Chang-Rae Lee - Aloft

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Aloft: краткое содержание, описание и аннотация

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At 59, Jerry Battle is coasting through life. His favorite pastime is flying his small plane high above Long Island. Aloft, he can escape from the troubles that plague his family, neighbors, and loved ones on the ground. But he can't stay in the air forever. Only months before his 60th birthday, a culmination of family crises finally pull Jerry down from his emotionally distant course.
Jerry learns that his family's stability is in jeopardy. His father, Hank, is growing increasingly unhappy in his assisted living facility. His son, Jack, has taken over the family landscaping business but is running it into bankruptcy. His daughter, Theresa, has become pregnant and has been diagnosed with cancer. His longtime girlfriend, Rita, who helped raise his children, has now moved in with another man. And Jerry still has unanswered questions that he must face regarding the circumstances surrounding the death of his late wife.
Since the day his wife died, Jerry has turned avoiding conflict into an art form-the perfect expression being his solitary flights from which he can look down on a world that appears serene and unscathed. From his comfortable distance, he can't see the messy details, let alone begin to confront them. But Jerry is learning that in avoiding conflict, he is also avoiding contact with the people he loves most.

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I recount this with less nostalgia than a kind of wonder that we played the game at all, though at that moment in the jostling ambulance with the sirens wop-wopping and the sturdy EMS gal barking in Brooklynese his sorry vitals ahead to the ER, when it was clear that this was Pop's last careen on our side of oblivion, I thought for sure that I heard him try to drawl some avuncular sobriquet to me through the misty oxygen mask, some snigger to of Jerry-boy to check out the lushly ample hindquarters of the lady paramedic. But it wasn't that, of course, rather the muffled gasp of a death throe, in equal parts pissed and terrified, punctuated by his grasping my hand so tightly that I had to squeeze back as hard as I could to make him relent, actually crackling the little bones in his hand. Pop then kind of wailed and the butch paramedic possessed of these huge caramel-brown eyes noticed us holding hands and said with a fatalism and tenderness that walloped me deep in the chest, "It's really all we got, huh?"

I guess I blurted a yeah, not thinking much about what she was referring to, and it's only now, a few weeks later, when things have settled down and I'm finally up here again in sleek Donnie, Theresa serving as my copilot, cruising at a smooth altitude above this familiar patch of planet, that I'm able to peel away to the fuller meanings.

I should note without further delay that Pop has not been lowered into the ground, or sifted into an urn, or shelved away in a granite wall cabinet, nor is he otherwise in any way closer to the netherworld than he was when rescued from the Ivy Acres ground cover, but ensconced in the lap of Jack and Eunice Battle luxury, bain en suite, satellite TV clicker and walkie-talkie in hand, so he can squawk down to Rosario and order up a Bloomin' Onion or other microwave treat whenever he feels a lonely hollow in his gut. He is convalescing in style after the combination heart attack and mild stroke (an extremely rare occurrence, we're told, both to experience and then survive, particularly with no extreme ill effects). Eunice I hear has been especially solicitous, turning down his bed herself while he receives his daily bath from the hired home nurse (female, un-tattooed), and then fans out the dozen or so journals and magazines she replenishes weekly for him on the west end of the king bed, pillows fluffed and propped, the forever-blab of Fox News on the big tube awaiting his scrubbed pink return. Jack, too, is being extra helpful, keeping Pop up at night with a special subscription to an adult channel, his favorite program being the Midnight Amateur Hour, in which we are introduced to the porn star aspirations of excruciatingly ordinary middle-class folks, one couple Pop swears featuring the head cook at Ivy Acres. Even I have been going over there every other day, bearing gifts of guilt-larded fruit like biscotti and Sambuca and twine-wrapped soppressata or other such items that might bolster his memory of another time in his life when things weren't any better or worse but when at least most of his family and friends were still alive. Maybe it should be no surprise that it takes a serious brush with death to really land oneself in Nir-vana, which in this case for Pop — and soon enough me, soon enough you — is a convening of family predicated not so much upon either obligation or love as on a final mutual veto of any further abandonment.

