Dominique Fabre - Guys Like Me

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"Fabre is a genius of these nuanced, interior moments… The story Fabre tells is that of every one of us: looking for meaning in the mundane, moving through our lives, our interactions, as if through the fabric of a dream… How do we live? it asks to consider. And: What does our existence mean?" "Guys Like Me is a short, arresting tale that…not only offers keen insights into the mind of its middle-aged protagonist, but also provides the reader with a unique tour of what everyday life in the low-key suburbs of Paris must truly be like."- "Readers will take pleasure in this well-told tale with a satisfying ending." — "The setting may be Paris, but it’s not the Paris of grand avenues and pricey cafés. In fact, Fabre’s hero is a recognizable everyman, from any country." — A smile like a soft flash of light. . travels through this moving novel and tells, in words that are muted and profoundly humane, of life as it is." — "Fabre speaks to us of luck and misfortune, of the accidents that make a man or defeat him. He talks about our ordinary disappointments and our small moments of calm. Fabre is the discreet megaphone of the man in the crowd." — "In this novel one finds the intimate geography of an author who lays bare the essence of Paris and its outskirts." — Dominique Fabre, born in Paris and a lifelong resident of the city, exposes the shadowy, anonymous lives of many who inhabit the French capital. In this quiet, subdued tale, a middle-aged office worker, divorced and alienated from his only son, meets up with two childhood friends who are similarly adrift, without passions or prospects. He's looking for a second act to his mournful life, seeking the harbor of love and a true connection with his son. Set in palpably real Paris streets that feel miles away from the City of Light,
is a stirring novel of regret and absence, yet not without a glimmer of hope.
Dominique Fabre
The Waitress Was New

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“When are you back again?”

“Next month, Anaïs and I are coming for a few days.”

“We’ll meet, right?”

“Can we crash at your place for one night?”

“Of course you can.”

I put my camera back in my jacket pocket and he handed me the helmet. I put it away in the little compartment where I also keep a map of the suburbs of Paris. Sometimes, in the evening, I take it up with me and decide on the places I could go and revisit, places I used to go with my mother, with friends, because of girls, and sometimes for no reason at all.

“I guess she’s waiting for you?”

He nodded. “Yes, it’s number twenty-three.”

He pointed to the little building where she lived. It was quite nice, I thought. Well, it wouldn’t be long.

“Don’t worry about it,” I said.

He seemed to find it hard to leave this time. Earlier, in the café, he’d told me a bit about his life in Zurich. But that wasn’t really it. He put on that look I knew so well and asked me just after we hugged: by the way, how’s Marie? Marie’s a lot better, I told Ben, she’s coming out tomorrow. He gave me a big smile.

“Say hello to her from us, we’ll see her next month, OK?”

“Yes.”

At the intersection by the water tower I turned back towards him and he was still looking at me, he raised his hand. So did I. See you soon! He picked up his bag and turned right onto the little street where his mother lived. It wasn’t bad around here, quiet, very green, just above the Bagnolet basin. I set off again, aiming for the Mercuriale towers at the junction of the A3 in order to get back on the Maréchaux. I’m going to print the photos. I have to call Marco later. I have a lot of things to do. Sometimes life rides along all by itself, there are several million of us like this, I’m riding, Marie’s coming out tomorrow, I could ride for hours. I’m waiting for tomorrow. Well, there it is.

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