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Lily King: Euphoria

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Lily King Euphoria

Euphoria: краткое содержание, описание и аннотация

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National best-selling and award-winning author Lily King’s new novel is the story of three young, gifted anthropologists in the 1930s caught in a passionate love triangle that threatens their bonds, their careers, and, ultimately, their lives. English anthropologist Andrew Bankson has been alone in the field for several years, studying a tribe on the Sepik River in the Territory of New Guinea with little success. Increasingly frustrated and isolated by his research, Bankson is on the verge of suicide when he encounters the famous and controversial Nell Stone and her wry, mercurial Australian husband Fen. Bankson is enthralled by the magnetic couple whose eager attentions pull him back from the brink of despair. Nell and Fen have their own reasons for befriending Bankson. Emotionally and physically raw from studying the bloodthirsty Mumbanyo tribe, the couple is hungry for a new discovery. But when Bankson leads them to the artistic, female-dominated Tam, he ignites an intellectual and emotional firestorm between the three of them that burns out of anyone’s control. Ultimately, their groundbreaking work will make history, but not without sacrifice. Inspired by events in the life of revolutionary anthropologist Margaret Mead, is a captivating story of desire, possession and discovery from one of our finest contemporary novelists.

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The chief indicated that we were to go up. Fen went first with our bag, then reached down to help me with the engine. It was a small house. I suspected that it must be the second or third wife of the chief, whose house next door was much larger. We watched him climb up his ladder and disappear.

We were in near darkness. All the openings were covered with bark cloth dyed black. The village was silent. We could nearly hear the sweat coming out of our pores.

‘Crikey. They could have bloody well offered us some food,’ Fen said.

Nell hushed him.

He fished around in his duffel. I thought he was going to produce some extra tins he’d stashed away, but he pulled out a revolver.

I felt my blood rushing, stinging.

‘Put it away, Fen,’ Nell said. ‘We won’t need it.’

‘They seem serious. Did you see all those spears?’

Nell didn’t say anything.

‘The spears leaning against the house on the other side of the chief. You didn’t see them?’ He seemed quite giddy with this fact. ‘Sharp. Maybe poisoned.”

‘Fen. Stop it.’ She was stern.

He slid the gun back in his bag. ‘They aren’t messing around.’ He moved low and fast to the doorway and peered sideways through a crack in the bark cloth. ‘I think we should sleep in rotations, Bankson.’

There wasn’t going to be much sleeping, anyway. The house caught no breeze and the bugs were awful. We ate from our provisions, played a few hands of dummy bridge by the light of a candle, then chose our beds. The Wokup slept in covered hammocks, not in bags like the Kiona or on mats like the Baining. I took the one in the far corner. It looked to be about a foot and a half shorter than what I could fit into, so I told Fen I’d take the first shift. He motioned to the gun, but I left it in his duffel.

I rolled up the bark cloth a bit and sat in the doorway against a beam. A mist, torn in places, lay across the river now. Behind me Nell and Fen tried to get comfortable in their hammocks. ‘It’s like sleeping inside a teabag,’ I heard him say. Nell laughed and said something I couldn’t hear that made him laugh. It was the first time I had felt alone with them, and it hit me hard and low in the gut. They were here but they belonged to each other and they would go off again and leave me behind.

Outside the sounds of the jungle rose up. Croaks, thrashes, screeches. Whining, growling, splashing. Hums, thrums, and whirs. Every creature seemed on the move. On bad nights in Nengai I’d imagined they were all coming slowly for me.

I tried to focus on the immediate future, tomorrow, and not the great swath of time that stretched out perilously after that. I’d have to take them to Lake Tam. Another three hours upriver. Seven hours away from me. My visits, if I made them, would be planned and certainly less frequent. I’d have to stay the night, disrupt their routines. I was ashamed to feel such bald need for these near strangers, and as I sat there in the dark I trained my mind back to my work, though if there was a quicker way back to suicidal thoughts, I did not know it. But earlier in the day, I’d had another conversation with Nell about the Wai, and as we talked I had the idea that perhaps through this ceremony I could tell the story of the Kiona. I had hundreds of pages of notes, but I wasn’t any closer to a full understanding of it. Once elaborate and in celebration of a boy’s first homicide, the Wai ceremony was performed infrequently now, no longer to recognize a killing but in honor of any sort of young male’s accomplishment: first fish caught, first boar speared, first canoe built. Many firsts in the past two years had passed unacknowledged, however, and though I was often promised another Wai soon, soon never seemed to come.

