Claire Watkins - Battleborn

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Battleborn: краткое содержание, описание и аннотация

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Winner of the 2013 Story Prize Recipient of the American Academy of Arts and Letters 2013 Rosenthal Family Foundation Award Named one of the National Book Foundation’s “5 Under 35” fiction writers of 2012 NPR Best Short Story Collections of 2012 A
,
, and
Best Book of the year, and more… Like the work of Cormac McCarthy, Denis Johnson, Richard Ford, and Annie Proulx,
represents a near-perfect confluence of sensibility and setting, and the introduction of an exceptionally powerful and original literary voice. In each of these ten unforgettable stories, Claire Vaye Watkins writes her way fearlessly into the mythology of the American West, utterly re-imagining it. Her characters orbit around the region’s vast spaces, winning redemption despite—and often because of—the hardship and violence they endure. The arrival of a foreigner transforms the exchange of eroticism and emotion at a prostitution ranch. A prospecting hermit discovers the limits of his rugged individualism when he tries to rescue an abused teenager. Decades after she led her best friend into a degrading encounter in a Vegas hotel room, a woman feels the aftershock. Most bravely of all, Watkins takes on—and reinvents—her own troubled legacy in a story that emerges from the mayhem and destruction of Helter Skelter. Arcing from the sweeping and sublime to the minute and personal, from Gold Rush to ghost town to desert to brothel, the collection echoes not only in its title but also in its fierce, undefeated spirit the motto of her home state.

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Here we are in my bedroom, just come home from a concert. We are made of clay and our limp limbs are clandestinely pinned in place with toothpicks. We’ve been to see a band whose music was frantic and heartsick and whose lead looked so much older than the last time either of us had seen them that we couldn’t help but grow a little older ourselves as we listened.

Dawn is pressing lightly to the cellophane window beside the bed. My yarn hair is tangled, and if you look closely you can see a slight sweat sheen on us both. I am lying on my back on the handkerchief bedspread, wearing tall red heels that have been hurting my feet. They are Barbie shoes painted with careful strokes of ruby nail polish. Ezra sits at the foot of the bed with my foot in his lap. He is bent over, unclasping the tiny-toothed buckle at my ankle. When he is finished with this shoe he’ll remove the other, then run a finger softly over the place where that strap cut into my ankle. His hands will cup the belly of my calf, make their way up underneath my dress. We’ll make love. Afterward he’ll say, I know I’m a pain in the ass. I’m sorry . I’ll kiss his chest and say, Tell me you’ll be true. I can’t, he’ll say. You know that . But in the diorama he hasn’t said this yet. In the diorama we are frozen, his head bent, his sweet mouth gathered in concentration, his ossified clay fingers fumbling softly at my aluminum-foil buckle. I call it Man Removes Shoe .

In this one, we are papier-mâché in a restaurant alongside the Truckee. We sit at a dollhouse table on a Popsicle-stick patio stretching over a river of blue and green tissue paper, its crinkled rapids daubed white with foam. A shapely decanter of red wine stands in the center of the table, near empty. We have ordered a meal consisting entirely of appetizers. See the card-stock plates crowding the table. See the remnants of colored-pencil anchovies, prosciutto, bruschetta, oysters, soft white cheese coated with candied nuts, a gutted half round of once-warm bread. We smoke cigarettes rolled from wisps of cotton, and his fingers are sunk deep into my hair of soft felt. He is openmouthed, laughing that laugh of laughs. I am thinking, I would do anything to make you laugh . I call it Us at Our Best.

• • •

Ihadn’t talked to Ezra in six weeks, and I hadn’t had my period in at least eight. I took a test, then another. I called Carly.

When I told her she said, “That’s fantastic!” and meant it.

I said, “Go fuck yourself.”

When Carly came over that night I was in the bathtub and had been for some time. She set the Miracle on the floor. The turnip sprout was ornamented with a blue velvet bow that perfectly matched her blue velvet dress.

I handed the Miracle the cardboard core of a toilet paper roll, which she accepted grudgingly and inserted into her mouth. “Is that her birthday outfit?” I asked, though I knew it was. I’d been at the party.

Carly said, “Have you told him yet?”

