Eduardo Galeano - The Memory of Fire Trilogy - Genesis, Faces and Masks, and Century of the Wind

Здесь есть возможность читать онлайн «Eduardo Galeano - The Memory of Fire Trilogy - Genesis, Faces and Masks, and Century of the Wind» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Год выпуска: 2014, ISBN: 2014, Издательство: Open Road Media, Жанр: Современная проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

The Memory of Fire Trilogy: Genesis, Faces and Masks, and Century of the Wind: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «The Memory of Fire Trilogy: Genesis, Faces and Masks, and Century of the Wind»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

For the first time, you can own all three books of Memory of Fire in a single volume.
Eduardo Galeano’s 
defies categorization — or perhaps creates its own. It is a passionate, razor-sharp, lyrical history of North and South America, from the birth of the continent’s indigenous peoples through the end of the twentieth century. The three volumes form a haunting and dizzying whole that resurrects the lives of Indians, conquistadors, slaves, revolutionaries, poets, and more.
The first book, 
, pays homage to the many origin stories of the tribes of the Americas, and paints a verdant portrait of life in the New World through the age of the conquistadors. The second book, 
, spans the two centuries between the years 1700 and 1900, in which colonial powers plundered their newfound territories, ultimately giving way to a rising tide of dictators. And in the final installment, 
, Galeano brings his story into the twentieth century, in which a fractured continent enters the modern age as popular revolts blaze from North to South.
This celebrated series is a landmark of contemporary Latin American writing, and a brilliant document of culture.

The Memory of Fire Trilogy: Genesis, Faces and Masks, and Century of the Wind — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «The Memory of Fire Trilogy: Genesis, Faces and Masks, and Century of the Wind», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

(3)

1937: Rio de Janeiro

Monteiro Lobato

The censors ban The Oil Scandal by Monteiro Lobato. The book offends the oil trust and its technicians, hired or purchased, who claim that Brazil has no oil.

The author has ruined himself trying to create a Brazilian oil company. Before that, he failed in the publishing business, when he had the crazy idea of selling books not only in bookstores, but also in pharmacies, bazaars, and newsstands.

Monteiro Lobato was born not to publish books but to write them. His forte is telling tales to children. On the Benteveo Amarillo farm a pig of small intelligence is the Marquis of Rabicó and an ear of corn becomes a distinguished viscount who can read the Bible in Latin and talk in English to Leghorn chickens. The Marquis casts a warm eye on Emilia, the rag doll, who chatters on nonstop, because she started so late in life and has so much chatter stored up.

(252)

1937: Madrid

Hemingway

The reports of Ernest Hemingway describe the war that is raging a step from his hotel in this capital besieged by Franco’s soldiers and Hitler’s airplanes.

Why has Hemingway gone to lonely Spain? He is not exactly a militant like the ones who have come from all parts of the world to join the International Brigades. What Hemingway reveals in his writings is something else — the desperate search for dignity among men. And dignity is the only thing that is not rationed in these trenches of the Spanish republic.

(220 and 312)

1937: Mexico City

The Bolero

Mexico’s Ministry of Public Education prohibits the boleros of Agustín Lara in schools, because their obscene, immoral, and degenerate lyrics might corrupt children.

Lara exalts the Lost Woman, in whose eyes are seen sun-drunk palm trees; he beseeches love from the Decadent One, in whose pupils boredom spreads like a peacock’s tail; he dreams of the sumptuous bed of the silky-skinned Courtesan; with sublime ecstasy he deposits roses at the feet of the Sinful One, and covers the Shameful Whore with incense and jewels in exchange for the honey of her mouth.

(299)

1937: Mexico City

Cantinflas

For laughter, the people flock into the suburban tents, poor little makeshift theaters, where all the footlights shine on Cantinflas.

“There are moments in life that are truly momentary,” says Cantinflas, with his pencil mustache and baggy pants, reeling off his spiel at top speed. His fusillade of nonsense apes the rhetoric of half-baked intellectuals and politicians, doctors of verbal diarrhea who say nothing, who pursue a point with endless phrases, never catching up to it. In these lands, the economy suffers from monetary inflation; politics and culture from verbal inflation.

(205)

1937: Mexico City

Cárdenas

Mexico does not wash its hands of the war in Spain. Lázaro Cárdenas — rare president, friend of silence and enemy of verbosity — not only proclaims his solidarity, but practices it, sending arms to the republican front across the sea, and receiving orphaned children by the shipload.

