Chang-Rae Lee - Aloft

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Aloft: краткое содержание, описание и аннотация

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At 59, Jerry Battle is coasting through life. His favorite pastime is flying his small plane high above Long Island. Aloft, he can escape from the troubles that plague his family, neighbors, and loved ones on the ground. But he can't stay in the air forever. Only months before his 60th birthday, a culmination of family crises finally pull Jerry down from his emotionally distant course.
Jerry learns that his family's stability is in jeopardy. His father, Hank, is growing increasingly unhappy in his assisted living facility. His son, Jack, has taken over the family landscaping business but is running it into bankruptcy. His daughter, Theresa, has become pregnant and has been diagnosed with cancer. His longtime girlfriend, Rita, who helped raise his children, has now moved in with another man. And Jerry still has unanswered questions that he must face regarding the circumstances surrounding the death of his late wife.
Since the day his wife died, Jerry has turned avoiding conflict into an art form-the perfect expression being his solitary flights from which he can look down on a world that appears serene and unscathed. From his comfortable distance, he can't see the messy details, let alone begin to confront them. But Jerry is learning that in avoiding conflict, he is also avoiding contact with the people he loves most.

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"Well, everyone tells me I'm a privileged guy," I say, without the scantest levity or irony.

This doesn't intimidate Patterson, certainly, but I can tell he is beginning to plot out the best course for himself, trying to cal-culate whether he ought to toe the company line and say nothing more or maybe turn a little state's evidence right here and now, see if he can't ride the fine middle course and slip through this thing without any serious damage. I'm wondering, too, whether this might be one of those moments that I as an American of obvious Southern Italian descent might take advantage of (given the cultural bigotry/celebration concerning certain of our neighborhood associations), and suggest to Patterson that he'd do well to tell us whatever we want to know, lest the firm of Whack, Rig & Pinch arrange a special late-night deposition for him, dockside or alleyside or maybe right in the garage of his Cold Spring Harbor colonial, when he's just about to roll out the garbage container to the street. I really shouldn't, in deference to Pop, who can't stand any such talk, despite and perhaps because of the well-known fact that the Battaglia brothers got their start paving and walling the properties of certain connected guys at their second-home mansions in Brookville and Lake Success, but I warn Patterson he'd better start plain "wising up," and "stop being such a punk." Patterson now clears his throat again and says, "Unfortunately the two people involved clearly intended to leave the campus. They took specific measures."

"Like what?"

Patterson ahems. "One of them ground up three bottles of sleeping pills and mixed them into a milkshake at a diner, where he was found dead in the men's room. The other was a woman who took our shuttle to the mall and shopped for most of the day. But instead of returning on the bus she somehow made her way up to the roof and jumped off the top of Saks."

"Christ.."

"Besides those instances, Mr. Battle, we've had only success.

Now, you wanted to know what we're doing about finding your father. The police have been notified, of course, and we've also hired two private investigators, who are out searching for Mr.

Battle right now The lead investigator called me as I drove in, and so far they can confirm a sighting of an older man of his description."

"Where?"

"At the Walt Whitman Mall. In fact this very morning. A security guard apparently escorted him out, as he wasn't appropriately dressed."

"Escorted him out where?"

"Just out. I asked this, too, but the guard didn't note where the man went."

"Did he say what the man was wearing?"

"I believe it was trousers and a pajama top."

"Fucking great. That was Pop."

Paul says, "At least he was fine as of this morning, which means he got through last night on his own."

