Joseph McElroy - Women and Men

But he couldn’t have told Ted as he did Mayga about his position in the future, because he liked Ted, knew Ted knew he wasn’t the type to go on like that; wouldn’t believe him, or worse would think something permanently (not odd but) wrong with him. Which future are you going to worry about anyhow? — the upcoming election or the state of the dollar four or five years from now? You control the immediate future by reducing unemployment by not slapping controls on.

The recently bereaved boy Jim Mayn took to dropping in on two old (in fact late middle-aged) ladies who stopped being surprised when this boy who had mowed their lawn until he lost the job when he went to work on a farm the preceding summer came in and sat with them. They had hardly known his mother. Their piano was out of tune; he tried a chord and was asked to play and couldn’t; they talked horses, they would argue whether a gigantic trotter named Native Hanover who’s with all the other champions on the wall outside the bar of the hotel downtown had done in fact all the things they each thought they recalled, or were they remembering two or three horses; they knew times fantastically, and once Jim asked how long they had been living together, he’d forgotten for a second they were sisters, but he might have asked that dumb question because he had felt that they wanted him to go — their bathroom had a crocheted-or-something thick pink cover over the toilet seat and smelled perfumed. He visited — always unannounced — a doctor who lived over by the military school, who played the organ at the Baptist Church accompanying himself in a heady tenor when he didn’t, he said, even believe in God most Sundays; a couple of times when Jim showed up he had a feeling that he had interrupted the doctor and his wife and their daughter who was a year younger than Jim — the son was away at boarding school in Pennsylvania: "Let the Quakers see if they can do anything with Hank" — in the midst of discussing perhaps some rotten thing they had all done or the doctor had (because his family seemed so nice, though Jim liked him) —and he got up and went out of the room saying he needed a drink. He was the first grownup to ever offer Jim a beer, when he was still fifteen. And Jim took to dropping in also on the Bob Yards, and she would ask little questions about his grandmother going in to New York to look at material at Schumacher’s and had they gotten tired of Brad’s cooking yet? She was better arguing with Bob and laughing at his exaggerated stories from downtown: there was a dimmer switch on the market like the lights in the movie house and someday you would go away for a wild weekend in the city and your house would light up in the evening and turn all but one of its lights out at, say, midnight, and look like it was being lived in, even project two moving figures up next to the window ("Doin’ what?"), while you were dancing the night away or attending the horse show. Bob was practically the first to have a television set in Windrow and Jim thought the Notre Dame-Army football players looked like squat dolls or soldiers but you knew it was real, and it was a fascinating trick that had been put over on that whole scene that you felt could — or should — only be told about by the announcer. Nobody asked Jim something he couldn’t spell out himself.

Now that, wakes the interrogator, is so empty a statement it is downright bracing; what is the humidity outside our chambers?

Jim fell forward, sent away. But by whom? For it was his (only somewhat sickly) mother who had "passed away" (as Pearl Myles put it of her own mother’s death, discussing what, where, and when matter-of-factly for the class; her mother having passed away less than four years previous or, as Jim with a sour smile hidden in his heart swiftly calculated, not long after Pearl Harbor!); fell forward, as not even he could quite know, borrowing Bob Yard’s pickup truck (this time legitimately) one afternoon of his senior year, but we, who were always potentially part of him, knew and would claim credit for saving his life that afternoon if it were not some section of our own, not to mention that of a farm kid in a baseball cap driving a bare bodiless chassis the wrong way out of the street behind the Courthouse as Jim, with the right of way and Ann-Marie Vandevere braced beside him in the same seat that Anna Maria Pietrangeli had occupied with proud arms crossed over her breast the week before, floored the pedal only afterward to be in a position (thanks to Bob Yard’s brakes in the days before inspection) to know that at that instant his errand had been less to kill that vehicle in front of him and its exposed operator than to pass through it with an angry (not "irate") vision that if he’d been given what his force for a moment demanded would have propelled him and the severe and passionate blonde girl with him through that thing — that "thing" he’s driving, that dink, that fuckhead — by way of a mere rearrangement of the matter making up said unwary obstacle without altering it in any way but the experience of these molecules that made secret space for him and the girl and Bob’s vehicle to pass through yet paralleled by a memory felt in Jim’s shoulders and knuckles and calves that this was no way to get out of town. The kid’s life was spared. The so-called Hokey-Pokey Man, who peddled his homemade vanilla ice cream by a little horsedrawn wagon at dusk, told him his mother had been one of the nicest persons he had ever known; a lot to live up to, he said — an Armenian, but not quite the only one in town, said grandfather Alexander — some Armenians are gypsies (some gypsies are Hungarians), but the Hokey-Pokey Man has that fine head of white hair and a square head like Mel’s, only smaller — he’s no gypsy—

— We knew that anyway, said Margaret.

Jim reported to his father what the Hokey-Pokey Man had said, who incidentally must have recalled how much Sarah loved vanilla ice cream as deep a vanilla taste as heart of nutmeg; and Jim’s father said how most Armenians were Catholics. Jim didn’t get it, but wasn’t in the habit of asking his father things; but when he reported his father’s odd remark, Margaret, whom he never talked with any more about her old hole-in-the-sky stories, told him Catholics considered suicide a sin. Jim just said, "Guess she didn’t commit suicide, then," and Margaret retorted, "No second chance there." And Jim added, "Maybe there’s no heaven." "Maybe there isn’t," said Margaret. Margaret laughed and went to give him a hug, which he more or less went along with. But it made him hopeless — how could that be? — and he said what seemed to come between them: "Well, they never found her." Not that anyone was really looking now, or raking the briny floor for a person he felt like he knew somewhat less now, though Brad for God’s sake recalled stuff about her from before he was born — maybe the little bastard really was more her son — such as that she didn’t want any more kids but after Brad came along she was glad; and that she had been a great surf swimmer in the old days, fearless and stubborn, until later she hardly ever went in. And she laid out her writing pens and ye olde music-copying implements on the drop-leaf desk in the musick womb — the next room, a room full of possible and future music, and Jim fell forward (it felt like forward) through furniture, people, walls, power lines, hilly roads — and, and—

Is she clear to you? asks the interrogator, faked into a second career as listener — and who, he adds, are you? — it’s suddenly not qua-t clear; in the modern city they have just adopted one of our own venerable methods of causing pain in order to elicit information; yes, a youth approached a park bench containing a couple who were either of different sex or same, and shot them through the leg with one shot, and (which was his original "touch") only then inquired what money they had.