Gerald Murnane - A Lifetime on Clouds

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Adrian Sherd is a teenage boy in Melbourne of the 1950s — the last years before television and the family car changed suburbia forever.
Earnest and isolated, tormented by his hormones and his religious devotion, Adrian dreams of elaborate orgies with American film stars, and of marrying his sweetheart and fathering eleven children by her. He even dreams a history of the world as a chronicle of sexual frustration.

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Luckily for mankind it was the first of many occasions when God’s mercy overcame His righteous anger. The son of Adam never knew how close he had come to being struck dead on the spot.

Perhaps God relented because He saw how little joy the poor fellow got out of it. There were no newspapers or magazines to excite his imagination. All he could think of was one of the same girls he saw every day in his ordinary household in dreary Mesopotamia.

Eventually the sons of Adam married their sisters, and their descendants spread through the Middle East and became the ancient Sumerians and Egyptians.

By now the young men were much better off than the sons of Adam. Few of them had to commit sins of impurity alone. People matured so early in the hot climate that a young fellow of Adrian’s age would be already married to a shapely brown-skinned wife.

If a young man couldn’t wait, even for the brief time between puberty and marriage, he still didn’t have to touch himself. There were slavegirls in every city. If a young man fancied a certain slave-girl he could ask his father to buy her and employ her in the house. If the young fellow was daring enough he would have her assigned to bathroom duties. She would fill his tub and fetch his towels on bath nights. Then he could arrange for the room to become so hot that the girl had to strip to the waist while she worked.

When the Jews settled in the Promised Land they were no less lustful than other peoples. Time after time God had to send a prophet to persuade them to repent. Even when the Bible did not name the sins of the Jews, it was easy to guess what they were. The weather in Palestine was always hot and the people often slept on top of their houses. The excitement of lying on the roof with hardly any clothes on, and hearing your neighbour’s wife just across the way tossing about under her sheet, would have kept a Jewish man awake half the night thinking of sex.

In Old Testament times the only young men who kept up the solitary habit were poor shepherd boys far from the cities and the slavegirls. When fire and brimstone rained on Sodom and Gomorrah, there were lonely herd-keepers who watched from the stony hills around and didn’t know whether to be glad, because all the spoilt young bastards were being roasted alive with their wives and slave-girls, or sorry, because they could never again peer down on the cities at dusk to watch the sexy games on the rooftops and catch a glimpse of some young woman they could remember afterwards in the desert.

By the time of Jesus, the Jews had become very reticent about sex. It was hard to judge how common or rare the solitary sin might have been in New Testament days. Jesus Himself never referred to it, but Adrian always hoped an Apocryphal Gospel or a Dead Sea Scroll would be found one day with the story of the Boy Taken in Self-Abuse.

The Scribes and Pharisees dragged him to Jesus and announced that they were going to stone him. Jesus invited the one without sin to cast the first stone. Then He started writing in the sand. One by one the old men looked down and read the dates and places of their boyhood sins and the names of the women they had used for inspiration. The boy read them too. And for years afterwards, instead of hanging his head in shame because the whole town knew about his secret sin, he remembered the pious old men who had tried it themselves in their youth and he looked the whole world in the face.

Adrian hummed or whistled his favourite hit tunes whenever he was alone, and especially at night when his parents had gone to bed with their library books and his young brothers were asleep. Sometimes he got up from his homework at the kitchen table and went into his room without turning on the light. He stared out of his window, trying to imagine the shape of the North American continent beyond the darkness that had settled over the southeastern suburbs of Melbourne. He tried not to notice the lighted window in the house across the back fence where Mr and Mrs Lombard were still doing their tea dishes because it took them hours to scrub all their kids and put them to bed. He sang his favourite tunes softly until America appeared under its brilliant sunshine on the far side of the world.

The square-dancing craze was over. The women of America had stopped wearing shapeless checked blouses and cowboy hats that dangled behind their heads. They were crowded together on a riverbank listening to Johnny Ray sing The Little White Cloud That Cried. Johnny threw back his head in agony and gasped out the last long syllable of his smash hit. The women threw their arms round each other and sobbed. They would have done anything to make Johnny happy, but he only stood with his eyes closed and thought of the waters of the Potomac or the Shenandoah rushing past on their way to the sea, and of how lonely the American countryside seemed to someone with no sweetheart.

The women followed the river to the sea. By sundown they were all strolling along the boardwalk of a great city, dressed in off-the-shoulder evening frocks and white elbow-length gloves. From the farthest horizon, rosy with sunset, the sound of the fishing fleet, returning to port at last, reached the throng of women. Jo Stafford’s rendition of Shrimp Boats came from loudspeakers all along the beach. When they knew their menfolk were coming, the women rushed into the lobby of the biggest luxury hotel in town. They pushed through the fronds of potted palms and crowded round the startled desk-clerks and sang into their faces, ‘There’s dancing tonight.’

Rosemary Clooney grabbed the nearest bellhop boy and waltzed round the room with him while she sang Tell Us Where the Good Times Are. Each time she shouted the chorus she held him so close to her plunging neckline that her big bouncing breasts almost rubbed against his nose. The shy young man didn’t know where to look, and the crowd went wild.

By now the men had arrived and changed into their tuxedos. The happy couples crowded into an upstairs ballroom. Dean Martin sang Kiss of Fire and everyone started to tango. When the song reached its climax, some of the more red-blooded men even tried to kiss their partners. But the women turned their heads aside because they knew what a kiss could do.

The crowd round the stage drew back and made way for Patti Page the Singing Rage with her version of Doggie in the Window. As she moved among the dancers, the mystery of who made the dog noises was solved at last. It was Patti herself, and she looked so fetching when she yelped that some of the men tried to fondle her like a cuddlesome puppy.

The Weavers burst into the room singing The Gandy Dancers’ Ball. Everyone started dancing like miners or lumberjacks in an old Western saloon. But some of the women looked nervous. They knew what wild things the gandy dancers did when they were excited by dancing and pretty faces.

When the dust had settled after the dance, Frankie Laine sang Wild Goose. A hush came over the room. Someone pulled back the velvet drapes to reveal a view of brightly lit skyscrapers. High up in the night sky, a flock of wild geese was passing over the city on their way to the Gulf of Mexico. The people listening to Frankie remembered the wide open spaces of America, far from the world of Show Business with its low-cut gowns and easy divorces. Between the big cities were rural landscapes where people were all in bed listening to the innocent music of wild geese honking in the night sky. When Frankie was finished, a few of the dancers were so moved that they walked out of their girlfriends’ lives and went back to the dear hearts and gentle people in their home towns.

Jo Stafford grabbed the mike again and sang the first bars of Jumbalaya. The dancers leaped to their feet. The words were puzzling, but everyone knew the song was something about Louisiana and the steamy tropical swamps where people wore shorts or bathers all day. To set the right mood for the song, Jo Stafford was wearing a grass skirt and a floral brassiere.

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