Jonathan Franzen - The Corrections

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The Corrections: краткое содержание, описание и аннотация

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Amazon.com Review
From Publishers Weekly Jonathan Franzen’s exhilarating novel
tells a spellbinding story with sexy comic brio, and evokes a quirky family akin to Anne Tyler’s, only bitter. Franzen’s great at describing Christmas homecomings gone awry, cruise-ship follies, self-deluded academics, breast-obsessed screenwriters, stodgy old farts and edgy Tribeca bohemians equally at sea in their lives, and the mad, bad, dangerous worlds of the Internet boom and the fissioning post-Soviet East.
All five members of the Lambert family get their due, as everybody’s lives swirl out of control. Paterfamilias Alfred is slipping into dementia, even as one of his inventions inspires a pharmaceutical giant to revolutionize treatment of his disease. His stubborn wife, Enid, specializes in denial; so do their kids, each in an idiosyncratic way. Their hepcat son, Chip, lost a college sinecure by seducing a student, and his new career as a screenwriter is in peril. Chip’s sister, Denise, is a chic chef perpetually in hot water, romantically speaking; banker brother Gary wonders if his stifling marriage is driving him nuts. We inhabit these troubled minds in turn, sinking into sorrow punctuated by laughter, reveling in Franzen’s satirical eye:
Gary in recent years had observed, with plate tectonically cumulative anxiety, that population was continuing to flow out of the Midwest and toward the cooler coasts…. Gary wished that all further migration [could] be banned and all Midwesterners encouraged to revert to eating pasty foods and wearing dowdy clothes and playing board games, in order that a strategic national reserve of cluelessness might be maintained, a wilderness of taste which would enable people of privilege, like himself, to feel extremely civilized in perpetuity.
Franzen is funny and on the money. This book puts him on the literary map.
— Tim Appelo If some authors are masters of suspense, others postmodern verbal acrobats, and still others complex-character pointillists, few excel in all three arenas. In his long-awaited third novel, Franzen does. Unlike his previous works, The 27th City (1988) and Strong Motion (1992), which tackled St. Louis and Boston, respectively, this one skips from city to city (New York; St. Jude; Philadelphia; Vilnius, Lithuania) as it follows the delamination of the Lambert family Alfred, once a rigid disciplinarian, flounders against Parkinson’s-induced dementia; Enid, his loyal and embittered wife, lusts for the perfect Midwestern Christmas; Denise, their daughter, launches the hippest restaurant in Philly; and Gary, their oldest son, grapples with depression, while Chip, his brother, attempts to shore his eroding self-confidence by joining forces with a self-mocking, Eastern-Bloc politician. As in his other novels, Franzen blends these personal dramas with expert technical cartwheels and savage commentary on larger social issues, such as the imbecility of laissez-faire parenting and the farcical nature of U.S.-Third World relations. The result is a book made of equal parts fury and humor, one that takes a dry-eyed look at our culture, at our pains and insecurities, while offering hope that, occasionally at least, we can reach some kind of understanding. This is, simply, a masterpiece. Agent, Susan Golomb. (Sept.)Forecast: Franzen has always been a writer’s writer and his previous novels have earned critical admiration, but his sales haven’t yet reached the level of, say, Don DeLillo at his hottest. Still, if the ancillary rights sales and the buzz at BEA are any indication, The Corrections should be his breakout book. Its varied subject matter will endear it to a genre-crossing section of fans (both David Foster Wallace and Michael Cunningham contributed rave blurbs) and FSG’s publicity campaign will guarantee plenty of press. QPB main, BOMC alternate. Foreign rights sold in the U.K., Denmark, Holland, Italy, Norway, Portugal, Sweden and Spain. Nine-city author tour.
Copyright 2001 Cahners Business Information, Inc.

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Denise sighed and let her cone of flowers droop to the sidewalk. “What are you saying? You want to follow her and take away her medicine?”

