Chang-Rae Lee - Aloft

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Aloft: краткое содержание, описание и аннотация

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At 59, Jerry Battle is coasting through life. His favorite pastime is flying his small plane high above Long Island. Aloft, he can escape from the troubles that plague his family, neighbors, and loved ones on the ground. But he can't stay in the air forever. Only months before his 60th birthday, a culmination of family crises finally pull Jerry down from his emotionally distant course.
Jerry learns that his family's stability is in jeopardy. His father, Hank, is growing increasingly unhappy in his assisted living facility. His son, Jack, has taken over the family landscaping business but is running it into bankruptcy. His daughter, Theresa, has become pregnant and has been diagnosed with cancer. His longtime girlfriend, Rita, who helped raise his children, has now moved in with another man. And Jerry still has unanswered questions that he must face regarding the circumstances surrounding the death of his late wife.
Since the day his wife died, Jerry has turned avoiding conflict into an art form-the perfect expression being his solitary flights from which he can look down on a world that appears serene and unscathed. From his comfortable distance, he can't see the messy details, let alone begin to confront them. But Jerry is learning that in avoiding conflict, he is also avoiding contact with the people he loves most.

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"Yeah," she says weakly. "I've had enough of this, though. I want it to stop. Okay, Jerry? Make it stop."

"Okay, honey. We just. ."

Whomp!

. . we just have to get out of this damn pocket!"

Whomp-Whomp!

"Shit!"

Whomp-Whomp-WHOMP!

This set is nearly concussive, and produces in me what must be the dream of a boxer as his clock is being supremely cleaned, the wash of giddy relief that this is not yours truly but some other chump caught in the klieg lights of ignominy. As the beautiful dream dissipates, though, I can feel that my neck is already stiffening, the little bones fusing, with everything else that's jointed, hips and above, feeling distinctly unhinged.

"Theresa, honey," I hear myself say, my eyes probably open but not really working, unwilling to witness what will no doubt be the coup de grace, "hold on, honey, hold onl"

But the final wallop doesn't come. The whomp just doesn't whomp. The rain has stopped. And all we have is the alto hum of Donnie's prop, the rpms in the key of A, a drone that's as sweet as any Verdi tenor crooning of a singularly misguided love.

"Theresa, baby, we're clear, we're clear."

She nods to me and even smiles but there's a look she's manifesting that I have seen plenty in the mirror, and on Jack, and Paul, and even Pop of late, but never on Theresa Battle—

namely, this face of deferral — and I say, "What the hell is wrong?"

She glances down to her lap. And there, between her tanned legs in black Bermuda shorts, on the red vinyl seat, is a shiny pool of wet. She lifts a knee and the clear liquid dribbles over the white-piped edge.

"Please tell me you peed."

She shakes her head.

"Oh shit."

"It's too early," she says. "The baby's much too young to be born. We're only at twenty-five weeks."

"Do you know how much time you have, before it gets dangerous?"

"No." And then, with the alarm of a hard fact, "I have to get to the hospital. Now."

"It's going to be twenty minutes to the field, maybe more."

"To what field?"

"The field we came from! The only one."

"You have to fly me to New Haven, Jerry," she says. "That's where my doctor is, at Yale — New Haven. I can't go anywhere else. Not now. Please!"

"I don't know. I've never flown there."

"Does it really matter?"

"It shouldn't. But this doesn't seem the time to experiment."

"Can't you use your chart?"

She reaches back and hands it to me, and I don't want to waste any time looking, but now that I'm really flying again I can see we've strayed from our flight path in just the direction she wants. This fact isn't material; even though I can't see much for the thickening haze, I know we're in fact much closer to New Haven than we are to Islip, which is probably twice the distance from here and definitely shrouded with the same weather. So I flip through the charts as quickly as I can while we remain on our due-east heading. And I see that there in fact is a field, which of course I knew some time before in a normal frame of mind, called Tweed, in East Haven, just a few miles from her hospital.

"All right," I tell her, "we'll go where you want. How you doing?"

