Rivka Galchen - American Innovations - Stories

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American Innovations: Stories: краткое содержание, описание и аннотация

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In one of the intensely imaginative stories in Rivka’s Galchen’s
, a young woman’s furniture walks out on her. In another, the narrator feels compelled to promise to deliver a takeout order that has incorrectly been phoned in to her. In a third, the petty details of a property transaction illuminate the complicated pains and loves of a family.
The tales in this groundbreaking collection are secretly in conversation with canonical stories, reimagined from the perspective of female characters. Just as Wallace Stevens’s “Anecdote of the Jar” responds to John Keats’s “Ode on a Grecian Urn,” Galchen’s “The Lost Order” covertly recapitulates James Thurber’s “The Secret Life of Walter Mitty,” while “The Region of Unlikeness” is a smoky and playful mirror to Jorge Luis Borges’s “The Aleph.” The title story, “American Innovations,” revisits Nikolai Gogol’s “The Nose.”
By turns realistic, fantastical, witty, and lyrical, these marvelously uneasy stories are deeply emotional and written in exuberant, pitch-perfect prose. Whether exploring the tensions in a mother-daughter relationship or the finer points of time travel, Galchen is a writer like none other today.

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The daughter didn’t respond.

The mother told the daughter that it was interesting that she (the daughter) had chosen that day to wear a green shirt and green shorts, all green like that, together. The mother reiterated that the daughter really should try making the vegetarian chopped liver dip. Which is low in calories while being very tasty. The daughter said, All you care about is money and weight; and you give me all this advice; but I’m thinner than you and I make more money than you.

The daughter had been rejected for a mortgage earlier that day; or, rather, she had not been rejected, but she had been approved for a mortgage of only thirty-five thousand dollars. Which was grossly insufficient. The rejection stemmed partly from the daughter’s unstable income — her income was unstable because she had not followed the mother’s career advice — and partly from recent crises in the mortgage industry, which had led to the lender’s not accepting 1099 income in the same way as W-2 income. Now the apartment/asset was absolutely unbuyable without the mother’s help.

The mother restated that the daughter should go back to her husband. The mother wanted to help the couple buy a nice place to live. A place that would also be a nice investment property, a condominium that they could rent out when they needed a new and larger place to live, because of children. Yes, the purchase should be of a condominium and not of a cooperative, though the mother acknowledged that the daughter said that she tended not to like the newer condominium buildings, but she knew that the daughter just felt pressure to express that taste — for older buildings — which was not in fact really her taste. She was just being forced into that taste by trends that would pass, just as this rough spot in the marriage would pass. If they, the daughter and her husband, had a nice place to live, then they would find happiness, because it’s hard to find happiness when you don’t have space to breathe and she wanted her daughter to breathe.

You were very right, the daughter said, when you used to tell me that A Woman Should Always Be Financially Independent.

I didn’t think you ever listened to me. I’m honored, the mother said.

The daughter said to the mother that the money that was gifted to her by her mother was really the mother’s money and not hers, it was true. But she felt that the money should either be her money or not be her money, and that she could not tolerate any in-betweens and she could not tolerate any health or fashion advice, either — that was it. The mother said she wasn’t giving advice, just love. The daughter left. The mother paid the bill.

* * *

In February 2011, the mother and the daughter made a plan to meet again for coffee. It had been many months of meetings “for coffee” and very little accord. The mother had said that she would bring the checkbook for the account where the profits from the asset/apartment were kept. The daughter showed up to the meeting.

What do you think “homey” means? the mother asked.

Why are you asking me that? the daughter asked.

You’re so suspicious, the mother said. You think the worst of me. I give up, the mother said. Then she said, It’s just something that was on my mind because of a client I had. A while ago. He was Swedish. He was looking to buy a studio in New York, because he couldn’t handle the Swedish winter anymore and so he wanted to winter in New York. Which sounds odd, to winter in New York, but that’s what he said, that he just needed a place to lay his head, and that it could be tiny, it just needed to have lots of natural light. I understood him, the mother said. He also said he liked New York because it’s inexpensive, which sounded funny to me, like the wintering, but that was what he said, that New York was cheap. So I took him to a beautiful studio with windows on three sides. Not just ordinary windows but really tall ones, and the apartment was clean and beautiful with good appliances and a gorgeous floor and, like I said, so much light; it was really such a good value, and I thought that I myself would be happy to live there, and I was so happy with what I was showing him. He only stayed for a minute, though. I can’t live here, he said. It doesn’t feel homey. That was the word he used: “homey.” I thanked the listing broker, and then when we were back outside, I said to the Swede — I liked the guy, so I was honest with him — I said, You don’t know how fortunate you are to see a place like this in Manhattan. It’s a tremendous value. I’m just telling you, because you’ll see other places, and they won’t be as nice, and I don’t want you to be disappointed. I’m not, he said, going to buy a place until I find exactly what I want. What you’ll learn, I said, is that this is the city of compromises. I’m not talking about you, the mother said to the daughter. I know you think I am, but I’m not. I wanted to tell you about the second apartment I showed the Swede. When I showed him another place, he brought a friend with him. You should have seen his friend. He had this very long, very black hair. And pale, pale skin. He looked like a man you see in advertisements for cigarettes, or speedboats. I mean, he looked like a racecar driver. And he was a racecar driver! This is my friend, the Swede said to me, the mother said. He just got back from a racecar competition in Abu Dhabi, the Swede explained. So I mentioned that you had been to Abu Dhabi.

I haven’t been to Abu Dhabi, the daughter said.

I thought you had.

No.

Oh.

I was in Dubai, though.

I thought they were the same.

No.

I said to the racecar driver that I had heard that Abu Dhabi was a ghost town, with all those vacant apartments.

That’s Dubai, the daughter said.

Oh. It’s Dubai that has a lot of empty apartment buildings?

Right. Abu Dhabi is supposedly doing pretty well.

You probably think the Swede and his friend didn’t like me, but they liked me very much, the mother said. Many people like me. They feel good around me. I took the Swede and his dramatic friend to an apartment on Park Avenue and Thirty-ninth Street. In one of those grand old buildings. Where many people who used to have live-in maids no longer have live-in maids, and so there are these small apartments that used to be maids’ apartments. I thought the Swede might like it. But as soon as I walked into the apartment I felt awful for taking the Swede there. I hadn’t had a chance to preview it. It had looked much better in the pictures. There was just one window, and it was in the corner and was tiny. The place had terrible old furniture, there was an ugly cat there, the floor had rotting parquet. The Swede took a quick walk around; he looked at his racecar driver friend. Now this feels homey, he said. His friend nodded. I was amazed. What does he mean that it feels homey? It was like a puzzle. It stuck with me. It made me think that maybe I’m really missing something, that maybe if I better understood what he meant, then maybe I would be doing better.

I bet he just likes old buildings, the daughter said. I like old buildings.

But it was disgusting, the mother said.

Or maybe it was just that it had furniture. Just that someone lived there.

I thought about that. And, you know, later the broker from the first apartment called me and asked me for feedback. She asked me what my client thought. I told her honestly that he hadn’t liked it. But I told her, also honestly, that I thought it was beautiful, and that it was crazy of him not to like it. She asked me what he didn’t like about it, because she was trying to think how she could better market the apartment, because she was having, she said, to be honest, trouble selling it, even though she felt it was well priced. I felt bad for her. She sounded distressed. I told her it’s hard to sell anything right now, even something great. I told her not to worry, that things would turn around.

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