William Gaddis - A Folic Of His Own

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With the publication of the "Recognitions" in 1955, William Gaddis was hailed as the American heir to James Joyce. His two subsequent novels, "J R" (winner of the National Book Award) and "Carpenter's Gothic," have secured his position among America's foremost contemporary writers. Now "A Frolic of His Own," his long-anticipated fourth novel, adds more luster to his reputation, as he takes on life in our litigious times. "Justice? — You get justice in the next world, in this world you have the law." So begins this mercilessly funny, devastatingly accurate tale of lives caught up in the toils of the law. Oscar Crease, middle-aged college instructor, savant, and playwright, is suing a Hollywood producer for pirating his play Once at Antietam, based on his grandfather's experiences in the Civil War, and turning it into a gory blockbuster called The Blood in the Red White and Blue. Oscar's suit, and a host of others — which involve a dog trapped in an outdoor sculpture, wrongful death during a river baptism, a church versus a soft drink company, and even Oscar himself after he is run over by his own car — engulf all who surround him, from his freewheeling girlfriend to his well-to-do stepsister and her ill-fated husband (a partner in the white-shoe firm of Swyne & Dour), to his draconian, nonagenarian father, Federal Judge Thomas Crease, who has just wielded the long arm of the law to expel God (and Satan) from his courtroom. And down the tortuous path of depositions and decrees, suits and countersuits, the most lofty ideas of our culture — questions about the value of art, literature, and originality — will be wrung dry in the meticulous, often surreal logic and language of the law,leaving no party unscathed. Gaddis has created a whirlwind of a novel, which brilliantly reproduces the Tower of Babel in which we conduct our lives. In "A Frolic of His Own" we hear voices as they speak at and around one another: lawyers, family members, judges, rogues, hucksters, and desperate

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— You shouldn't go out like that, you've got nothing on but a sweater you'll catch pneumonia Christina that's not why I'm upset, look at this! brandishing the pages, the torn envelope — when did it come, I just happened to find it on that pile over there couldn't somebody have told me?

— I'm not your secretary Oscar neither is Lily, I mean might it occur to you we could have other things on our minds? and she sat down with the weariness draining her voice, the dulled look of her eyes on him — if it's something so important that…

— Well it is! It's my, it's the final award in my lawsuit look at it!

— I saw it Oscar, I just told you I don't want it on the property.

— What do you, not that one Christina my play! My big lawsuit against Kiester and The Blood in the no, no you're just being smart aren't you you know what I'm talking about, you're just trying to, to belittle it aren't you.

— Don't be silly no, I'd forgotten all about it.

— Forgot! how could, there. There, you're just ridiculing it like some stupid case of No Fault case of, forgot all about it! brandishing the pages at her — look at it it's a travesty, they make a movie that's a vulgar travesty and now they make a travesty of the whole judicial process, read it!

— I don't want to read it Oscar.

— Well then don't! They took in three hundred and seventy million dollars it says it right here in the socalled master's accounting and they're claiming the movie lost eighteen million how could it! Three hundred seventy million dollars in gross receipts and I was supposed to get all the profits till they got away with apportioning my share only to what they stole from me when we didn't show up to contest it because Sam had gone fishing and Basic was busy somewhere making brooms? What Harry called their creative accounting, all the profits and suddenly they're figuring the fair market value of what they stole calling it goods and services down there with the hairdresser and they decide to give me a fifth of the market value because the rest of it's in the public domain and the success of the movie was due to everybody but the creator of the idea that was frail to begin with and my claim to it is tainted anyway because they didn't steal my last act, the scenarist made up the whole resolution of the story from historical sources he says he dug up somewhere? So the master's accounting here says they're using the ratio of two point five of the gross receipts to costs whatever that means, seven million for Kiester and how many million for that stick of an actor Bredford with another three million for Anga Frika's tits and forty million more for advertising them? No wonder they lost eighteen million.

— I mean you scarcely need me to make a mockery of it then do you, I thought you'd got some kind of an award.

— I did! I end up getting look at it, it's not even two hundred thous it's not even enough for these legal bills it's just Harry trying to cheer me up with all his talk about the court's discretion making me an award in lieu of actual damages and profits what can I do about it, I can't ask Harry can I?

— No you can't, Oscar.