"I feel okay I think."

"Are you sure?"

"Owwww…!"

"What the hell is wrong?"

"Something hurts," she says, suddenly breathing short and fast. "Oh shit. . shit… owwww!"

"We should be there in ten minutes, if I can do it in one run.

Let me try to call the tower now so I can ask for an approach, and an ambulance."

She nods, her eyes closed tight with the pain. When I get on the tower frequency for Tweed and explain the situation to the controller he rogers me for an instrument clearance for immediate landing on a south approach, runway 2–0, and places the other traffic in a holding pattern. At least the airspace and field will be exclusively ours. I'll head west over the Sound for a minute and then veer northwest overland before banking back for the landing. The problem is that it's now cotton candy up here, the visibility diminishing fast, and the guy in the tower warns me that it'll probably be a few feet as I'm approaching, which means I won't be able to see any landing strip lights until just before the wheels touch down. I know Theresa can hear all this but between the rapid lingo-laden technical instructions and sketchy audio quality and the astoundingly equable tones of our aeronautical exchange she probably isn't fathoming the potential peril ahead of us. When I finish talking with the tower and give her a thumbs-up I'm heartened to see that she shoots me one right back, no matter what she really knows.

But as I make the turn inland the vapor steadily thickens, puffy baits of mist moving quickly past the windscreen and thus reflecting what seems our now inhuman speed, the ground wholly invisible below, the last blue patches of sky fatefully re-ceding above, and I'm seriously beginning to wonder why this should be the moment of payback for my years of exclusively fair-weather flying, why I couldn't have simply been torn apart all by my lonesome in a nasty gray-black thunderhead a la Sir Harold. Why I couldn't enjoy your basic heroic romantic disappearance from the radar and been interred and eulogized in absentia, which really ought to be my fitting end.

Theresa says weakly, "Thanks, Jerry. For taking me flying."

"Are you kidding? I can't believe I let this happen. It's all my fault."

"I'm the one who wanted lobster."

"Doesn't matter. I'm your father."

"So?"

"I should have said no."

"Maybe you're right"

Theresa laughs, or screams, quite volubly, I don't know which.

"Are you comfortable?" I ask her. "What can I do? Are you cold?"

"I'll be okay," she says, tightly cradling her still gently mounded belly. "Just fly, Jerry, okay? Just fly."

So I do. The tower takes me over what must be land, and then has me turn 180 degrees for the runway, adjusting my heading as he lines me up with the field, and I check my airspeed, my altitude, my localizer, my glide slope, every indicator a go, and I take us in. And the air down here isn't rough, not rough at all, in fact it's the lightest meringue and we're a clean, sparkly knife, which is exactly what I'd hoped, for Theresa's sake. But what it is also is totally blanking, we've been swallowed up whole, the world outside gone completely opaque; I can't see the wings, or the struts, I can't see the damn nose. It's pure whiteout. I could be flying us upside down, or on our side, or pointing us straight toward the ground, and despite what the gauges posit my surging instinct is to pull up sharply and break off what is surely a doomed course, for whoever these days can fly blind and still so faithfully true?

Not Jerry Battle, for sure. But as we descend the floating crosshairs in the crystal magically align, literally right on the dot, and I take a hand off the wheel and grab hold of my daughter's unperturbedly cool fingers and palm, and at the last moment I actually shut my eyes, clamp them as tight as the engine housing, because what does it matter when there's nothing to see anyway, no real corroborative signs? And in the strangely comforting darkness I see not some instant flashing slide show of my finally examined and thus remorseful life but the simply framed picture of Theresa's suggested grouping not in the least difficult to delimit or define, all our gentle players arrayed, with scant or even nothing of me in mind.

I'll go solo no more, no more.

A skidding bump, the back-tug of the flaps, and we're here, running at neighborhood street speed on the field. To the port side, parked next to the terminal, an old-time ambulance is waiting in the fog, its lights silently spinning.

"We're here, baby," I say, my eyes giddy with tears. "We're here!"

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