"It's a whole other night tonight," I say, thinking how good

it is that Jack is driving up and down the Nassau-Suffolk border scouring every park and playground and strip mall for his grandfather. As I've noted, the thing about Jack is that he has never been in the least lazy in his life; I can't remember an instance when I asked him to clean the gutters or shovel the driveway or set the dinner table and had him groan or shuffle his feet or do anything but get on the job, the same as if I'd suggested that we throw a football around, or maybe go to Shea Stadium, which we did only once, when a customer of mine gave me a couple of playoff tickets in 1973 (Jack was thrilled because he got Rusty Staub's autograph). Jack's trouble has been of course that he tends to respond not wisely but too well, like a cricket that jumps whenever you touch him; it doesn't matter that he might be perched on the edge of some chasm. This is not my way of intimating once again that I think Jack isn't the bright-est bulb on the tree, because even if that were true it doesn't matter in the least. Let's face it, for most of us in this more-than-okay postbellum Western life, smarts really don't count for a tenth as much as placement and birth, the particular tra-jectory of one's parturition, and if there's a genuine flaw to Jack's character it's no secret he gets too focused and purposeful for anybody's good, and especially his own, for it would never occur to him to lift the hatch and just bail out before the groundrush stops everything dead.

"Maybe Jack will find him," Paul says, as usual reading my mind. "I'll call and let him know about Pop being sighted at the mall."

He doesn't know Jack's cell number (nor do I), so he takes my phone outside the building to speed-dial him while I reacquire Patterson, who appears a bit sodden all of a sudden, like he's just come off a chartered fishing boat on a chilly, mist-spritzed day, like he'd pretty much give anything to get back home and pull on his flannel pajamas and crawl into bed. And though in fact I have zero interest in suing anybody ever, and can't think of what else to have him do save piss away his time keeping me company while I fret about Pop in my backslidingly diffuse and scattered manner, I say, anyway, "You're going to make this come out right, Patterson, or I swear once my attorney gets busy you'll be lucky to run the nut-and-candy cart at Roosevelt Field."

To this Patterson is mum, his lower lip pressed up tight against his half-exposed top teeth, so that he looks like a big bald, worried rodent, and I'm ready for whatever sweet load of sunshine he's going to try to blow up my ass, thank you very much. But presently Paul appears in the doorway, and then Jack, bearing what looks like a pile of dirty laundry in his arms, laundry with sneakered feet. I realize he is carrying Pop, wrapped up in a soiled — and very smelly — bedsheet.

"Pop. ."

"He's not dead," Jack pronounces, evidently responding to my expression.

Pop moans with trenchant exasperation, as he always does.

He's alive.

"He's pretty out of it," Jack says, laying him down on the bed. The top of the sheet flops down, revealing Pop's face, which is sunburned and badly peeling. "He told me he didn't sleep for two days."

"Where did you find him? At a mall? A park? Not at Starbucks. ."

"Right outside here," Jack says. "I was parking the truck and I saw something move in the pachysandra by the duck pond."

"What the hell do you mean?" I turn to give Patterson a look, but he's already gone, yodeling something from the hallway about finding the house doctor.

"He was back over there, where that other section of the home is."

"Transitions," I say, picturing him grimly looking in at Bea from the window.

"He's probably very dehydrated," Paul says. "And in shock."

Jack says, "I pinched his skin, and it's pretty bad. I asked him and he said he had been drinking water. But I didn't see any bottles. Maybe from the sprinklers. Or the duck pond."

"Oh Jesus," I say. "Is Patterson getting a doctor?"

"I'll go find him," Paul offers. He runs out, leaving the three of us in the room, posed like in one of those neo-Classical deathbed paintings, the acolytes deferentially arrayed at the great man's torso, his mouth twisted in the last mortal coils of agony, his eyes cast upward to the Maker.

"Can you two give a guy a little room here?" Pop hoarsely blurts out, hacking up some very gluey spit. Jack cups his chin with a tissue and Pop spews it out. "And instead of trading all your medical theories, how about a goddamn glass of water?"

While Jack fetches one from the bathroom, I try to take the dirty sheet from him, but he won't let me.

"Come on, Pop, it's filthy. And so are you."

"I like it this way."

"You smell like cat piss. And other things."

"I don't care. It makes me feel alive."

Jack gives him two glasses, and he bolts both down, which is probably not ideal, and hands them back to him for more.

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