Eduardo Galeano - The Memory of Fire Trilogy - Genesis, Faces and Masks, and Century of the Wind

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For the first time, you can own all three books of Memory of Fire in a single volume.
Eduardo Galeano’s 
defies categorization — or perhaps creates its own. It is a passionate, razor-sharp, lyrical history of North and South America, from the birth of the continent’s indigenous peoples through the end of the twentieth century. The three volumes form a haunting and dizzying whole that resurrects the lives of Indians, conquistadors, slaves, revolutionaries, poets, and more.
The first book, 
, pays homage to the many origin stories of the tribes of the Americas, and paints a verdant portrait of life in the New World through the age of the conquistadors. The second book, 
, spans the two centuries between the years 1700 and 1900, in which colonial powers plundered their newfound territories, ultimately giving way to a rising tide of dictators. And in the final installment, 
, Galeano brings his story into the twentieth century, in which a fractured continent enters the modern age as popular revolts blaze from North to South.
This celebrated series is a landmark of contemporary Latin American writing, and a brilliant document of culture.

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You won’t put up with me unwed ,

You condemn me to bear kids ,

Dress and feed them while alive ,

Bury them proper when they’re dead .

Will you send to me a mate

Who would give me blows and kicks?

Why must every budding rose

Suffer the same wilted fate?

(5)

1952: Buenos Aires

The Argentine People Feel Naked Without Her

Long live cancer! wrote some hand on a wall in Buenos Aires. They hated her, they hate her, the well-fed — for being poor, a woman, and presumptuous. She challenged them in talk and offended them in life. Born to be a servant, or at best an actress in cheap melodramas, Evita refused to memorize her part.

They loved her, they love her, the unloved — through her mouth they spoke their minds and their curses. Evita was the blonde fairy who embraced the leprous and ragged and gave peace to the despairing, a bottomless spring that gushed jobs and mattresses, shoes and sewing machines, false teeth and bridal trousseaux. The poor received these charities at a side door, while Evita wore stunning jewelry and mink coats in midsummer. Not that they begrudged her the luxury: They celebrated it. They felt not humiliated but avenged by her queenly attire.

Before the body of Evita, surrounded by white carnations, people file by, weeping. Day after day, night after night, the line of torches: a procession two weeks long.

Bankers, businessmen, and landowners sigh with relief. With Evita dead, President Perón is a knife without a cutting edge.

(311 and 417)

1952: On the High Seas

Wanted: Charlie the Tramp

Charles Chaplin sails for London. On the second day at sea, news reaches the ship that he won’t be able to return to the United States. The attorney general applies to his case a law aimed at foreigners suspected of communism, depravity, or insanity.

Some years earlier Chaplin had been interrogated by officials of the FBI and the Immigration and Naturalization Service:

Are you of Jewish origin?

Are you a Communist?

Have you ever committed adultery?

Senator Richard Nixon and the gossip columnist Hedda Hopper agree: Chaplin is a menace to our institutions . Outside theaters showing his films, the Legion of Decency and the American Legion picket with signs demanding: Chaplin, go to Russia .

The FBI has for nearly thirty years been seeking proof that Chaplin is really a Jew named Israel Thonstein and that he works as a spy for Moscow. Their suspicions were aroused in 1923 when Pravda printed the comment: Chaplin is an actor of undoubted talent .

(121 and 383)

1952: London

An Admirable Ghost

named Buster Keaton has returned to the screen after long years of oblivion, thanks to Chaplin. Limelight opens in London, and in it for a few precious minutes Keaton teams up with Chaplin in an absurd double act that steals the show.

This is the first time Keaton and Chaplin have worked together. They appear gray-haired and wrinkled, though with the same charm as in those moments long ago, when they made silence wittier than words.

Chaplin and Keaton are still the best. They know that there is nothing more serious than laughter, an art demanding infinite work, and that as long as the world revolves, making others laugh is the most splendid of activities.

(382 and 383)

1953: Washington

Newsreel

The United States explodes the first H-bomb at Eniwetok.

President Eisenhower names Charles Wilson secretary of defense. Wilson, an executive of General Motors, has recently declared: What’s good for General Motors is good for America .

After a long trial, Ethel and Julius Rosenberg are executed in the electric chair. The Rosenbergs, accused of spying for the Russians, deny guilt to the end.

The American city of Moscow exhorts its Russian namesake to change its name. The authorities of this small city in Idaho claim the exclusive right to call themselves Muscovites, and ask that the Soviet capital be rebaptized to avoid any embarrassing associations .

Half the citizens of the United States decisively support Senator McCarthy’s campaign against the Communist infiltration of democracy, according to opinion polls.

One of the suspects McCarthy plans to interrogate, engineer Raymond Kaplan, commits suicide by throwing himself under a truck.

The scientist Albert Einstein appeals to intellectuals to refuse to testify before the House Un-American Activities Committee and to be prepared for jail or economic ruin. Failing this, believes Einstein, the intellectuals deserve nothing better than the slavery which is intended for them .

(45)

1953: Washington

The Witch Hunt

Incorrigible Albert Einstein, according to Senator McCarthy’s list, is America’s foremost fellow traveler . To get on the list, all you need to do is have black friends or oppose sending U.S. troops to Korea; but the case of Einstein is a much weightier one. McCarthy has proof to spare that this ungrateful Jew has a heart that tilts left and pumps red blood.

The hearing room, where the fires of this Inquisition burn, becomes a celebrity circus. Einstein’s is not the only famous name that echoes here. For some time the Un-American Activities Committee has had its eye on Hollywood. The Committee demands names, and Hollywood names cause scandal. Those who won’t talk lose their jobs and find their careers ruined; or go to jail, like Dashiell Hammett; or lose their passports, like Lillian Hellman and Paul Robeson; or are expelled from the country, like Cedric Belfrage. Ronald Reagan, a minor leading man, brands the reds and pinks who don’t deserve to be saved from the furies of Armageddon. Another leading man, Robert Taylor, publicly repents having acted in a film in which Russians smile. Playwright Clifford Odets begs pardon for his ideas and betrays his old comrades. Actor José Ferrer and director Elia Kazan point their fingers at colleagues. To dissociate himself clearly from Communists, Kazan makes a film about the Mexican leader Emiliano Zapata in which Zapata is not the silent campesino who championed agrarian reform, but a charlatan who shoots off bullets and speeches in an unceasing diarrhea.

(41, 219, and 467)

1953: Washington

Portrait of a Witch Hunter

His raw material is collective fear. He rolls up his sleeves and goes to work. Skillful molder of this clay, Joseph McCarthy turns fear into panic and panic into hysteria.

Feverishly he exhorts them to betray. He swears not to shut his mouth as long as his country is infected by the Marxist plague. For him all ambiguity has the ring of cowardice. First he accuses, then he investigates. He sells certainties to the vacillating and lashes out, knee to groin or knife to belly, at anyone who questions the right of private property or opposes war and business as usual.

(395)

1953: Seattle

Robeson

They bar him from traveling to Canada, or anywhere else. When some Canadians invite him to perform, Paul Robeson sings to them by telephone from Seattle, and by telephone he swears that he will stand firm as long as there is breath in his body.

Robeson, grandson of slaves, believes that Africa is a source of pride and not a zoo run by Tarzan. A black with red ideas, friend of the yellows who are resisting the white invasion in Korea, he sings in the name of his insulted people and of all insulted peoples who by singing lift their heads; and he sings with a voice full of thundering heaven and quaking earth.

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