But now she found nearby a new vacancy of two seats roughly equidistant from her exhilarated officer and those house seats she’d reserved for her absent friend and spouse. And this new vacancy she now, in bed with the officer, filled, but with a face she didn’t know, a large squarish face, rather strong, not old but with a thick shock of gray hair and broad shoulders. For, unmindful of mysterious convergence, she let the picture unthinking come at her — broad shoulders touching on one side whoever he was with — oh, a girl — who like him was absent before the curtain rose on Act Two’s awful business of the silver moon goddess turned green with jealousy and rage. Luna verde, she breathed in Chilean next to her love from the terrible planet of her birth, and found herself weeping, with those words of her revered, long-traveled poet, who meant not jealousy but the shadow cast by the silver of that earth rich with wonders not to say workable minerals: yet she’s not sure, and she needs to see the poem again and can’t lay her hands on it maybe for the very reason she’s thought of it; she lent the book to Clara for Clara’s husband, who gave up his personal library when he left Chile and travels light, and taught the entire poem in question by rote to Clara, who recited it to the diva who already knew it but not by heart, and who now in her companionable bedroom breathing luna verde wept, wept, but not wholly without joy. Meanwhile we have the ear of the officer’s thigh-connected head, and seem to speak through that well-turned ear though he thinks that it’s from her, her thigh, that he hears "James Mayn," whose future he knows quite a while ago found cause to shadow Clara’s husband—
— that’s the name, that’s it! exclaims the interrogator in torture country looking up from the bare ankles next to the floor-anchored chair legs, to the bloodshot eyes and ringing ears swaying above the bound arms and wrists they have grown out of, that’s the name! exclaims the interrogator, forgetting that his job is that of questioner tapped by those above who have the real responsibility for, say, adjusting import duties and exporting good old-fashioned surveillance, while this anonymous interrogator who represents a system the mufti admiral is higher up in has the job of taxing the bloodshot subject’s trick of ambiguous speech: for example, that the East Far Eastern Princess, when the Navajo Prince one day told her his cosmos, knew then (we quote) that that was what she had come to understand—
— Wham! comes the sneak hand on the subject’s soul which is everywhere and nowhere, and the bruises don’t show unless we peel off a layer of soul fat or fat-oriented Fleisch, or, to the music (if you call that music real noise) dimly heard in the next room where a child does its Rotation homework (so it stays done!), the torturer’s bruise-cruise leaves so little evidence that all we have to go on—
— Wham! Kthunk but we have to go on because —
— all we have to go on is the subject’s tic-like tendency to stammer forth nought but D.T.’s whose ambiguity now seems to welcome more and more of punishment’s teaching—
— Wham! we did it that time to ourself, we stick indiscriminately to the same rules as we do others, here to have our delirium tremens and in same breath render from Romance language "double tenders." But if we’re doing it to ourself does that mean we have within us that delegated interrogator who takes responsibility for taxing our after all human not angel trick of saying two things at once but only in order to get out of the subject information he the interrogator and his system are, well, already in possession of?—
— as Jim Mayn (journalist known to have met the exile economist) knew was one odd evolution, that is the future capacity to communicate things outward through the ear as, in the century in question and other surrounding centuries, we spoke through our eyes even more than down our noses. Evolution? Or mutilation?
Yet to the demufti’d officer, his eyes so nearly touching the length of the thigh his ear’s against that he’s apt to be not seeing what he’s hearing, which on these strong currents is pretty much the music of the hemispheres he has often applauded without really telling his left hand what his right was up to. That is, it isn’t the tapeworm’s track he is able to hear or, if he could, to guess that its track in all its now two-way flow is all that’s left of the tapeworm, as the diva last week flushed it out, to the nostalgic dismay of her fond physician, at the risk of putting on some more poundage at a Hispanic restaurant the same evening where she and her mufti lover sat near a small, once-dusty correspondent-woman who by some near rule of highly metabolized convergence was half-oblivious of them.
This woman Lincoln was chewing the mussels, shrimps, squid, and other fruits of the sea in a rich, peppery and suspiciously inexpensive mariscada that upstaged the sweet salt of her cactus appetizer, while she pictured deserts of New Mexico.
Is this true — what’s just been said? We promise so. For she had gone a long way in her own right, right into now a veritable granary of shared information that she was finding in a women’s Body-Self Workshop she had attended out of (for her) the strangest despairs. These she had woken up to one morning long ago. Or might we mean "recently"? — and save the "long ago" for her sense of time passed since her Asian assignments and her sense of South Vietnam lost ploughshared into what (unlike a native American desert) you couldn’t at last even give away — a war lost. Still, the records of her dusty work remained, even to voice tapes of children unwrapping candy bars and speaking English, and of a monk burning while she herself spoke into a tiny, bad-tasting mike as softly as a golf broadcaster talking through the tube to her father. She now found that the women of the workshop sitting naked on a great expanse of brown carpet told their despairs in the language of hers, her despairs. As if she had never been away across the world, so had she been performing actions in her sleep, the way she had heard a monk say? (If you want to cross over the world, whatever that meant, perform actions as if you were asleep.) Yet now it had happened without her willing it: never been away across the world but on a parallel track— very parallel, if she could round it off like that, because the other track was her job which she had always been good at. Still, sitting among those women on a New York carpet, no problem: she had always liked this imperfect female body, quite apart from quite good orgasm that she seldom let herself miss wherever she was, though didn’t bring it exactly with her, it had to be white men, some were co-workers, correspondents like her. She always lived in this painless cramp of knowing she of course would have a child but aware that her ability not to have one was fairly great; and now she was talking about it amid such shared facts of women who needed a second car and didn’t always have one, and women who even if the kids left the silver in the sink felt that added time spent evened out the lonely difference between how long dinner and how long eating it — which got multiplied and at once weirdly divided by difference between time spent by husband earning money not withheld and his eager indifference to how fast the expensive food they ate at night disappeared — and so Lincoln could see also how lucky she had been to have her work. But also, so what.
Which, like her contemplation of those New Mexico deserts that she’d never checked out in person, went a long way and beyond the truth that that was what she was thinking about while sopping her sharp-crusted bread in the juice of the garlic and peppery red-sauce of her sea stew in this small, cheap place a pass-along recommendation by the woman Clara in her workshop who had ultimately though pleasantly shown little interest in seeing her socially after the workshop ended.
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