Edouard Levé - Autoportrait

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In this brilliant and sobering self-portrait, Edouard Levé hides nothing from his readers, setting out his entire life, more or less at random, in a string of declarative sentences. Autoportrait is a physical, psychological, sexual, political, and philosophical triumph. Beyond "sincerity," Levé works toward an objectivity so radical it could pass for crudeness, triviality, even banality: the author has stripped himself bare. With the force of a set of maxims or morals, Levé's prose seems at first to be an autobiography without sentiment, as though written by a machine — until, through the accumulation of detail, and the author's dry, quizzical tone, we find ourselves disarmed, enthralled, and enraptured by nothing less than the perfect fiction. . made entirely of facts.

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Edouard Levé

Autoportrait

~ ~ ~

When I was young, I thought Life A User’s Manual would teach me how to live and Suicide A User’s Manual how to die. I have spent three years and three months abroad. I prefer to look to my left. I have a friend who gets off on betrayal. The end of a trip leaves me with a sad aftertaste, the same as the end of a novel. I forget things I don’t like. I may have spoken, without knowing it, to someone who killed someone. I look down dead-end streets. I am not afraid of what comes at the end of life. I don’t really listen to what people are saying. I am surprised when someone gives me a nickname and we hardly know each other. I am slow to notice when someone mistreats me, it’s always so surprising: evil is somehow unreal. I archive. I spoke to Salvador Dalí when I was two. Competition does not drive me. To describe my life precisely would take longer than to live it. I wonder if I will turn reactionary with age. When I sit with bare legs on vinyl, my skin doesn’t slide, it squeaks. I have cheated on two women, I told them, one didn’t care, one did. I joke about death. I do not love myself. I do not hate myself. I do not forget to forget. I do not believe in the existence of Satan. My rap sheet is clean. I wish a season lasted a week. I would rather be bored alone than with someone else. I wander empty places and eat in deserted restaurants. When it comes to food, I prefer the savory to the sweet, the raw to the cooked, the hard to the soft, the cold to the hot, the aromatic to the odorless. I cannot sit still and write unless there is food in the refrigerator. I can easily go without drinking or smoking. In a foreign country, I hesitate to laugh when my interlocutor burps while we are talking. I notice gray hair on people too young to have it. It’s better for me not to read medical textbooks, especially passages describing the symptoms of some illness: no sooner do I find out one exists than I detect it in myself. War seems so unreal to me I have trouble believing my father was in one. I have seen a man who expressed one thing with the left side of his face and something else with the right. I am not sure I love New York. I do not say “A is better than B” but “I prefer A to B.” I never stop comparing. When I am coming back from a trip, the best part isn’t going through the airport or getting home, but the taxi ride in between: you’re still traveling, but not really. I sing badly, so I don’t sing. Because I am funny people think I’m happy. I want never to find an ear in a meadow. I am no fonder of words than of a hammer or a vise. I do not know the green boys. In the store windows of English-speaking countries, I read the word sale (dirty) in French. I cannot sleep beside someone who moves around, snores, breathes heavily, or steals the covers. I can sleep with my arms around someone who doesn’t move. I had an idea for a Dream Museum. I have a tendency, because it’s easier, to call people “friends” who aren’t, I can’t think of another word for people whom I know and like but with whom I have no special connection. On the train, facing backward, I don’t see things coming, only going. I am not saving for my retirement. I consider the best part of the sock to be the hole. I do not keep track of how much money is in my bank account. My bank account is rarely in the red. Shoah, Numéro zéro, Mobutu King of Zaïre, E.R., Titicut Follies , and La Conquete de Clichy have affected me more than the best works of fiction. The ready-made films of Jean-Marc Chapoulie have made me laugh harder than the best comedies. I have attempted suicide once, I’ve been tempted four times to attempt it. The distant sound of a lawn mower in summer brings back happy childhood memories. I am bad at throwing. There was a compulsive collector in my family, at her death they found a shoebox labeled in painstaking calligraphy: “Little bits of string that have no use.” I do not believe the wisdom of the sages will be lost. I once tried to make a book-museum of vernacular writing, it reproduced handwritten messages from unknown people, classed by type: flyers about lost animals, justifications left on windshields for parking cops so as to avoid putting money in the meter, desperate appeals for witnesses, announcements of a change in management, office messages, home messages, messages to oneself. I have thought, listening to an old man tell me his life story, “This man is a museum of himself.” I have thought, listening to the son of an American black radical talk, “This man is a ready-made.” I have thought, seeing a man who had wasted away, “This man is a ghost of himself.” My parents went to the movies every Friday night until they got a TV. I like the straightforward sound of a paper bag but not of a plastic bag, which fidgets. I have heard but never seen fruit fall from the branch. Proper names fascinate me because I don’t know what they mean. I have a friend who, when he has people over for dinner, never sets out serving dishes but arranges the food on plates like a restaurant, so there’s no way to have seconds. I have lived for several years without insurance. I sometimes feel uneasier around a nice person than a mean one. My worst memories of traveling are funnier in the telling than my good ones. It disconcerts me that a child should address me as “monsieur.” A swingers’ club was the first place I ever saw people make love in front of me. I have not masturbated in front of a woman. I masturbate less to pictures than to memories. I have never regretted saying what I really thought. Love stories bore me. I never tell my own. I don’t talk much about women I go out with, but I like hearing my friends talk about the women they go out with. A woman came to meet me in a distant country after a month and a half apart, I hadn’t missed her, within seconds I realized I didn’t love her anymore. In India, I traveled in a train compartment with a Swiss man whom I didn’t know, we were crossing the plains of Kerala, I told him more about myself in several hours than I had told my best friends in several years, I knew I would never see him again, he was an ear without repercussions. I have sometimes been suspicious. Looking at old photos leads me to believe that the body evolves. I reproach others for what they reproach in me. I am not stingy, I admire money well spent. I like certain uniforms not as symbols, but for their functional sobriety. I will sometimes announce good news, concerning myself, to someone I like and be shocked to realize that he’s jealous. I would not like to have famous parents. I am not handsome. I am not ugly. From certain angles, tanned and wearing a black shirt, I can find myself handsome. I find myself ugly more often than handsome. The times I find myself handsome are not the times I’d like to be. I find myself uglier in profile than straight on. I like my eyes, my hands, my forehead, my ass, my arms, my skin, I do not like my thighs, my elbows, my chin, my ears, the curve at the back of my neck, my nostrils from below, I have no opinion about my dick. My face is asymmetrical. The left side of my face looks nothing like the right. I like my voice after a night out or when I have a cold. I don’t need anything. I am not looking to seduce a wearer of Birkenstocks. I do not like the big toe. I wish I had no nails. I wish I had no beard to shave. I have no interest in awards, I have no respect for distinctions, I don’t care what I’m paid. I am drawn to strange people. I feel sympathy for the unlucky. I do not like paternalism. I feel more at ease with the old than with the young. I can ask endless questions of people I think I will never see again. Some day I will wear black cowboy boots with a purple velvet suit. To me the smell of manure recalls a bygone era, whereas the smell of wet earth evokes no particular time.

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