leaving scurrilous messages. Spreading scandal and lies.”

“Scandal, maybe,” Luther said. Shake of the head, going jowly, trying to match his old friend’s affectation of amusement with a show of moral severity every bit as unconvincing. “Not lies.”

“Naturally, I have a problem with this behavior,” Flowers went on, ignoring Luther, making his case directly to the appointed mediator, who was already five minutes past regretting having gotten mixed up in this shit in the first place, even though he knew that the choice not to get himself involved would, in the end, have proved just as big a pain in the ass. “But given the nature of the accusation, I haven’t felt—yet—that it would necessarily help clarify the situation to call in my good friends at OPD.”

“I hope you do,” Luther said. “I would love to tell them all about you.” He looked around, seeing if somebody might give him a high five, pound his fist. But it must have been looking right then like a pretty tough room.

“Let him say his piece,” Flowers suggested to Archy, speaking through the interpreter, “after I say mine.”

“Shut the fuck up,” Archy told Luther.

Luther shrugged, clapped one of his big paws to his mouth, Black Bolt holding back a fatal syllable. Scattered his limbs farther and looser in his chair.

“Even though I have been tied up with a number of other important matters,” Flower said, “I’ve also been trying to dig this man up out of whatever hole he was hiding in so I could bring him here, sit him down in front of me, and make him at least look me in the eye while he was trying to shake me down.”

“Here I am,” Luther said, knitting himself together, sticking out his jaw, as if being here were all his idea, a man of integrity walking the lonely path of truth and honor. When really he had been turned over like a worm on the blade of a trowel. “And I ain’t threatening you with nothing, Chan. What did I ever say, what note or message did I ever leave, besides, basically, the gist was, if you don’t want to help out your oldest friend, a man who been working so hard to clean himself up and get himself back on his feet, what’s that say about you? Which,” turning to Archy, “is more or less the message I been trying to convey to you, too.”

“Yeah, whatever,” Archy said. “Convey all you want, I’ll stamp it ‘Return to Sender’ every motherfucking time.” He turned to Flowers. “This is about that dude that got shot back in the seventies? Do I have that right? At the Panther bar, what was it, the Bit o’ Honey.”

“His name was Popcorn Hughes,” Flowers said. “He was a gangster, a cheap, ignorant, worthless East Oakland pimp. Wound up right where he was supposed to, a year, maybe two, ahead of schedule.”

“And you’re the one who hurried him along.”

“I had no reason to want to hurt the man,” Flowers said carefully.

“He was trying to make his mark,” Luther said. “‘Establish the legend.’ Impress Huey Newton. See, Huey, when he wants somebody gone, he knows all he has to do is wish it out, loud and clear. Like Peter O’Toole, what’s that movie?” Arranging his features into a kingly scowl, busting out a fairly respectable O’Toole. “‘Will nobody rid me of this troublesome priest?’ Chan the Man’s standing right there to make old Huey’s wish come true.”

It was not easy to read the face of Chandler Flowers. He had long since, years ago, composed its features with the same care that he had brought to interweaving the dead fingers of Cochise Jones. If you were telling him a joke or a sad story, he would smile as need be or incline his head in sympathy. Mild amusement, ready understanding. Archy had never seen anything in that unreadable fist of a face like he was seeing now. It might have been pain or regret. Maybe it was only wistfulness. His eyes were a pair of shadowy tunnels boring deep into the mountain of the past.

“‘Establish the legend,’” he said almost fondly. “That does sound like me at the time. I will give you that.”

“Ready, willing, and able to do whatever you needed to do, not to have to end up right where you are now. Whatever was the opposite of this.” Luther opened the compass rose of his right hand to direct their attention to the zones of irony all around them. “The opposite of what Chandler the Second wanted you to do. Shining on going to college. Dating white girls. Enlisting in the navy as a common seaman. Joining the Black Panther Party.”

Flowers crinkled his eyes with pleasure, enjoying the memory of the industry he had shown in scandalizing his father. He started to laugh, a scattering of droplets on a hot skillet, sounding like his nephew Walter. “That is the truth,” he said. “You got that right.”

“Trying to give your old man a epileptic seizure,” Luther said, keeping a straight face around the edges of which laughter leaked like light around a door. “Infarction of the heart.”

“I did my best,” said Flowers.

“‘You’re a stain on the name!’” Dusting off, like an old side of vinyl, the tight-assed, stuffy-nosed voice of some long-dead black man, putting it on. “‘Chandler Bankwell Flowers, you are a stain on the name!’”

“A stain on the name, good God, I totally forgot he used to—”

“Surprised you never tried turning faggot,” Luther said. “That would of done it real quick.”

The silence that followed this declaration, while nanometric, was abrupt and revelatory.

“Uh,” Archy said, feeling his cheeks flush, but Flowers’s face had resumed its folded-hands composure. “So, what, were you both in the Party, or…?”

“Nah, that was his bullshit,” Luther said. “I didn’t want no part of that business. I just went along for the ride.”

“Oh, yeah, okay. Because you are so opposed to bullshit ,” Archy said. “You and bullshit, strangers to each other.”

“It was all a long time ago,” Flowers said, and in his voice there was a nasal, seddity echo of Luther’s impersonation of Chandler the Second that had, Archy realized, been there all along. “Water under the bridge.”

“Yeah?” Luther said, playing with the man, enjoying the company, Archy would have said, of his old running buddy. “Why you still so worried, then?”

Placid, leaning back, hands folded over the convexity of his abdomen in a weird echo of the way he posed his dead men, Flowers said, “I’m not worried, Luther.”

“Then why’d you change your mind about Dogpile? All of a sudden. The minute I go around, pay a visit to Gibson Goode, suggest that he ask you what happened to Popcorn. How come you threw in with Dogpile, then?”

“I’d like to hear the answer to that one,” Archy said.

Flowers just smiled that unreadable smile, forged in the fire of a hundred sessions of the Planning Commission, people popping up all around Hearing Room number 1 to ask the unanswerable, demand the undeliverable, give vent to the unassuageable.

“I told you my reasons, Archy, the other day when we spoke. I realized that however much personal love and loyalty I might feel toward that beautiful store of yours, not to mention all the history it contains—black history, Oakland history, neighborhood history, my history—it was selfish of me to oppose Mr. Goode. A Dogpile Thang is an opportunity for the community as a whole. Now. Today. In the present moment. Not to mention, and now I’ll be honest, an opportunity for some people near and dear to me, too, such as my sister Candida’s youngest son, my nephew Walter, in all his rack and ruin. An opportunity for people such as yourself, if I’m not mistaken.”

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