“I’m saying the structure of the entire culture is flawed,” Chip said. “I’m saying the bureaucracy has arrogated the right to define certain states of mind as ‘diseased.’ A lack of desire to spend money becomes a symptom of disease that requires expensive medication. Which medication then destroys the libido, in other words destroys the appetite for the one pleasure in life that’s free, which means the person has to spend even more money on compensatory pleasures. The very definition of mental ‘health’ is the ability to participate in the consumer economy. When you buy into therapy, you’re buying into buying. And I’m saying that I personally am losing the battle with a commercialized, medicalized, totalitarian modernity right this instant.”

Denise closed one eye and opened the other very wide. Her open eye was like nearly black balsamic vinegar beading on white china. “If I grant that these are interesting issues,” she said, “will you stop talking about them and come upstairs with me?”

Chip shook his head. “There’s a poached salmon in the fridge. Α crème fraîche with sorrel. A salad with green beans and hazelnuts. You’ll see the wine and the baguette and the butter. It’s good fresh butter from Vermont.”

“Has it occurred to you that Dad is sick?”

“An hour is all it’s going to take. Hour and a half at most.”

“I said has it occurred to you that Dad is sick?”

Chip had a vision of his father trembling and pleading in the doorway. To block it out, he tried to summon up an image of sex with Julia, with the azure-haired stranger, with Ruthie, with anyone, but all he could picture was a vengeful, Fury-like horde of disembodied breasts.

“The faster I get to Eden’s and make those corrections,” he said, “the sooner I’ll be back. If you really want to help me.”

An available cab was coming down the street. He made the mistake of looking at it, and Denise misunderstood him.

“I can’t give you any more money,” she said.

He recoiled as if she’d spat on him. “Jesus, Denise—”

“I’d like to but I can’t.”

“I wasn’t asking you for money!”

“Because where does it end?”

He turned on his heel and walked into the downpour and marched toward University Place, smiling with rage. He was ankle-deep in a boiling gray sidewalk-shaped lake. He was clutching Denise’s umbrella in his fist without opening it, and still it seemed unfair to him, it seemed not his fault , that he was getting drenched.

Until recently, and without ever giving the matter much thought, Chip had believed that it was possible to be successful in America without making lots of money. He’d always been a good student, and from an early age he’d proved unfit for any form of economic activity except buying things (this he could do), and so he’d chosen to pursue a life of the mind.

Since Alfred had once mildly but unforgettably remarked that he didn’t see the point of literary theory, and since Enid, in the florid biweekly letters by means of which she saved many dollars on long-distance dialing, had regularly begged Chip to abandon his pursuit of an “impractical” doctorate in the humanities (“I see your old science fair trophies,” she wrote, “and I think of what an able young man like you could be giving back to society as a medical doctor, but then, you see, Dad and I always hoped we’d raised children who thought of others, not just themselves”), Chip had had plenty of incentives to work hard and prove his parents wrong. By getting out of bed much earlier than his grad-school classmates, who slept off their Gauloise hangovers until noon or one o’clock, he’d piled up the prizes and fellowships and grants that were the coin of the academic realm.

For the first fifteen years of his adult life, his only experience with failure had come secondhand. His girlfriend in college and long after, Tori Timmelman, was a feminist theorist who’d become so enraged with the patriarchal system of accreditation and its phallometric yardsticks of achievement that she refused (or was unable) to finish her dissertation. Chip had grown up listening to his father pontificate on the topics of Men’s Work and Women’s Work and the importance of maintaining the distinction; in a spirit of correction, he stuck with Tori for nearly a decade. He did all of the laundry and most of the cleaning and cooking and cat care in the little apartment that he and Tori shared. He read secondary literature for Tori and helped her outline and reoutline the chapters of her thesis that she was too throttled by rage to write. Not until D — College had offered him a five-year tenure-track appointment (while Tori, still minus a degree, took a two-year nonrenewable job at an agriculture school in Texas) did he fully exhaust his supply of male guilt and move on.