I shut my eyes and remembered the ceremony as I had witnessed it. It had been during my first month and I’d been sitting with the women — I was often put with the women in large gatherings, along with the children and the mentally ill. To my left was Tupani-Kwo, one of the oldest women of the village. I managed to ask her a few questions, but I hadn’t understood many of her answers. It was chaotic. The father and uncles of the boy being celebrated came out first, in dirty tattered skirts and strings around their bellies like pregnant women wore. They hobbled along together as if they were sick or dying. The women came next, wearing male headdresses and necklaces made of homicidal ornaments and large orange penis gourds strapped around their genitals. They carried the men’s lime boxes and pushed the notched lime sticks in and out to make a loud noise and to show off the swinging tassels which hung from the end of the sticks, each one representing a past murder. The women walked tall and proud, appearing to enjoy the role. The boy and a few of his friends ran to them with big walking sticks and the women put down their lime boxes, took the sticks, and beat the men until they ran away.

I crept quietly back to get my notebook and citronella candle. Fen and Nell were dark lumps, hanging in their hammocks. Back in my spot in the doorway, I wrote about my most recent conversation with Tupani-Kwo about that day. I was surprised by the energy I suddenly had for it. The thoughts came fast, and I caught them, stopping only once to sharpen my pencil with a penknife. I thought of Nell’s euphoria and nearly laughed out loud. This little rush of words was the closest I’d come to any sort of elation in the field.

Behind me the stiff fibers of a hammock creaked and Nell came and sat beside me, her bare feet on the top rung of the ladder. She did have all ten toes.

‘I can’t sleep if someone else is working,’ she said.

‘Done.’ I closed the notebook.

‘No, please, continue. It’s also soothing.’

‘I was waiting for more words. I don’t think they were coming.’

She laughed.

‘What’s funny?’ I said.

‘You keep reminding me of things.’

‘Tell me.’

‘It’s just a story my father likes to repeat. I have no memory of it. He says at three or four I had a big tantrum and locked myself in my mother’s closet. I tore down her dresses and kicked her shoes all around, and made a terrible amount of noise, then there was absolute silence for a long time. “Nellie?” my mother said. “Are you all right?” and apparently I said, “I’ve spit on your dresses and I’ve spit on your hats and now I’m waiting for more spit.” ’

I laughed. I could see her with a round red face and a wild thicket of hair.

‘I promise that’s the last Nell Stone childhood vignette I will bore you with.’

‘Do you still amuse your parents?’ It was something I couldn’t imagine being able to do anymore.

She laughed. ‘Not in the least.’

‘Why not?’

‘I wrote a book all about the sex lives of native children.’

‘That is a bit less seemly than spitting on hats, isn’t it?’

‘A good bit less,’ she said in my accent. She put on Martin’s glasses. She’d been holding them in her hand. ‘The reactions to this book have been out of proportion. I was glad to escape the country.’

‘I’m sorry I haven’t read it.’

‘You have a pretty good excuse.’

‘I should have had someone send it.’

‘They haven’t warmed to it in England,’ she said. ‘Now go get some sleep. I’ll take this watch. Oh, look at the moon.’

It was the slightest paring, the rest of the unlit moon a faint aura behind it.

‘ “I saw the new moon, late yestereen, with the old moon in her arm,” ’ she said with a Scottish burr.

‘ “And I fear, I fear, my maister dear—” ’ I continued.

‘ “That we shall come to harm.” ’

‘ “They had na sail’d a league, a league,” ’ I said, thickening my own accent.

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