Chang-Rae Lee - Aloft

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Aloft: краткое содержание, описание и аннотация

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At 59, Jerry Battle is coasting through life. His favorite pastime is flying his small plane high above Long Island. Aloft, he can escape from the troubles that plague his family, neighbors, and loved ones on the ground. But he can't stay in the air forever. Only months before his 60th birthday, a culmination of family crises finally pull Jerry down from his emotionally distant course.
Jerry learns that his family's stability is in jeopardy. His father, Hank, is growing increasingly unhappy in his assisted living facility. His son, Jack, has taken over the family landscaping business but is running it into bankruptcy. His daughter, Theresa, has become pregnant and has been diagnosed with cancer. His longtime girlfriend, Rita, who helped raise his children, has now moved in with another man. And Jerry still has unanswered questions that he must face regarding the circumstances surrounding the death of his late wife.
Since the day his wife died, Jerry has turned avoiding conflict into an art form-the perfect expression being his solitary flights from which he can look down on a world that appears serene and unscathed. From his comfortable distance, he can't see the messy details, let alone begin to confront them. But Jerry is learning that in avoiding conflict, he is also avoiding contact with the people he loves most.

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"Jack said that?"

"I'm quoting verbatim," she says, unwistfully. "But he said he was scared, too. And I guess still angry, though he didn't really understand why. You can imagine what a bizarre and sexual sight it was for him. So he's just standing there watching her, and he realizes all the pool floats have been taken out of the water. The tubes and the swan raft and then that big pink doughnut she always used."

This was true, and something I didn't really think about when I got home. I'd assumed the pool had been cleared out by the cops or ambulance people, though it was an odd sight to see all the floats neatly lined up on the concrete deck, like the audi-ence for a swim meet.

"So what did he do?" I ask.

"He said he ran," Theresa answers. "He just ran out of the house, as fast as he could. He went to the playground, he was so scared, and went on the swings, for like an hour."

"Oh, Jesus, Jack."

"So when he finally comes home it's all over. He knows exactly what's happened. The driveway's full of police cars and fire trucks and the ambulance, with its lights going. That's what I remember."

"Why didn't he say something?"

"I'm sure he thought he was responsible."

"I guess so," I say, remembering now how he kept asking if little kids were ever sent to jail.

"But of course nothing happened to him. And then you were so efficient afterward."

"What? Because I had her cremated? That's what Daisy wanted, you know."

"I didn't know, no," she says, finally a little bitterly. "And I'm not talking about cremation. I'm talking about how you managed everything so quickly after that. I mean, come on, Jerry.

It was a world speed record for goodbyes. I didn't think it then but it was like a freak snowstorm and you shoveled the driveway and front walk all night and the next day the sun comes out and it's all clear, all gone. And then the fact of our not even being allowed inside the funeral parlor."

"You were there, but Nonna kept you two in another room."

"Yeah, Jerry, I know. We sat in the back of an open-casket wake."

"Jesus. I didn't know that."

"I'm sure you ordered her to keep us away."

"I didn't say to go to somebody else's funeral! Anyway, don't you think that was the best way? You were little kids, for chrissake. I don't care what anyone says. Kids don't have to mourn.

And now that I know what Jack saw and had to deal with, all the better."

Theresa turns to her window. "You're probably right," she says, after a while, and tries to smile. Genuinely. I try to smile back. But none of it's any real solace to me. For I could say that I'm still reeling, that I've not yet begun to process all this new information, but that would pretty much be an outright lie.

Wouldn't it? Not because I had any knowledge that Daisy's death wasn't wholly an accident, because I didn't, but you'd have to be a complete innocent (or maybe a kid) to imagine such a thing not happening, that her drowning in the pool wasn't somehow foreseeable, given the way she was raging and downfalling and the way I was mostly suspended, up here before I was ever up here. And if any part of what I'm saying is confessional, it's not re: Daisy but rather the kids, who I knew years earlier would almost certainly end up witnessing some excruciatingly awful moment.

