Howard Jacobson - J

Rhoda retreated into silence again. Let the gallery be burned , did he say? Let ? She didn’t want to know whether that meant he had invited arsonists in or had actually started the fire himself and then failed to put it out. Whatever else, she didn’t want to picture him putting a match to the building, knowing there was a child inside. A child who, had she lived, would have been about the age she was now. She didn’t want to show her fear.

‘It was strange, you know,’ he went on, in a different tone altogether now, almost matter-of-fact, ‘it was as though it wasn’t me doing it. Or if it was me it was me doing it at some other time. Any time in the last, I don’t know, two, three thousand years I could have done the same — seen the flames, shaken my head and walked away.’

Very well, he was mad. That somehow made her feel better and even, strangely, less frightened. She had her sanity to defeat him with.

‘What do you mean you could have done it two thousand years ago? Are you telling me you’re some sort of a vampire?’

‘I’m telling you my actions weren’t mine alone. I was just repeating what had been done countless times before, and I don’t doubt for the same reasons. Would you understand me if I said I’d been culturally primed to do it?’

She brought her hand to her mouth and laughed bitterly up her sleeve, the way everyone did at school when an elder made a preposterous statement. ‘Would you understand me if I said I’d been culturally primed to refuse to do my homework?’ she gathered the boldness to ask.

He smiled at her smartness. ‘Yes, I’d understand and say I hope that’s the worst thing you will ever be culturally primed to do.’

‘No you wouldn’t. You’d say I was letting myself off.’

‘It was a necessity,’ he said. ‘There are such things. It’s you or them. You can’t both breathe the same air. Some people are too different. I am who I am because I am not them , you tell yourself. That’s what you fall in love with at first — this clean break with yourself. Because if you are not them, they are not you. But then you realise it isn’t anything about them that you love, it’s the prospect of your own annihilation. They say before the executed die they fall in love with their executioner. Maybe had she not told me our affair was over, that she’d found a man more suitable to her needs — a financier, I supposed, or a painter, one of her own, anyway — I’d have accepted death at her hands as my consummation. But her timing was wrong. She missed her chance. The world changed while she wasn’t looking. One day the streets were quiet, the next the mob was out, shouting, burning, killing. I see from your expression that you know nothing of any mob. You were too young then and you’ve been well schooled since. But trust me, the gentlest people were suddenly behaving like animals. Was I part of it? Yes and no. I felt what they felt, they felt what I felt, though I believed then and believe now that I acted alone and for my own motives. But the violence didn’t surprise me. You’d think the sight of people behaving so unlike themselves would surprise you but it doesn’t. Violence quickly comes to look quite normal. Perhaps what I saw was a reflection of the violence in my heart. Perhaps I saw it as more violent than it was because I wanted it to be so. But I couldn’t have made up the things that happened. I didn’t join in. I even risked my own skin to get to her, to plead with her. Give me another chance. That’s what she had reduced me to. Give me another chance! I’ll do whatever you like. I’ll change . As though I could ever change into anything she wanted for more than fifteen minutes. As though I could ever be anything but a convenience to her. I ran to the house but found it closed up. Good, I thought, at least they’ve got away. But then it occurred to me that they might be at the gallery, which at least had shutters. That was two miles away. I ran the whole distance. The shutters weren’t down. The crowds had not got that far yet, though the usual boycotters were outside, noisier and more menacing than ever. With the strength that comes from desperation I pushed my way through them and hammered on the window. Little Jesse appeared. Even at that age she was her mother all over again. Same mournful eyes, same heavy cheeks, same rude flirtatiousness. Same indifference to danger. She was even wearing her mother’s high-heeled shoes. “Mum’s out,” she mouthed. I told her to let me in. I’d wait. She said, “Mum doesn’t want to see you any more.” “What about you?” I shouted. “Don’t you want to see me any more?” She shrugged. Easy come, easy go. I might as well have been a servant or the gardener. A person of no consequence though I’d petted and played with her and bought her presents she didn’t need. She eyed me sardonically. Her mother’s child. Don’t be pathetic , I could see she was thinking. I asked who was in the gallery with her. She said no one. She could have been lying but I chose to see her being left alone as proof of her mother’s callousness, and as a sign. Nine years old and left to fend for herself. What does that tell you? So should I have cared for her more than her faithless, so-called doting mother did? Whether I could have done anything I don’t know. I could have tried to spirit her away. I could have tried to reason with the crowd — There’s only a child in there . Only an insolent, superior little girl, but a child nonetheless. Unlikely to have made any difference but I could have tried. But the shouts and smell of smoke had a powerful effect on me. I don’t say they excited me, but they gave a sort of universality to what I was feeling. I am who I am because I am not them — well, I was not alone in feeling that. We were all who we were because we were not them. So why did that translate into hate? I don’t know, but when everyone’s feeling the same thing it can appear to be reasonableness. Can you understand that? What everyone’s doing becomes a common duty. Besides, it wasn’t for me to play God. These people had their own God, I thought — let Him look after her. So I did nothing when she turned her back on me. Didn’t bang on the window. Didn’t call her. Didn’t warn her. I stood outside for a short while, staring at the inflammatory words painted on the window — GALILEE GALLERIES — as though in a trance. Could have been thirty seconds, could have been thirty minutes, then I walked away.’

He kept his eyes averted from Rhoda’s, showing her his long, brittle hands. The hands he hadn’t employed to help a child. What did he want her to do — kiss them or break them off at the wrists?

‘And now you think it’s my duty to let you replace her with me,’ she said. She was on her feet, dressed and ready to leave, feeling sick but strong, with her school bag under arm. ‘Well you’ve got another think coming.’

She was relieved to make it out safely on to the street.

ii

She didn’t repeat a word to anyone of what she’d been told. There was no point. For one thing, to have spoken of it would have compromised her — what was she doing talking to her teacher about his murderous, obsessional love life in a hotel room? — and for another she didn’t expect to be believed. She wasn’t sure how much of it she believed herself. He could have made the whole thing up to impress her, or made the second half up to exact an imaginary revenge. You can murder in your thoughts, she knew that. And even if she’d been believed — what then? Where was the crime? What law do you break by walking away? She didn’t know much about what had gone on when she was ten, but she’d heard adults talking and knew the slate had been wiped clean. So long as you joined in the chorus of saying sorry, you were in the clear. The past was the past and brought automatic absolution.