Joseph McElroy - Women and Men

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Women and Men: краткое содержание, описание и аннотация

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Beginning in childbirth and entered like a multiple dwelling in motion, Women and Men embraces and anatomizes the 1970s in New Yorkfrom experiments in the chaotic relations between the sexes to the flux of the city itself. Yet through an intricate overlay of scenes, voices, fact, and myth, this expanding fiction finds its way also across continents and into earlier and future times and indeed the Earth, to reveal connections between the most disparate lives and systems of feeling and power. At its breathing heart, it plots the fuguelike and fieldlike densities of late-twentieth-century life.
McElroy rests a global vision on two people, apartment-house neighbors who never quite meet. Except, that is, in the population of others whose histories cross theirsbelievers and skeptics; lovers, friends, and hermits; children, parents, grandparents, avatars, and, apparently, angels. For Women and Men shows how the families through which we pass let one person's experience belong to that of many, so that we throw light on each other as if these kinships were refracted lives so real as to be reincarnate.
A mirror of manners, the book is also a meditation on the languagesrich, ludicrous, exact, and also Americanin which we try to grasp the world we're in. Along the kindred axes of separation and intimacy Women and Men extends the great line of twentieth-century innovative fiction.

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Did you ever see that boy again?

Who knows?

But the screwdrivers however casually left near a tool box and near probably some rags and usually a gasoline can with a neck on it not where Bob had left them were really gone: so the kid—

You expect us to believe you never told your wife?

Scout’s honor.

Did you belong to the Boy Scouts?

Well. .

You brought it up.

Officially, yes.

So your word is worth only the paper it is written on.

He could live with that; sure.

Jim looked at his father’s bowed head and his half-brother eating a sandwich and as if through the munching of Brad, the mouth work and prospect of digesting, Jim smelled peanut butter, so it wasn’t one of Margaret’s sandwiches. He saw why people got drunk. He had looked out Bob’s windshield and his breath was taken away and when he looked back into the truck bed the kid was gone. As he had been to begin with.

Well, why hadn’t he told about it? Not even Sam, his friend, whose long face would look like a bloodhound’s in twenty years, Jim saw it exactly. Sam, with his leather boots on a hot September Sunday, who was always ready to go someplace but you had to give him the idea first, and then he would take over and see the sky through the trees, a beaver dam along a junky old stream, faint depressions across pine needles, tracks of an unknown creature coming out of nowhere, and suddenly remember hearing beavers smacking their tails on the flat water at night.

And then Jim thought he had seen that same piner kid of the truck ride a month before at the movies. You really knew it when you got near a piner kid in an enclosed space, not that they had the money for a ticket to the movie, even though they probably watered their bodies in the lake from time to time. Didn’t that kid go to school? Jim had seen a woman with hair flat on her narrow head washing clothes, and there was a little shoreline of foam like Mantoloking seafoam — but with mud and roots. But it probably wasn’t the screwdriver kid, that day in the movies so soon after Sarah’s death. After Brad’s Day Jim saw the kid’s face and the back of his head several times, but it wasn’t him. It was in Sam’s long backyard where they played touch football that was practically tackle and Jim left the game and ran up past the beautiful old red brick house to the picket fence but it wasn’t the kid slowly hiking a bit surly along the sidewalk; or it was coming out of the soda fountain and looking across the street at the window full of overalls and there was the kid with a dirty sailor cap but after getting practically hit in the middle of the street by two cars passing each other, Jim saw it wasn’t the same kid, this one was taller, without the rangy shoulders; or it was the jungle in Guadalcanal, hand to hand, get him before he even has a chance to pick his weapon up, his father and Alexander had been reading a book about Guadalcanal, man to man, you didn’t have time to ask questions, you’d heaved your last grenade back on the other island, Iwo Jima, Guam, one of them, launched it with all you had, which was your discus arm if it didn’t get sucked away by the same grenade it was propelling by the slinging mode — so that that hand without time to ask questions felt like the future but the War was just over, and Bob Yard didn’t talk much about it any more, his brother-in-law came home intact, his niece elected to stay in the WAVES for three more years having become an expert typist with a better chance to travel now than during the War, and Jim’s father who seemed to be developing a bulbous chin dragged out the deal to unload the paper until one night in Jim’s senior year Mel asked Jim if he himself would have considered hanging on to the paper, all other things being equal, and Jim said he wanted no part of it (which alas was only part of what he had had or had meant to say) and his father shrugged and said what he maybe hadn’t meant to say but might well have felt, since he had already been left once, to wit that that’s a big reason he decided to sell out. To which Jim quickly said, "Oh thanks, Mel, thanks, that puts me in my place, I had that coming, sure I did." (The first time he had called his dad Mel.)