And if family is the "it" the ambulance gal was talking about, the all-purpose F-word for our times, really all we got, like anybody else I'm not sure whether that's an ultimately heartening or depressing proposition, though perhaps that's not the point. I will confess that at the very moment I thought Pop was a goner, kicking the bucket, croaking for good, I didn't much feel love for him, even as I had love; I felt intellectually sure, is what I'm saying, which is no excuse. What this might suggest about families in general or ours in particular or just sorry old me is that while prophets tell us we're innately bestowed with enough grace to convey righteousness and bliss to entire worlds (much less one person), we mostly don't, at all, just pure potential that we are, just pure possibility. And the people who most often witness and thus endure the chasm between our exalted possible and our dreary actual are the ones we in fact love, or should love.

This is why Pop is in fact so lucky now, so very lucky, which has nothing to do with his being alive. (We're all alive, aren't we?) And for a host of reasons I doubt this attention lavished on Pop will be duly lavished on me when my time comes due, the primary one being that unlike Pop I'll probably be pushing hard for special treatment, and thus receive none in return. I should wise up and probably start getting chummier with Jack's (and eventually Theresa's) kids, besides just appearing in the doorway of their double-height foyer with the Disney video-tape of the week, waving it like Fagan might a piece of bread above the dancing urchins. In addition I can't bear to tell Pop that his only grandson and bearer of the Battle Brothers torch will soon have to relinquish several lifetimes of accrued capital for a final grand blowout liquidation sale, which even then won't cover the various notes come due. I can't bear to tell him that our sole recent investment in the property is a fix for the section of cyclone fence that one of the guys accidentally ran through a few years ago with a backhoe, and only because Suffolk National Bank ordered us to secure the grounds and garage.

Richie Coniglio tells me that Battle Brothers will be pretty much stripped, but assures that Jack himself will be safe, if safe means still owning the big house and big cars but no longer possessed of the salary to maintain it for too long.

Lately Theresa has been accompanying me on my visits to her brother's, and to my happiness has been exceedingly warm toward him and Pop and also toward Eunice, who has taken the news of Battle Brothers' demise quite hard. After Pop had his trouble Jack suddenly came clean and opened the books to her, and apparently for a week or so she didn't do anything different, quarterbacking the household offense as always with Rosario blocking upfield, picking through the various ladies' lunches and kids' pool parties with that austere English-German efficiency, even audible-izing an impromptu single-malt scotch tasting at the country club followed by a raclette party back at the house. But then the next day while waiting to pay at Saks, somebody allegedly nudged her and she pretty much freaked and actually started singing a pop song, quite loudly, all of which she couldn't remember, and then bent all her credit cards in two and had to be escorted out to her Range Rover by mall security. She's been seeing a counselor twice a week since, and appears to me to be calmly, perfectly okay, though perhaps calmly, perfectly okay is a worrisome drop-off for someone accustomed to rolling forth at full throttle and being all-time 4WD-engaged. Though we don't know whether she is on medication, Theresa has recognized the imbalance as potentially serious, and has taken her, without a whiff of irony, on a couple let's-just-be-girls outings, including a longish session at the fancy new Korean nail salon on Deer Park Avenue and an even longer one at the all-you-care-to-eat Brazilian meat palace, where at least Eunice thoroughly ruined her manicure clawing and gnawing on char-grilled short ribs and baby backs.

Theresa, I'm sure, practiced her current form of all-you-care-to-eat, as she did earlier this afternoon at the marina restaurant near Bar Harbor where I ordered us each a two-anda-half-pounder with drawn butter and dinner rolls, she barely touching her meal. We're heading back now along the seaboard, our flight path taking us past the southern beach suburbs of Boston and over Buzzards Bay, to cross the Sound at its wide mouth and then follow the northern shoreline of the Island, until the final turn to MacArthur Field. Having Theresa along is an unusual circumstance, and one she initiated. In fact, I'd normally never fly on a day like this, when the weather, although supremely fine on the journey up, holds the chance for an inclement change. At present, we're approaching the start of the Cape and I can see far off in the distance and probably still southwest of New York City the broad white cottony mass of the approaching system, nothing like dark thunderheads fortunately but to this exclusively fair-weather flyer material stuff all the same, and a sight I've never seen, at least from up here.

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