“Please don’t start in on me.”

“You need to.”

“Why? I know exactly how it’s going to go: ‘We fucked up.’ ‘Oops. Here’s four hundred dollars.’”

“He won’t say that. He’s a good person.”

“No, he’s not. And I know you know that.” I reached for a peanut butter cup. “You should be ashamed of yourself, contributing to the romantic delusions of an unmarried woman with child.”

She leaned down and placed her hand under the Miracle’s chin. She said, “May I have that?” The baby allowed a wet shred of cardboard pulp to drop from her mouth to her mother’s palm. Carly said, “Thank you,” and the Miracle said, “Thank you!” Carly recrossed her legs and looked around.

“No wine tonight,” she said. “No cigarettes. No pot. That’s a good sign.”

“It doesn’t mean what you think.”

“Tell him first, Nat. It’s the right thing to do.”

I sat up in the tub and extended my hand to my niece. I wanted her to grab hold of my index finger, wield for me some of that heartening babystrength. I wiggled my fingers at her. She regarded my hand and went on gnawing the tube, perturbed. The Miracle has dignity bordering on cruelty.

“I’m waiting,” I said.

“For what?” asked Carly.

I eased back into the water. “I want there to be something else to say.”

• • •

Iused to tell Ezra that I knew no man’s touch before his, that I was conjured up on this Earth for him, my virgin flesh materializing among the video poker machines in the back of that bar on Fourth in the same heavenly instant he walked through the door. We used to laugh about this. But before Ezra there was Sam. Poor, good Sam.

Sam and I once had a baby, technically. He wanted to have it and I didn’t. Sam said he would support me, whatever I decided, which he did. Of course he did. This was maybe three months before I met Ezra and left Sam for him.

Sam sat in the waiting room for six hours. That’s how long it takes, though the procedure itself lasts less than ten minutes. He and I arrived at the facility early in the morning, as we’d been instructed. The building was unmarked and located across from the Meadowood Mall, on the Sears side. We were buzzed in through two sets of bulletproof doors. In the waiting room Sam hugged me, then kissed me, then hugged me again. I went back and joined the other women.

All of them were white and teenagers or close to it, younger than me anyway, except one, who was black and considerably older, forty or forty-five. I was the last to arrive, and I’d passed all those teenage girls’ fathers in the waiting room. There wasn’t a mother in the whole place.

Except for when she was summoned by a nurse, the black woman talked on her cell phone ceaselessly. To a friend, I gathered. Not the father. She narrated everything we did. I hated her for this. I felt protective of the younger girls, perhaps, though I did nothing to act on this feeling. But her insipid narrating soothed me a little, too, because it had the effect of casting the facility in a less exceptional light, like the lobby of a bank or a chiropractor’s office, not a place where one looked for some kind of meaning, which it was certainly not. I thought this was good for the younger girls to see.

The black woman told how one by one we all filled out a stack of paperwork and got blood tests and watched a video regarding our rights. She read aloud the Adrienne Rich quote on a poster in the room where we waited. She repeated the selection of pain medication offered to us on a tiered scale. For an extra hundred dollars we would be provided two substantial caplets of Vicodin. For a hundred and fifty we could be outfitted with a mask delivering a dose of nitrous oxide, which, we were told, smelled and tasted a little like bubble gum and would render us barely conscious during the procedure. These offerings, we were informed, could not be combined, but they were included in addition to a local anesthetic, which we would each receive at no extra cost, and which would be injected directly into the cervix immediately before the procedure. We were invited to consider these options in light of our individual needs and our budgets. Of course, if we wished, we were free to choose none at all. I chose none. I told myself it was because I was broke. At the time I mistook suffering for decency.

The black woman told whoever how one by one we all got Pap smears and pelvic exams. How the staff did an ultrasound on each of us, and asked if we wanted a copy of what we saw there. I said I did, mostly because the heavy woman operating the device seemed so pleased to be able to offer it. In the image there were white brackets around a dark space. That’s all. Later, I put it in my glove box and did not look at it again. I never showed the image to Sam, though I knew what it would have meant to him. Being with Sam was like standing atop a small hill and seeing my whole fine life unfurled in front of me like prairie.

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