Richard Ford - Independence Day

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The Pulitzer-Prize Winning novel for 1996.In this visionary sequel to
, Richard Ford deepens his portrait of one of the most unforgettable characters in American fiction, and in so doing gives us an indelible portrait of America. Frank Bascombe, in the aftermath of his divorce and the ruin of his career, has entered an "Existence Period," selling real estate in Haddam, New Jersey, and mastering the high-wire act of normalcy. But over one Fourth of July weekend, Frank is called into sudden, bewildering engagement with life.
is a moving, peerlessly funny odyssey through America and through the layered consciousness of one of its most compelling literary incarnations, conducted by a novelist of astonishing empathy and perception.

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“Are you barking again, son?” I sneak a look at him and swerve slightly to the right. An accident here would mean complete defeat.

“I guess so.”

“Why is that? Do you think you’re barking for Mr. Toby or something?”

“I need to do it.” He’s told me several times that in his view people now say “need” when they mean “want,” which he thinks is hilarious. The Shriners drift back in the slow lane, probably nervous after I swerved at them. “It makes me feel better. I don’t have to do it.”

And frankly there’s nothing I feel I can say if greeting the world with an occasional bark instead of the normal “Howzit goin’” or a thumbs-up makes him feel better. What’s to get excited about? It might prove a hindrance under SAT testing conditions, or be a problem if he only barked and never spoke for the rest of his life. But I don’t see it as that serious. No doubt, like all else, it will pass. I should probably try it. It might make me feel better.

“So are we going to the Basketball Hall of Fame or not?” he says, as though we’d been arguing about it. His mind is now who knows where? Possibly thinking he’s thinking about Mr. Toby and thinking he wishes he weren’t.

“We definitely are,” I say. “It’s coming up pretty quick. Are you stoked for it?”

“Yeah,” he says. “Because I have to take a leak when we get there.” And that’s all he says for miles.

I n a hasty thirty minutes we slide off 91 into Springfield and go touring round through the old mill town, following the disappearing brown-and-white BB. HALL OF FAME signs until we’re all the way north of downtown and pulled to a halt across from a dense brick housing project on a wide and windy trash-strewn boulevard by the on-ramp to the interstate we were just on. Lost.

Here is a marooned Burger King, attended around the outside by many young black men, and beside it, beyond the parking lot, a billboard showing Governor Dukakis smiling his insincere smile and surrounded by euphoric, well-fed, healthy-looking but poor children of every race and creed and color. No garbage has been picked up here for several days, and a conspicuous number of vehicles are abandoned or pillaged along the streetside. A hall of fame, any hall of fame within twenty miles of this spot, seems not worth the risk of being shot. In fact, I’m willing to just forget the whole thing and head for the Mass Pike, turn west and strike off for Cooperstown (170 miles), which would have us rolling into the Deerslayer Inn, where I’ve booked us a twin, just in time for cocktail hour.

And yet to bag it would be to translate mere lost directions into defeat (a poor lesson on a voyage meant to instruct). Plus not going, now that we’re at street level, would be tantamount to temperamental; and in my worst 3 a.m. computations of self and character, temperamental’s the thing I’m not, the thing that even a so-so father mustn’t be.

Paul, who is ever suspicious of my resolve, has said nothing, just stared at Governor Dukakis through the windshield as if he were the most normal thing in the world.

I therefore execute a fast U-turn back toward town, cruise right into a BP delimart, ask directions out the window from a Negro customer just leaving, who courteously routes us back onto the interstate south. And in five minutes we’re on the highway then off again, but this time at a perfectly well marked BBHOF exit, at the end of which we wind around booming freeway pilings and run smack into the Hall of Fame parking lot, where many cars are parked and where a neat little grass lawn with wood benches and saplings for picnickers and reflective roundball enthusiasts borders the Connecticut, sliding by, glistening, just beyond.

When I shut the motor off, Paul and I simply sit and stare through the saplings at the old factory husks on the far side of the river as if we expected some great sign to suddenly flash up, shouting “No! Here! It’s over here now! You’re in the wrong place! You missed us! You’ve done it wrong again!”

I should, of course, seize this inert moment of arrival to introduce old Emerson, the optimistic fatalist, to the trip’s agenda, haul Self-Reliance out of the back seat, where Phyllis had it last. In particular I might try out the astute “Discontent is the want of self-reliance; it is infirmity of will.” Or else something on the order of accepting the place providence has found for you, the society of your contemporaries, the connection of events. Each seems to me immensely serviceable if, however, they aren’t contradictory.

Paul twists around and frowns back at the metal-and-glass Hall of Fame edifice, which looks less like a time-honored place of legend and enshrinement than a high-tech dental clinic, with its mulberry-colored, fake concrete-slab façade being just the ticket for putting edgy patients at their ease when they arrive for the first-time-ever cleaning and prophylaxis: “Here no one will harm, overcharge or give you bad news.” Above these doors, though, are cloth banners in several bright colors, spelling out BASKETBALL: AMERICA’S GAME.

As he looks back, I notice Paul has a thick, ugly, inflamed and unhealthy-looking seed wart on the side of his right hand below his little finger. I also note, to my dismay, what may be a blue tattoo on the inside of his right wrist, something that looks like what a prisoner might do and Paul may have done himself. It spells a word I can’t make out, though I don’t like it and decide immediately that if his mother can’t pay attention to his personal self, I’ll have to.

“So what’s inside?” he says.

“All kinds of good stuff,” I say, postponing Emerson and trying to ignore the tattoo while mounting some roundball enthusiasm, since I want to get out of the car, possibly grab a sandwich inside and make a last-ditch phone plea to S. Mantoloking. “They’ve got films and uniform displays and photographs and chances to shoot baskets. I sent you the brochures.” I’m not making it sound spectacular enough. Driving off might still be easier.

Paul gives me a self-satisfied look, as if a picture of himself shooting a basket were a source of amusement. For half a dollar I’d give him a flat-hand pop in the mouth too, for having a goddamned tattoo. Though that would violate, within our first hour together, my personal commitment to quality time.

“You can stand beside a big cutout of Wilt the Stilt and see how you match up sizewise,” I say. Our air-conditioning is beginning to dissipate at idle.

“Who’s Milt the Stilt?”

This I know he knows. He was a Sixers fan at the time he moved away. We went to games. He saw pictures. A basket in fact is bracketed at this moment to my garage on Cleveland Street. He is now, though, onto complexer games.

“He was a famous proctologist,” I say. “Anyway, let’s pick up a burger. I told your mother I’d buy you a sports lunch. Maybe they’ll have a slam-dunk burger.”

His eyes narrow at me across the seat. His tongue flicks nervously into each corner of his mouth. He likes this. His eyelashes, I notice for the first time (also like his mother’s), have become ridiculously long. I can’t keep up with him. “Are you hungry enough to eat the asshole out of a dead skunk?” he says, and blinks at me brazenly.

“Yeah, I’m pretty hungry.” I pop open my door and let stiff dieselly breeze, freeway slam and the gamy river scent all flood inside in one hot, lethal breath. I am also tired of him already.

“Well, you’re pretty hungry, then,” he says. He has no good follow-up, so that all he can say is: “Do you think I have symptoms that need treatment?”

“No, I don’t think you have any symptoms, son,” I say down into the car. “I think you have a personality, which may be worse in your case.” I should ask him about the dead bird but can’t bring myself to.

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