William Gaddis - The Recognitions

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The Recognitions: краткое содержание, описание и аннотация

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The book Jonathan Franzen dubbed the “ur-text of postwar fiction” and the “first great cultural critique, which, even if Heller and Pynchon hadn’t read it while composing
and
, managed to anticipate the spirit of both”—
is a masterwork about art and forgery, and the increasingly thin line between the counterfeit and the fake. Gaddis anticipates by almost half a century the crisis of reality that we currently face, where the real and the virtual are combining in alarming ways, and the sources of legitimacy and power are often obscure to us.

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On the floor was a small folded card, lavishly decorated. It was something which had belonged to his mother, used here to the best purpose, making up to her for those damned and absurd books he had thrown overboard, and now he leaned over to pick it up: A remembrance of the venerable shrine of Saint Mary of the Angels, with a picture on the outside of Saint Francis receiving the Indulgence of the Portiuncula. inside, on the one hand were glued three infinitesimal particles, labeled as a piece of the door of the cell where Saint Francis died in 1226, a piece of the Portiuncula, the church itself, and a piece of the pulpit where the Indulgence was proclaimed by Saint Francis and seven bishops; on the left hand were four leaves from the miraculous rosebushes of Saint Francis of Assisi, and beneath the marvelous history of how "One bitter winter's night, Saint Francis being sorely tempted by the Devil to lessen his austerities overcame the evil one by throwing himself into a thicket of briars. , rolling himself in it till his body was all torn and bleeding. ." at which juncture the briars became full-blooming rose-trees, and in a heavenly brightness angels appeared to lead Saint Francis to the Portiuncula, where Our Lord with His Mother and a Heavenly Host granted the Indulgence, a "Plenary Indulgence which, after the devout reception of the Sacrament of Penance, can still be gained daily as often as one enters the Portiuncula. . This indulgence can be applied to the souls in Purgatory."

The card now was curled and still damp, as though she had been clutching' it in the hand open palm up beside his face as he started to stand, and the roll of the ship moved him toward her, off balance and his cheek touching her hair. For a moment he hung there, as motionless as she; and then he moved his cheek very slowly, and back, against her hair. In her hair he felt his own hot breath. Her hair held it and burned his cheek, and he came down on one knee, turning his face into her fine hair and breathing more heavily, his eyes wide open. His whole face was burning, but he became aware of something else; and then of nothing else but the beat of his heart, pounding unevenly in a gigantic shape which grew from the depth of his chest to his neck, and with each beat, going more slowly.

She moaned, and came over on her back; but he could not move. She moaned something almost articulate, and then her lips stayed open, and loosened, and the lower one was drawn in. Her tongue showed at a corner of her mouth, and her lips closed, still showing the tip of the tongue as her jaw became rigid and her chin rose, and her whole body heaved up from the bed and came back delicately taut, and distended rose again, and returned with gentle force as she breathed so heavily, her face thrown back, that it seemed to empty the whole upper part of her body. Her breath felt as hot as his own, pouring over her car which touched his lips now: still he could not move, still on one knee, gripping the side of the bed with both hands and his eyes still wide open, all his senses confused into the one he projected, listening. Because he was listening for the beat of his heart, which had not seemed to him to fill that whole room until he became aware that it no longer did, and waited, each throb heavier, and separated from the last by a dreadful distance.

Nothing moved, and he heard nothing. The metal plate under his knee was still, and he heard nothing at all, not even the engines; not even the engines which had paced his heart day after day and sustained it at night while he slept, so that its beats had vibrated through the whole ship, driving them on when it went faster and paced the engines with anticipation. Then the ship lurched, and a great surging sounded from behind. The engines started; and Stanley's heart doubled their measure as he stood, lost his balance and fell back against the door.

She came up on one elbow, eyes open with alarm as though they had never been closed. — What is it? she cried out.

— I don't know… he gasped, and pulled himself up against the door.

The engines had been reversed, and slowed now to a dull and far-off sound, as the ship rocked slightly and appeared to be still.

— Are we there? she burst out.

— There?. . there? Where? he answered helplessly. Then he got hold of the door handle, and pulled it open.

In the passage, the fat woman had just reached that point. Her Machine came one way, a small three-penny paper book titled A Modern Virgin Martyr .another, and she fell in at his feet. — I just know. . she cried, — I just know… I just know. .

Stanley stood there, staring dumbly at the wool-knit knee warmers drawn askew over knees the size of his own waist. — Cut arm-holes and I'd have two nice sweaters. . He almost said that out loud, staring now with the glazed look of plain lunacy. Then her hand caught his knee, which almost broke, or gave way, and instead of reaching down to help her he grabbed with both hands for the door frame. — I just know. . She started to sink, and mumbling something he reached for her hand before she could seize his knee again. Everything seemed to be happening very slowly. He studied the inadequate ring on the hand he held, doubly miserable for having two mean pearls mounted at an angle to the thin line of gold which had almost been absorbed in the flesh: had she been given it when the ring and her hand still complemented one another? or bought it…

Water!. .

Sure enough, there was about a saucepanful of water in a quiet pool, with neither source nor destination apparent, there in the passage.

My rosary!. . The Thing glittered near his feet.

Stanley retrieved it, finally closed the door upon his guest, and came back and sat down. His shoulders were just beginning to sink when he leaped to his feet again. — What has happened? he cried out, losing balance again and coming down beside her on the bed. He took her hand, and together they hurried out.

The surface of the sea was blinding on the port side where they came on deck, and where other passengers already lined the rails. The days lost count of by now, people stared stupidly at the sea. Conversations inclined to tail off and disappear, as eyes were raised to that expanse of heaving indifference, as inevitable as it had been novel the first day out, and the face of one who talked, and one who listened at the rail turned from one another and lay as open and destitute of past, or future, or anything to give, as the vacant face of actuality they looked upon.

Stanley lifted a hand from the rail to hold the white hand which had been holding his. He looked at his wrist watch, then at her face, and then looking below again he simulated her expression, subdued but troubled, curious but not to know too much.

Lines were flung out, men's voices rose to them, and directly beneath a loading port was opened in the side of the ship. There were six figures in the lifeboat that was finally pulled up to the side, men in torn shirts with blackened faces looking up without the particle of interest exciting the faces that looked down on them. Their boat rocked as they drew on the lines, caught the end of a rope ladder, moving with agile assurance, all but one. He was laid out across a thwart, and when a canvas sling was lowered two men got him in it, and held the sling back from bumping the side as it was raised. It came up slowly, toward Stanley who was directly above, and then, almost to the port, there was a hitch in the line which caught, jerked, and one end of the sling came open. Passengers participating breathlessly shared a sound of shock, a sharp in- taking of breath as the head fell back and hung from one end of the sling. The face was dark, and covered with oil-slick which shone in the sun bringing out, even at this distance, the square high-boned lines of the face, the jaw set rigid as though held by the lines drawn down from the nose, breaking the flat cheeks, and the eyes, even closed in unconsciousness, held tight as though with effort.

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