— But, no I didn't mean…

— You didn't mean what! Blaming him as though he'd, as though he's gone to Bermuda on a vacation? blaming Sam who went fishing and Basic for sitting in prison somewhere making brooms? My God think about it! You said they grossed three hundred and seventy million dollars? you said you thought you were going to get all the profits? you said they cut that down to one fifth and their creative accounting shows they lost eighteen million? If they'd based your award on actual damages and profits you'd have twenty percent of nothing wouldn't you? You'd have a fifth of minus eighteen million is that what you want? you'd owe them three and a half million dollars is that what you want?

— Well that's, no that's absurd Christina that's insane, it's…

— Think about it! I mean my God you can be glad you may come out with enough to buy yourself one last bottle of your Pinot Grigio, will you stop waving those papers around and weeping over money is that all you can think about? when we, when there are real things to weep over?

— No, Christina? and this time he was up, his arms wide in embrace but so was she, turning her back on him in her hard stride toward the windows — I'm sorry, I didn't mean…

— I mean we're not going hungry, are we? she said from there, gazing out over the still pond — we're hardly destitute after all.

— Well you're not. With whatever Harry left and this life insurance, I don't think it even gets taxed and it's more than twice this miserable award of mine with these legal bills and all those medical expenses that…

— I'll believe that when I see it, expect a free lunch from Bill Peyton with Masha out there spitting in the soup I'll believe it when I can taste it.

— Well I told you what he said on the phone didn't I? He really sounded upset about it Christina. They're using all the pressure they can to get this settlement and they have the leverage, an old line firm like that with all their prestige they really have the leverage and it's not even costing them anything out of their own pocket is it? You just said they're afraid of anything that would reflect badly on the firm's image they're protecting that too aren't they? the way Harry always talked about protecting the firm? That's what it was all about even if he'd died with just the change in his pocket and you've got the penthouse, you've still got the penthouse in there too haven't you?

— I don't know what I've got Oscar! she finally turned on him — my God, you sound like that idiot Norrie will I keep the penthouse. Harry handled all of it, the mortgage, financing all I know is we bought it at the top of the market and he certainly didn't die with just the change in his pocket! And I mean my God if he'd been a senior partner, if they'd made him one a year or two ago like they should have he'd be billing four or five hundred dollars an hour and sitting under the Christmas tree with the other senior partners sharing the profits on the millions pouring in from every case the firm handles he had nothing to do with, we'd be…

— Like mine.

— What do you mean like mine, he'd be…

— I said like mine Christina! I said he'd be sharing the blood money that movie paid them for stealing my work and running up my legal bills and destroying everything I…

— Oscar that's ridiculous, I mean Harry didn't know they were hiring his firm to defend their…

— That's what you just said! that he'd be sharing the profits from leaving me with twenty percent of nothing to buy one last bottle of Pinot Grigio while you're sitting up there in a penthouse with…

— Oscar that's enough! I mean my God that's just the way that whole marvelous self regulating conspiracy works, there's nothing he could do about it and nobody's sitting in a penthouse, we're sitting right here and I mean we're certainly not destitute are we? Here's Father's estate if that clown can stay sober long enough to get it together, he told Harry it should come to over five million, five and a half I mean we're not going to go hungry are we?

— Yes but it's, that includes this house, most of his estate is in this property Christina. All I have of whatever's left in that Maryland trust now without Father there doling it out will go to upkeep and paying the taxes here like my mother meant it for so I'd always be sure to have the…

— Have what Oscar! her arms suddenly flung out embracing beam and scantling, hearth and newel, casement lights and dark wainscot — are you starting all this again?

He'd sunk down there on the sofa staring at her like a child, — but what…

— All of it! This property and this old house where my mother dragged me in like an orphan, sorting out what's yours and what's mine? My insurance claim and your ridiculous award, my bank and your mother's trust, my penthouse and this place that's yours because it was hers, Winifred Riding daughter of a wealthy Long Island architect and landowner when she married your father my God Oscar it's a hundred years ago! Your sainted mother it's history, it's all just history! and she turned back to the window, looking out over the pond — playing like we did as children by the shores of Gitche Gumee? stilled by that unheard of coldness, that intolerable winter on the shining Big-Sea-Water passed the swan, the Mahnahbezee, Mahng the loon with clangorous pinions, the blue heron, the Shuh-shuh-gah, — all your outrage over Father, how you've fought since we were children? bringing back his youth of passion and the beautiful Wenonah stooping down among the lilies as a car door slammed outside, up the hall the glass doors clattered followed by the snap of footsteps wayward as the Minnehaha with her moods of shade and sunshine, eyes that smiled and frowned alternate, all he'd told to old Nokomis was his fight with Mudjekeewis, not a word of Laughing Water.

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