Outside the air is getting a bit choppy, the d-dump d-dump as if we're cruising in a speedboat on a rippled-surface lake, the meter even and steady. I can see the weather coming together maybe 50 miles directly ahead of us, not thunderstorms, thank goodness, but odd high-hung batons of cottony haze, odd because you'd normally encounter such a thing in the early morning before the sun rose and burned it off but rarely if ever now, in midafternoon in late summer. Because of the change in weather I've called MacArthur for an instrument approach, the new routing duly given, and taken us down to 5000 feet, and we've just flown over Westerly, Rd., passing over the mouth of the Pawcatuck River, and are now approaching Mystic and Noank and will fly along the northern shore of Fishers Island right down the line to Plum Island and then Orient Point, tracking in along old Route 25, hitting Southold and Cutchogue and Mattituck before buzzing the big outlet mall at Riverhead, where I'll pick up the Expressway and take it on in before banking south for my home field, the route so ingrained in my head and hands that I could probably fly it at night with shot gauges, just the long ropes of the car lights to serve as my guide.

But now the turbulence ramps up, the invisible pockets hitting us hard and fast (like speed bumps in midair), the up and down severe enough that I tell Theresa to tighten her seat belt and brace herself, just not on her control wheel. It's raining on us now, or better we're in it, and I hope like heck that we're not heading into a so-called embedded thunderstorm, surprise shit that no pilot wants ever to see. I glance over and Theresa's curled up a bit, and I can see she's already a little green about the gills, that sloe-eyed open-mouthed pant. I reach back behind her seat to where I keep the coffee bags for getting sick in and hand one to her. To my surprise she immediately retches into it, not a lot, because she didn't eat any lunch, but enough to make me worry that it's not solely airsickness. She folds it up and wipes her mouth with the back of her hand.

"You okay?"

"Yeah," she answers, leaning her head against the window.

"I'll be fine."

"We don't have long to go," I say, "but it might get rougher."

She half-smiles and gives me a thumbs-up full of irony and goofiness and cool, and for a mostly happy instant I think I can see almost every one of us in her, Battles and Daisy both. But suddenly I feel she's very young and I'm very old and I can't believe I've ever allowed her to come up here. For a while I considered keeping a parachute in the back for Rita but she hated the idea and now I'm wishing like crazy I had, so I could strap it on Theresa just in case one of the wing struts now fails, before she's trapped with me in the metal-heavy groundrush. And no sooner than I finish the thought does Donnie get a deep frontal wallop, Whompi, and then another, Whompt, the force of each rocking us in our hard cockpit seats, violently enough that my sunglasses fall off and land somewhere down near the pedals.

The rain is fearsome. Theresa's headset has rotated forward on her head such that the band is in front of her eyes, and I reach over and pull it back into place. She's wincing, and suddenly there's a blot of blood glossing her lower lip.

"Theresa!"

She touches her mouth and inspects the smear. "It's okay, I just bit my…"

Whornp-Whomp!

Donnie bucks, then feels like she's yawing straight sideways, and for a long, long second I lose hold of the wheel and accidently push the rudder pedal, and we dip hard to starboard like we're on a bombing run, diving to 4 o'clock, the airspeed indicator boinging inside the crystal like a fat man stepped on the scale; Donnie's motor screams, the wings shuddering right down to the rivets, the airframe racked to its outer tolerances from pulling a G or two more than it was designed to pull, and you finally understand in that continuous pregnant second what people are talking about when they hold there's a nano-fine and mostly philosophical distinction between falling and flying. Or fearing and fighting, which perhaps explains how despite my overwhelming impulse to curl into a single cell I not-too-consciously manage to right her, get her level and steady, only to see we've lost 1000 feet, an entire skyscraper, which is absolutely fine as long as there's no more funny business.

"Are you okay?" I ask Theresa, who is canted forward a bit awkwardly. "Hey, talk to me."

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