No newspapers for him, not that the Democrat (whatever they said about Jackson and the bank) was a real newspaper; it had social notes on relatives who came to spend a week or a friend from New York or Reading, Pennsylvania, though not Margaret’s funny-looking old tramp of a man whom Jim first saw on the beach at Mantoloking the day Bob Yard had come and had that unsuccessful conversation with Jim’s mother more or less one-way where, on that black towel of hers, she lay irritated and still, but the old guy would talk and talk in the car and stayed with Margaret and Alexander a couple of days at least but Alexander kicked him out because he upset Margaret after Mel wanted to run a note in the paper but Margaret preferred not to and the man was known to Jim as that Inventor from New York though Jim never asked him his real name, and he wasn’t quite the same as the Hermit-Inventor from 1893-4, but was his decrepit nephew carrying on the good work, Margaret said, because you had to, and Jim asked him what he did: It remained to be seen, he said; it was partly just living, but it was unpredictable — he had invented a smallish machine that randomly invented new shapes there was motion for, but no formula yet, and he had carried on his forebears’ work which was beginning to look like learning not just to control the weather but in a new way to live with it, partly through seeing its relation to the interior activity of the land, even mountains far away, and so he was moving toward maybe a new weather, which made him practically unemployable but he had a small "competence" descended to him from an "ancestor’s" patent royalty which enabled him to maintain the "family railroad flat" in a city that — but Jim sometimes, when he bothered to think about it, wasn’t sure what he recalled and what inferred — so that the piner kid was maybe one-quarter made-up, and had forced him to share the pickup truck he had, briefly stolen the afternoon of Brad’s Day; and he was pretty sure he recalled the Hermit-Inventor of New York saying he had been given what equipment and training — mostly self-education — he needed so if he lost the struggle he could only blame himself — the very words, almost, that Mel said, the day of the final and crucial football game when Windrow was definitely the underdog as Jim pointed out to Brad, whereupon Mel said all that about having enough training and equipment so if they lost the game it was their own fault ("equipment" a crazy word), the already semi-retired father saying the sentence like words he had been given and was bound to say, so that at the time of another war in which Jim did not participate he knew he would hear those words if only because automatic packaged phrases are future phrases, a thought that Mayn passed on to his unlucky and largely unknown though loved friend Mayga, the Chilean woman — passed it on and passed it off as no thought at all but she asked him please not to dismiss it as a thought, but he could count on her to take seriously a lot of what he found to tell that he would only very occasionally get soused about — that is, drunk and loud, though not fighting mad, for if you tear someone limb from limb you might hurt that someone, he said, and although once during his married years he did in fact go for the jugular (‘‘after the jug?" said Ted, who was readier to believe Jim than some layer of his brain gook could accept). Well, to the late Mayga, and perhaps once to his journalist-colleague Ted, who was with UPI for years and knew everything (which was what he said about Jim), he explained that this type of evening’s undertaking (that is, to get thoroughly drunk) marked an effort to prove that some of these other thoughts which would persist actually then more strongly though less coherently were dependent on an inebriated state of mind and were dumb and a delusion.

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