William Gaddis - The Recognitions

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The book Jonathan Franzen dubbed the “ur-text of postwar fiction” and the “first great cultural critique, which, even if Heller and Pynchon hadn’t read it while composing
and
, managed to anticipate the spirit of both”—
is a masterwork about art and forgery, and the increasingly thin line between the counterfeit and the fake. Gaddis anticipates by almost half a century the crisis of reality that we currently face, where the real and the virtual are combining in alarming ways, and the sources of legitimacy and power are often obscure to us.

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Esther had been studying his face as he spoke, and did now, where nothing moved until she said clearly, — How ambitious you are!

He looked at her with an expression which was not a frown but had happened as an abrupt breaking of his features, an instant before apparently cast for good as they were but even now, in this new constriction, renewing an impression of permanence, as molten metals spilled harden instantly in unpredictable patterns of breakage. And Esther looked at him with the face of someone looking at a wound.

They left a few minutes later. — That seems like a lot of money to leave, Esther said to him.

— For the music.

— Well, I wouldn't tip so much if I were you, she said in the door.

— But you're not, he whispered hoarsely, holding it open.

It is a naked city. Faith is not pampered, nor hope encouraged; there is no place to lay one's exhaustion: but instead pinnacles skewer it undisguised against vacancy. At this hour it was delivered over to those who inherit it between the spasms of its life, those who live underground and come out, the ones who do not come out and the ones who do not carry keys, the ones who look with interest at small objects on the ground, the ones who look without interest, the ones who do not know the hour for the darkness, the ones who look for illuminated clocks with apprehension, the ones who look at passing shoe-tops with dread, the ones who look at passing faces from waist level, the ones who look in separate directions, the ones who look from whitened eyeballs, the ones who wear one eyeglass blacked, the ones who are tattooed, the ones who walk like windmills, the ones who spread disease, the ones who receive extreme unction with salted peanuts on their breath.

The moon had not yet entered the sky, waiting to come in late, each night waiting nearer the last possible minute before day, to appear more battered, lopsided, and seem to mount unsteadily as though restrained by embarrassment at being seen in such condition.

— You do hate the winter, don't you. There were no taxicabs in sight, and they walked hurriedly. — You always look so much colder than other people do.

— Other people! he muttered, as they walked east. The sky ahead was already light. — Look at it! he said abruptly, catching her arm. — Can't you imagine that we're fished for? Walking on the bottom of a great celestial sea, do you remember the man who came down the rope to undo the anchor caught on the tombstone?

Then she heard his name called. It seemed to come from a great distance, like a cry in a dream, or under water: she might have imagined it; but it was repeated. Then there stood the priest before them, in a black hat and coat and the round collar, carrying a suitcase, — hurrying to catch a train, she heard him say. She heard him, heard her husband's voice, her own for a moment sounding especially loud, their greetings, the hurried slightly embarrassed renewal of their acquaintanceship, all as though they were suddenly met in a submarine landscape where only the others were at home, and she fighting desperately to surface, as she had that one moment when her voice burst, — How do you do. His name was John. She heard him say, — There was an air of legend and mystery about you even then, Wyatt.

She swayed. And it seemed a long time before they were walking again, and she heard her own voice, breathed again and controlled it as she spoke. — An old friend? you studied with him? You? You studied for the priesthood?

— For the ministry, Esther. He. he's high church.

— You studied for the priesthood?

— It's. yes, there's no… mystery about it. It was quiet except for their heels on the pavement, and sounds of constriction from Esther's throat. A block ahead, the street was lit up by a blaze where a Christmas tree burned in the gutter. — It's too warm to snow, he said. They walked on toward the blaze.

— But that sounded like thunder. He turned to support her with both hands. — Esther, Esther. They both swayed. — You have to walk. She let herself back in a shallow doorway, and the light of the blaze covered her face. It was a big tree.

— No mystery? she said. — No mystery? All the time he talked I could see you standing there with blood all over your face. All the time he talked I could see you dancing like a lunatic, all locked up like a… lock. She managed to stop her eyes on his face. — Tonight I can believe everything I've ever thought about you, she said. — And you never told me.

— Esther, now stop it. It never occurred…

— Why did you marry me? she demanded.

— Esther, I don't want to be unkind.

She looked at him, full in the face where nothing moved to betray the man she had loved; then her eyes, moving quickly, searching, lost and found and lost him again. — But you are, she whispered. — You are all the time. Her voice rose dully, and then it broke. — You shouldn't know other people if you have nothing to share with them. You shouldn't even know them, she cried. And she sobbed, — You haven't. ever shared anything with me. you won't help me do things, you do them for me but you won't help me. you. offer to do the dishes, but you wouldn't help me do them, I know you'd do them if I said yes but you wouldn't help me…

— Esther… In the distance a siren whined.

— That… set of Dante you had, we couldn't have it, it was as though it couldn't exist without being yours or mine so you gave it to me, but it couldn't be ours. You. even when you make love to me you don't share it, you do it as though… so you can do something sinful. And you never told me. She raised her head which had fallen as she sobbed, and the blaze caught it again as the sirens, distinguishable now and punctuated by bells, approached nearer. — Why aren't you a priest? You are a priest! Why aren't you one then, instead of… me. they don't share anything.

— Priests don't share anything? he repeated, holding her.

— Nothing! Nothing, any more than you share love with me. They hold out something, offer it down. They even give it but they never share it, they never share anything. Her coarse hair stood away from her face in disarray as she looked at his profile in the fire's light, uneven shocks of flame as one branch blazed up and another fell glowing, which seemed to make his features move, though nothing moved but his hands, taking a closer grip from which she half twisted. — Precision of suffering. privacy of suffering. if that's what it is, suffering, then you. share it. She was looking down, and shook her head slowly. — If you can't share it… you can't understand it in others, and if you can't understand it you can't respect it… and if you can't respect it, if you can't respect suffering.

The firelight had suddenly been penetrated by the sharp white lights of a car, which stopped at the curb, its siren droning down too deep to be heard. Beyond, other sirens and the clangor of bells violated the night almost upon them.

— O.K. Jack, what d'you call this?

— I… we… it's nothing, officer.

— Is this here your campfire?

— I don't know anything about the fire, Wyatt said, turning to face him, still supporting Esther. — Do I look like I…

— O.K. Jack, take it easy. Who's the little lady?

— This is my wife.

— You live here?

— No, we live uptown. My wife has just had a little too much to drink.'

— The both of you look like you've had a few too many. This your husband, lady?

— No. — Esther.

— He ain't yer husband?

— Look at him, Esther said raising her eyes. — Can't you see? Look at his eyes, can't you see he's a priest?

— Esther.

Suddenly the night around them disappeared in a blaze of red and white lights and the harmonic explosion of the sirens and bells, as a hose truck, an emergency vehicle, and a hook and ladder arrived, it seemed at the same instant. The policeman turned his back on them in the doorway. — It's just somebody's friggin Christmas tree, he called out.

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