William Gaddis - The Recognitions

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The Recognitions: краткое содержание, описание и аннотация

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The book Jonathan Franzen dubbed the “ur-text of postwar fiction” and the “first great cultural critique, which, even if Heller and Pynchon hadn’t read it while composing
and
, managed to anticipate the spirit of both”—
is a masterwork about art and forgery, and the increasingly thin line between the counterfeit and the fake. Gaddis anticipates by almost half a century the crisis of reality that we currently face, where the real and the virtual are combining in alarming ways, and the sources of legitimacy and power are often obscure to us.

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— Merry Christmas! the man threatened.

— Merry Christmas, Mr. Pivner answered him. He was very tired. He had stopped at a drugstore to buy his medicine, but not taken the time for the injection, fearful of missing his rendezvous, planning to take his injection in the men's room of the hotel, when he got there. Still, at this critical instant, his training did not fail him. He recalled chapter nine ("Wouldn't you like to have a magic phrase that would stop argument, eliminate ill feeling, create good will. .? All right. Here it is. .") — I don't blame you a bit for feeling as you do, said Mr. Pivner, recalling the words of John B. Gough, quoted on the following page (". . when he saw a drunken bum staggering down the street: 'There, but for the grace of God, go I.' "). Then he had a strange sensation on one leg. He drew it toward him, and looked, as the woman lifted the baby away from the large spot on his trousers. — You can't hardly blame the baby, can you? said the woman. Mr. Pivner stared at his trousers as he stood up. The tic in his lip pulled it down in quick throbs, and he said nothing.

— Sit down. Merry Christmas, said the man who sat beside the only empty seat in the bus. Mr. Pivner sat down. He was very tired, and nervous. He lifted the wet portion of his trouser away from his leg, and looked out the window. His destination lay some fifteen blocks on.

— I congradulate you. You're the first man I've met, said his companion. — D'you want to read the Bible? I got it right here. He disappeared for a moment under a flurry of newspaper.

The bus bore on, block after block. Chapter six, How to Make People Like You Instantly: ("So I said to myself: 'I am going to try to make that chap like me. . What is there about him that I can honestly admire?'… I instantly saw something that I admired no end"), — What a wonderful head of hair you have, said Mr. Pivner. The man beside him looked at the thin hair on Mr. Pivner's head, and then clutched a handful of his own. — Lotsa people like it, he said. Then he sat back and looked at Mr. Pivner carefully. — Say what is this, are you queer or something?

Mr. Pivner's eyes widened. — I… I…

— Where you going?

— I get off here, said Mr. Pivner, and got out of the bus when it stopped, six blocks from his destination. It was a cold night, and the wind blew, concentrating on the wet spot on his trousers. How could he explain that, to his son? He walked on, suffering, more weary, against the wind, hoping now that the wind would dry that place before he reached the hotel.

He stopped outside its doors, to pull the green muffler from his coat. The wind helped him to whip it into plain sight.

— Whhhhelllll, here we are, said a familiar voice beside him. — My friend! Merry Christmas!

— Not now, said Mr. Pivner, quivering a hand in the air. He stepped toward the hotel.

— That's the idea. A drink for Christmas, said his companion, accompanying him. — Merry Christmas! You know, I've got a religion too, my friend.

Mr. Pivner paused at the revolving door. He said, — Go away.

— We're going to have a Christmas drink, friend. We're going to be friends. Like Damon and Pissyass, ha, hahahahaha. .

The revolving door swung, emptying Mr. Pivner into the lobby where he stood weaving from the shock of the warm air, blinking his eyes, looking. The revolving door continued its round: —VVhhhay, Merry Christmas! Mr. Pivner reeled. He fell toward the tall bellboy, who caught him by the shoulders. He tried to speak; but he only gurgled. He was barely conscious. He was being taken out of the lobby.

— Whoooufff… I have a religion too gentlemen. .

— Get them out of here, out the side door.

— Merry Christmas gentlemen. . what's this, the policemen's ball?

— It looks bad for the hotel, taking them out the front way.

— I seen the little one, standing out in front there, fooling with his clothes, said the tall bellboy when quiet was restored.