He arrived at D—, then, as an eligible and well-published thirty-three-year-old to whom the college’s provost, Jim Leviton, had all but guaranteed lifelong employment. Within a semester he was sleeping with the young historian Ruthie Hamilton and had teamed up at tennis with Leviton and brought Leviton the faculty doubles championship that had eluded him for twenty years.

D — College, with an elite reputation and a middling endowment, depended for its survival on students whose parents could pay full tuition. To attract these students, the college had built a $30 million recreation center, three espresso bars, and a pair of hulking “residence halls” that were less like dorms than like vivid premonitions of the hotels in which the students would book rooms for themselves in their well-remunerated futures. There were herds of leather sofas and enough computers to ensure that no prospective matriculant or visiting parent could enter a room and not see at least one available keyboard, not even in the dining hall or field house.

Junior faculty lived in semi-squalor. Chip was lucky to have a two-story unit in a damp cinderblock development on Tilton Ledge Lane, on the western edge of campus. His back patio overlooked a waterway known to college administrators as Kuyper’s Creek and to everybody else as Carparts Creek. On the far side of the creek was a marshy automotive boneyard belonging to the Connecticut State Department of Corrections. The college had been suing in state and federal courts for twenty years to preserve this wetland from the “ecodisaster” of drainage and development as a medium-security prison.

Every month or two, for as long as things were good with Ruthie, Chip invited colleagues and neighbors and the occasional precocious student to dinner at Tilton Ledge and surprised them with langoustines, or a rack of lamb, or venison with juniper berries, and retro joke desserts like chocolate fondue. Sometimes late at night, presiding over a table on which empty Californian bottles were clustered like Manhattan high-rises, Chip felt safe enough to laugh at himself, open up a little, and tell embarrassing stories about his midwestern childhood. Like how his father not only had worked long hours at the Midland Pacific Railroad and read aloud to his children and done the yard work and home maintenance and processed a nightly briefcaseful of executive paper but had also found time to operate a serious metallurgical laboratory in the family basement, staying up past midnight to subject strange alloys to electrical and chemical stresses. And how Chip at the age of thirteen had developed a crush on the buttery alkali metals that his father kept immersed in kerosene, on the blushing crystalline cobalt, the buxom heavy mercury, the ground-glass stopcocks and glacial acetic acid, and had put together his own junior lab in the shadow of his dad’s. How his new interest in science had delighted Alfred and Enid, and how, with their encouragement, he’d set his young heart on winning a trophy at the regional St. Jude science fair. How, at the St. Jude city library, he’d unearthed a plant-physiology paper both obscure enough and simple enough to be mistaken for the work of a brilliant eighth-grader. How he’d built a controlled plywood environment for growing oats and had photographed the young seedlings meticulously and then ignored them for weeks, and how, by the time he went to weigh the seedlings and determine the effects of gibberellic acid in concert with an unidentified chemical factor , the oats were dried-out blackish slime. How he’d gone ahead anyway and plotted the experiment’s “correct” results on graph paper, working backward to fabricate a list of seedling weights with some artful random scatter and then forward to make sure that the fictional data produced the “correct” results. And how, as a first-place winner at the science fair, he’d won a three-foot-tall silver-plated Winged Victory and the admiration of his father. And how, a year later, around the time his father was securing his first of two U.S. patents (despite his many grievances with Alfred, Chip was careful to impress on his dinner guests what a giant, in his own way, the old man was), Chip had pretended to study migratory bird populations in a park near some head shops and a bookstore and the house of a friend with foosball and a pool table. And how in a ravine at this park he’d uncovered a cache of downmarket porn over the weather-swollen pages of which, back home in the basement lab where, unlike his father, he never performed a real experiment or felt the faintest twinge of scientific curiosity, he’d endlessly dry-chafed the head of his erection without ever figuring out that this excruciating perpendicular stroke was actively suppressing orgasm (his dinner guests, many of them steeped in queer theory, took special delight in this detail), and how, as a reward for his mendacity and self-abuse and general laziness, he’d won a second Winged Victory.

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