Cárdenas listens as he governs. He gets around and listens. From town to town he goes, hearing complaints with infinite patience, and never promising more than is possible. A man of his word, he talks little. Until Cárdenas, the art of governing in Mexico consisted of moving the tongue; but when he says yes or no, people believe it. Last summer he announced an agrarian reform program and since then has not stopped allocating lands to native communities.

He is cordially hated by those for whom the revolution is a business. They say that Cárdenas keeps quiet because, spending so much time among the Indians, he has forgotten Spanish, and that one of these days he will appear in a loincloth and feathers.

(45, 78, and 201)

1938: Anenecuilco

Nicolás, Son of Zapata

Earlier than anyone else, harder than anyone else, the campesinos of Anenecuilco have fought for the land; but after so much time and bloodshed, little has changed in the community where Emiliano Zapata was born and rose in rebellion.

A bunch of papers, eaten by moths and centuries, lie at the heart of the struggle. These documents, with the seal of the viceroy on them, prove that this community is the owner of its own land. Emiliano Zapata left them in the hands of one of his soldiers, Pancho Franco: “If you lose them, compadre, you’ll dry up hanging from a branch.”

And, indeed, on several occasions, Pancho Franco has saved the papers and his life by a hair.

Anenecuilco’s best friend is President Lázaro Cárdenas, who has visited, listened to the campesinos, and recognized and amplified their rights. Its worst enemy is deputy Nicolás Zapata, Emiliano’s eldest son, who has taken possession of the richest lands and aims to get the rest too.

(468)

1938: Mexico City

The Nationalization of Oil

North of Tampico, Mexico’s petroleum belongs to Standard Oil; to the south, Shell. Mexico pays dearly for its own oil, which Europe and the United States buy cheap. These companies have been looting the subsoil and robbing Mexico of taxes and salaries for thirty years — until one fine day Cárdenas decides that Mexico is the owner of Mexican oil.

Since that day, nobody can sleep a wink. The challenge wakes up the country. In never-ending demonstrations, enormous crowds stream into the streets carrying coffins for Standard and Shell on their backs. To a marimba beat and the tolling of bells, workers occupy wells and refineries. But the companies reply in kind: all the foreign technicians, those masters of mystery, are withdrawn. No one is left to tend the indecipherable instrument panels of management. The national flag flutters over silent towers. The drills are halted, the pipelines emptied, the fires extinguished. It is war: war against the Latin American tradition of impotence, the colonial custom of don’t know, no can do .

(45, 201, 234, and 321)

1938: Mexico City

Showdown

Standard Oil demands an immediate invasion of Mexico.

If a single soldier shows up at the border, Cárdenas warns, he will order the wells set on fire. President Roosevelt whistles and looks the other way, but the British Crown, adopting the fury of Shell, announces it will not buy one more drop of Mexican oil. France concurs. Other countries join the blockade. Mexico can’t find anyone to sell it a spare part, and the ships disappear from its ports.

Still, Cárdenas won’t get off the mule. He looks for customers in the prohibited areas — Red Russia, Nazi Germany, Fascist Italy — while the abandoned installations revive bit by bit. The Mexican workers mend, improvise, invent, getting by on pure enthusiasm, and so the magic of creation begins to make dignity possible.

(45, 201, 234, and 321)

1938: Coyoacán

Trotsky

Every morning he is surprised to find himself alive. Although his house has guardtowers and electrified wire fences, Leon Trotsky knows it to be a futile fortress. The creator of the Red Army is grateful to Mexico for giving him refuge, but even more grateful to fate. “See, Natasha?” he says to his wife each morning. “Last night they didn’t kill us, and yet you’re complaining.”

Since Lenin’s death, Stalin has liquidated, one after another, the men who had made the Russian revolution — to save it, says Stalin; to take it over, says Trotsky, a man marked for death.

Stubbornly, Trotsky continues to believe in socialism, fouled as it is by human mud; for when all is said, who can deny that Christianity is much more than the Inquisition?

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «The Memory of Fire Trilogy: Genesis, Faces and Masks, and Century of the Wind»

Представляем Вашему вниманию похожие книги на «The Memory of Fire Trilogy: Genesis, Faces and Masks, and Century of the Wind» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «The Memory of Fire Trilogy: Genesis, Faces and Masks, and Century of the Wind»

Обсуждение, отзывы о книге «The Memory of Fire Trilogy: Genesis, Faces and Masks, and Century of the Wind» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x