— It's no good for the hotel, that kind of thing. Too early yet, said the manager. — Even so, you got to be charitable for them.

— He passed right out in my arms, just like my old man. Some of them you can't keep away from it, like my old man, you could blindfold him and tie him to the bed, but he always finds it.

They both stepped aside to let a breathless young man pass. One arm was concealed under his coat. He stopped to pull at his muffler, looking round him. Then he checked his coat and went into the bar with the muffler stil] around his neck.

— Don't tell me that kid ain't had one too many, said the tall bellboy.

— So it's Christmas, said the manager.

The mirror behind the bar was tinted, and of such a slight convexity that those who appeared within its confines wore healthy complexions, figures not distorted but faces slightly slimmer, and he appeared the more grave, she assumed delicacy, lost weight and the years gathered conspiring under the chin. Otto's pale lips, drawn in tension, appeared as thin dark lines of determination, the straggle of hairs on the upper lip a diffidently distinctive mustache. He raised an eyebrow. He moistened his lips, and curled the upper one. Left eyebrow raised, eyelids slightly drawn, lips moistened, parted, down at corners, his quivering hand anchored by the glass, he turned to look at the woman beside him. She was staring straight ahead. He returned to the mirror, where her eyes in ambush caught him and he felt tricked, out-maneuvered; and he quickly returned his eyes to their own reflection. Kettle drums rolled in some semi-classical pursuit from hidden untended amplifiers, rolling to crescendos which manifested capture, then withering as the prey escaped.

The blonde coughed. It was not the delicate unnecessary cough of a lady, drawing attention which she snares with her eyes, but a visceral sound of submission to reality. Nonetheless, looking at her he saw only her eyes as she turned and got down from the bar stool. She retreated in two directions at once, and Otto chose the mirror image to follow her short bobbing steps, and the ceding insinuation o£ her thighs. Among images of tables and portieres she escaped in the tinted glass, but established him as the hunter and he drew breath, deeply, as though the air were fresh.

In the mirror again he saw himself as he had seen himself from two thousand miles away. — How brown you are, Esther said. — And all in white. . There was still time.

As a child, Otto had had a phantasy which, in all of the childish good faith which designs such convictions, he passed for fact to himself and his friends. At about the time he learned that he had a father, or should have one, Albert, King of the Belgians, was killed mountain-climbing. It was not difficult to relate the two: he told that his father had been killed mountain-climbing, and so took upon himself the peculiar mantle of a prince.

Looking hastily round the room now, and down the bar, the sudden apprehension of royalty filled him, royalty about to be shoved from the throne room to the scullery, where the pretender belonged. For royalty's blunders always glisten with extraordinary foolhardiness, that makes them royal, distinguishes them from the common subjects who only make mistakes. And what blunderer more absurd than he who dethrones himself? So it has happened; a prince or a king may do it (but find a princess who would not at any cost be queen! a woman who would confess for no reason, who would step from shadows to), dare that reality which is the fabric of damnation, as men who have ruined themselves, for no reason, will tell you.

Down the bar, a man of better than middle age took Otto's attention. His suit was flannel, too light for the season, but bearing other seasons in other lands, as though it were spring now, in London, and he had stepped in from Saint James's Street for a drink; that when he walked out it would be to cross the Mall, and into Saint James's Park, across the turf, to pause for a moment and note the swans there, and other springtime foliage. (London and royalty wove close in Otto's mind.) The man signaled the bartender, raising a hand which caught Otto with the gold flash of a signet ring, an affirmation, a summons which drew taut the muscles in his legs, ready to stand and deliver, do homage, receive from that hand the clasp of recognition, pledge fealty, inherit the signet and the kingdom its seal perpetuated. Undeterred by the man's glance which turned to him, piqued quickly and moved on without curiosity or surprise (so the visage of monarchy, does not deign vulgar response), Otto looked and found resemblance. About the eyes, was it? the bridge of the nose? Clearer correspondence than the device hung from his own neck, wool proclamation of plebeian kinship, green signal of the multitude, its verdant undiscriminating growth.

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