William Gaddis - The Recognitions

Здесь есть возможность читать онлайн «William Gaddis - The Recognitions» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Год выпуска: 1993, Издательство: Penguin Classics, Жанр: Современная проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

The Recognitions: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «The Recognitions»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

The book Jonathan Franzen dubbed the “ur-text of postwar fiction” and the “first great cultural critique, which, even if Heller and Pynchon hadn’t read it while composing
and
, managed to anticipate the spirit of both”—
is a masterwork about art and forgery, and the increasingly thin line between the counterfeit and the fake. Gaddis anticipates by almost half a century the crisis of reality that we currently face, where the real and the virtual are combining in alarming ways, and the sources of legitimacy and power are often obscure to us.

The Recognitions — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «The Recognitions», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

— Why?

— I have to meet somebody.

— Who?

— Somebody you don't know, she said, suddenly recovered, and as though playing his game with him like a child.

In the communal bathroom, he felt for his wallet in his pocket, then caught his face's image in the mirror: crooked, out of proportion, it looked a stranger to him, because her face in this hour past, searching in it so deeply that his own face was forgotten, all faces other than hers forgotten, her face had become the very image, the definition of a face.

He pulled at the roll of paper on the wall, to wipe away a smudge on his cheek, and that paper rolled out to him with a great creaking, and one small brave passenger, a cockroach, riding like Palinu-rus piloting the ship of Aeneas, where he went to sleep at the helm and fell overboard, to be murdered by natives ashore.

VII

And as Jesus Christ, of the house of David, took upon himself human nature in order to free and to redeem mankind who were in the bonds of sin because of Adam's disobedience, so also, in our art, the thing that is unjustly defiled by the one will be absolved, cleansed and delivered from that foulness by another that is contrary to it.

— Raymond Lully, Codicillus

That afternoon, Fuller sat on a bench, his back turned to Central Park in December. Women scuttled past him the bulks of furs, bearing gold and precious ornaments which he watched without envy. He'd only to smile, to yawn, or frankly raise his upper lip and he could show more gold than any of them could wear, even in their most offensive aspirations to taste: jewels by the pound-weight, rings so heavy that they looked like weapons. The cold wind made continuous suggestion to his hat, a narrow-brimmed, imperially high-crowned straw, to join the fuzzy commotion that passed. The hat would have none of it. It was as firm on his head as his right hand on the umbrella, or his left hand holding the leash on the black poodle.

His face remained peacefully arranged until that leash tightened, and then the lines in Fuller's forehead and around his mouth tightened too. When they walked, the leash was taut like a bar holding them apart, instead of a binding tie. The black faces viewed one another with mistrust, but a weary mistrust which had by now settled down to resigned loathing. Though now as Fuller looked down at the dog, there was an element of glee in his expression of disgust. It was cold; and though Fuller was cold, the dog was shivering. Fuller too was inclined to shiver, but refused to give the dog that satisfaction. He sat quite tense, restraining himself, but staring directly at the dog, who could not stop shivering. But the disgust in

Fuller's face was evident. He wanted to visit a dear friend, whose office was a bare six blocks off, and sat now considering whether he could get there and back to Mr. Brown's before the cocktail hour. Mr. Brown had gone to the doctor. Sometimes he was late, returning from the doctor. Fuller knew that he would be punished if he were late. On the other hand, he knew that Mr. Brown would hear about the visit, late or not. That was why Fuller looked at the poodle with troubled eyes now, for he was certain that this poodle and their master communicated, that if he went to see his friend, the poodle would tell on him.

Then he smiled. Today must be different, and he tried to evade the habit of fear. He had his ticket, and tomorrow he would be gone. Mr. Brown would shout for him, the poodle would bark, but he would be far away. This ticket which he carried deeply hidden was the most expensive he had ever got. Its destination must be much nearer home than any of the others.

He looked down to see that the poodle was watching him with that look which seemed to enter his mind and rummage in his memory. Was it learning about the ticket? Fuller stood, pulling the poodle to its feet roughly as it lunged toward a bird alighted near. He set off defiantly toward First Avenue, the witness a taut four feet away.

We would believe that Fuller had had a childhood only in helpless empiricism, because we all have. But it was as unreal to him by now as to anyone looking at his face, where time had long since stopped experimenting. That childhood was like a book read, misplaced, forgotten, to be recalled when one sees another copy, the cheap edition in a railway station newsstand, which is bought, thumbed through, and like as not left on the train when the station is called. The slow train of Fuller's life had made one express dash, when Recktall Brown had found him while on a Caribbean cruise, bought him from himself with something he had prized above life, not having it, this set of gold teeth, and a promise of magic unfulfilled: he was delivered at what seemed to be the last stop, Mr. Brown, Mr. Brown's dog, and Mr. Brown's apartment. That promise of magic, which had appealed so to youth, never materialized, though Fuller did not doubt but what Mr. Brown could make his skin white if he wanted to, a possibility which, grown older, he regarded now more as threat than redemption, and did not speak of it.

The dog hated his singing. Today, in easily understood levity (the ticket), he sang:

— Littel girl, please leave my bachelor room. Littel girl, littel girl please leave my bachelor room, You are so brazen, you are so free, You must proteck your mo-ral-i-ty: Littel girl, please leave my bachelor room, as they walked toward Third Avenue, and the elevated train which the dog hated too. Fuller knew this, and always waited at the corner until a train was in sight, pretending to the dog that he was looking into a cigar-store window there.

— Hello mahn, how you goin? Fuller greeted his friend after the pleasant walk (there had been two trains, from opposite directions, passing above them in a roar).

The little mortician shook hands with him. — We had a big one, a… I mean we had a big one today, a funeral. Why I have more, there, do you see them all, all those at the end, those flowers, I have more flowers for you than you'll be able to carry, Fuller. He motioned at the tall erectly wired bank of lilies, browning a bit at the edges. Fuller looked distressed.

— I cannot go off with them, mahn.

— But why? I mean, why not?

— It's that Mister Brown, mahn, sayin to me Fuller don't you bring any more of your God-damned corpse bouquets in at this house.

— But in your own room, I mean even in your own room you can't have them?

— No mahn, and he find out some way too if I try. Like the birds, I believe he even know about the birds. Somebody inform on me, I know, he added, looking at the poodle.

— What birds?

— I tell you about that another time, when we not under surveillance. But the gloves? You reserved another selection of gloves for me?

— Yes, I mean I have eight pairs. Eight of them, I mean sixteen. Sixteen gloves, eight pall-bearers I mean. He fetched the gloves, and Fuller looked them over carefully.

— These are very choice, Fuller said holding up one pair. — Very clean and immaculate. I suppose he don't carry the coffin, just walk alongside to be respectable.

— But doesn't he mind the gloves? I mean Mister Brown, he doesn't mind you wearing these gloves that were used to carry the, a… well I mean there's no harm in it but some people are peculiar, I mean to serve things wearing these?

— He think I purchase them, said Fuller. — That is how I managin to finance my trip mahn. The money I save.

— Your trip?

— Yes, I fear this is sayin farewell to you. Tomorrow I will be a distance away, goin to my home.

— To the Barbados?

— I plan departin tomorrow in the morning.

— But Fuller, I mean not like the other times, I mean you've started out other times.

— I plan departin in the morning, Fuller repeated firmly, speaking to the dog. He put the gloves under his coat. — You still have your Armenium?

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «The Recognitions»

Представляем Вашему вниманию похожие книги на «The Recognitions» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «The Recognitions»

Обсуждение, отзывы о книге «The Recognitions» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x