John Berger - G.

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G.: краткое содержание, описание и аннотация

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In this luminous novel — winner of Britain's prestigious Booker Prize — John Berger relates the story of "G.," a young man forging an energetic sexual career in Europe during the early years of this century. With profound compassion, Berger explores the hearts and minds of both men and women, and what happens during sex, to reveal the conditions of the Don Juan's success: his essential loneliness, the quiet cumulation in each of his sexual experiences of all of those that precede it, the tenderness that infuses even the briefest of his encounters, and the way women experience their own extraordinariness through their moments with him. All of this Berger sets against the turbulent backdrop of Garibaldi and the failed revolution of Milanese workers in 1898, the Boer War, and the first flight across the Alps, making G. a brilliant novel about the search for intimacy in history's private moments.

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Look! He has chosen a table by the window. Now he is trying to peer down the street. He is moving the curtain aside. But he pretends it is because of the sunlight in his eyes. He is sly. There is no doubt about it, he is as sly as a fox biding his time. Look! He is beckoning to the waitress. A little furtive movement of the head — and she goes because she is inquisitive and can’t resist secrets. You — take you — you would never call a waitress with a gesture like that. Dr Donato let the curtain fall and placed his hand on the younger man’s arm. Everything you do, he explained, has a certain grandeur and confidence. And why, we may ask. Because you want everything to be seen.

Raffaele looked suspiciously at his companion with the thin face and white pointed beard.

Because you have nothing to hide, Dr Donato reassured him.

Dr Donato was by profession a lawyer. His intelligence was evident in his eyes and in his voice which was a little high in tone but very distinct. He took great pleasure in all explanations. He prided himself on being an atheist and a republican. What satisfied him more than anything else was to be able to explain the passion of others. Excess fascinated him because to explain it, in either positive or negative terms, was to demonstrate the full reach of Reason. He had been a member of the Secret Committee of the Italian Irredentist Party in Trieste for twenty years. Many credited him with the famous plot of the tricolour in the Piazza Grande.

On 20 September 1903, exactly as the clock in the Piazza Grande struck noon, a large Italian tricolour unfurled itself and flew from the mast on the tower of the city hall. Police ran into the building and up the stairs to take it down. The door to the tower was locked and barred. Italians ran into the square from all sides to gaze up at the flag against the blue sky. Many thought: when the city is at last Italian, a flag will fly like that every day. 20 September had been chosen because it was the anniversary of the day Rome was declared the capital of Italy. The flag was visible even to ships at anchor in the bay.

When asked about his contribution to this affair, Dr Donato would shrug his thin shoulders and say, as if speaking in a code and wanting to emphasize the fact: We Italians are the most musical race in Europe, and our second most outstanding gift is our ingenuity.

Once more Dr Donato lifted up the corner of the curtain. He has seen something, he said.

What has he seen?

Somebody.

Can you see them? asked Raffaele.

No, but something has reassured him. He looks pleased. Who it was or exactly what sign passed between the two of them, we cannot yet know for we are not yet certain of his motivations. Is he really as interested as he pretends in canning fruit? Who exactly is he? When we have established that—

Raffaele interrupted the older man without trying to disguise the impatience he could no longer contain. Let us confront him with the facts, he said. He led the way across the café floor to the table by the window. A big man, Raffaele had the air of having been anointed since infancy with praises and love. (A semblance which may well signify the opposite.) As he walked across the café, he attracted considerable attention. The clientèle was entirely Italian and Raffaele was well known for the patriotic fervour of his articles in Il Piccolo and the way he cunningly evaded the Austrian censorship. He walked across the café as if he were leading, not one thin man with a white beard, but a whole company of his compatriots.

When all three men were seated, their heads close together over the centre of the table, Raffaele asked G. whether he had brought any news from Rome. He spoke quietly, so as not to be overheard, but his jaw was thrust forward and he was scowling.

No, I did not go there.

And the present for Mother?

It should have arrived by now.

You entrusted it to somebody else!

Yes.

To whom?

In an exaggeratedly conspiratorial whisper G. said: If you are working for Mother, the fewer names you know the better. That should be one of the first rules of a clandestine party.

Two weeks ago you told us you were going! shouted Raffaele, pushing his chair back and making people at the nearby tables look up.

I changed my mind.

Men who change their minds are traitors!

When Raffaele was moved he had to make a noise. The first thing he was willing to abandon was secrecy. He considered numbers more important. His own duty, as he saw it, was to rally thousands of Triestine Italians to the cause by setting them an example. The example of a man who would not be intimidated.

Wait until you hear from Mother, replied G., again whispering, then you’ll know whether she received our present safely.

You are a traitor and a coward! And either way you are bloodless. At this hour when the whole future of our family is in the balance, you have nothing better to do than dither here discussing how to put fruit into tins — Raffaele lowered his voice at this point in order to underline the fact that he, unlike G., was prepared to use words that indeed required whispering — WITH THE ENEMY! Or do you talk about something else with them? Our Mother, for example!

Dr Donato intervened. Caro —he addressed Raffaele — do not let us start accusing each other. He is with us, not against us; he has already helped us on several occasions. He planned to make a journey and he found he was unable to do so and he sent a cousin — shall we say a cousin? — instead. Do not let us jump to conclusions, for my own part I am persuaded — he turned towards G. placing his hands palms down on the table — I am persuaded that we can and must count upon you. Like us you are a dreamer and like us you wish to make the dream reality. The only question, which will eventually answer itself, is whether or not we share the same dream. His voice trailed away and he made his breath whistle softly between his teeth as if he were pretending to fall asleep. Behind his pince-nez his eyelids almost covered his eyes.

You are wrong, said G., I am not a dreamer.

All men dream.

Some less than others.

The dream of our country made great and powerful again is a dream shared by forty millions, said Raffaele. He held a single finger up in the air. This was an Irredentist gesture signifying a United Italy.

G. silently addressed Dr Donato: Twelve young women sitting on the floor at your feet, benefiting from your stories after Trieste has become Italian, you select one and when you take hold of her breasts she cries out lovingly: Papa! Papa! That is your dream.

Have you any daughters, Dr Donato?

Unfortunately not, why do you ask?

A confusion about names, that is all.

Raffaele gripped the table with his hands. It was time, he believed, for plain speaking; Donato should warn G. that if they found any further reason for suspecting him, his life would be in danger. Raffaele distrusted subtlety because he associated it with the intrigues and subterfuges which had bedevilled Italian political life for half a century. Intrigue for him meant the corridor and the lobby; and to these he opposed the battlefield and an overseas empire where Italy would rediscover herself and again impress Roman virtue upon the world. He advocated a return to the austere patriotic purity of a Garibaldi. He saw Donato as a latter-day, obsolete and over-crafty Cavour. He respected his astuteness but he believed that this time, unlike the first, Cavour’s influence should be second to the General’s. Once, in the Ginnastica Triestina, he had taken a sword down from the wall and cut the air with it round the older man’s head and shoulders. Donato also liked to imagine that he had a lot in common with Cavour. And so, as the sword whirred through the air, he calmed himself by recalling how patient Cavour had sometimes to be in face of Garibaldi’s childishness.

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